Film

Film Review: How to Train Your Dragon flies high with warmth and excitement, despite the familiarity of its footing

Whilst it’s predominantly the House of Mouse that have been transforming their animated back catalogue into live-action features that have all varied in their quality output, DreamWorks have entered the chat with one of their most ambitious updates in How to Train Your Dragon.  Hoping they can avoid a lot of the soulless critiques that…

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Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity: Tribeca Film Festival Review

A film that embraces a more eclectic hobby over ridiculing its eccentricities, Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity. Written and directed by Lauren Meyering, Horsegirls embraces the defiance of its lead character, Margarita (so beautifully embodied by Lillian Carrier), and how her perceived fragility gives way…

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Blue Road – The Edna O’Brien Story is a love letter to an author that broke the mould: Sydney Film Festival Review

It is incredible to think that Edna O’Brien grew up in a house with no books. It was an oppressive Catholic childhood in a small Irish town, but that didn’t stop this formidable woman from becoming a literary great. Blue Road – The Edna O’Brien Story is an intimate documentary and portrait of her life, which…

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Poreless; biting beauty industry short film serves universal comedy and positive self-messaging: Tribeca Film Festival Review

There’s a lived-in mentality to Poreless that is sure to resonate with certain audiences – it’s lead is a gay Muslim – but the comedic nature of its script, written by director Harris Doran and Fawzia Mirza, is particularly universal, looking at the vapid disconnection of the beauty world, the tightrope many walk when it…

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Interview: Akbar Hamid on the importance of his short film Poreless; “At the end of the day it’s about self worth and knowing that it’s all within.”

A fabulous, queer Muslim beauty entrepreneur must figure out how to compete in a Shark Tank-like product pitch contest after suffering an untimely allergic reaction. Such is the logline for Poreless, a biting, commentative short currently screening at this year’s Tribeca Film Festival.  Headlined and produced by Akbar Hamid, the performer is making a plenty…

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Redux Redux will pull you into the multiverse and not let you go: Sydney Film Festival Review

Screening as part of the ‘Freak Me Out’ programme strand for Sydney Film Festival, Redux Redux is a self-reflexive blend of science fiction and horror, coming in fresh from its 2025 SXSW premiere. Quite simply, the film tells the story of Irene (Michaela McManus), who travels through parallel universes to find her daughter’s killer. Directed…

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Twinless explores grief and trauma bonding in the most comedically black manner: Sydney Film Festival Review

What sets itself up as something of a meet-cute between two grieving men who form an unlikely friendship in the midst of their trauma, James Sweeney‘s Twinless ultimately reveals itself as something else – a particularly pitch-black dramedy that asks its audience to stay with its morally bankrupt lead as it shifts from an original…

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Marlee Matlin: Not Alone Anymore is at once unapologetic and graceful in its looks at the life of its subject: Sydney Film Festival Review

Given how she made history as the first deaf person to win an Academy Award for acting, one might think the documentary Marlee Matlin: Not Alone Anymore would be something of a straightforward and celebratory profile on the actress.  Shoshannah Stern – who, like her subject, is also a deaf actor and director – certainly…

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Interview: Rita Walsh on her hybrid documentary The Wolves Always Come at Night and the important conversations it’s generating about climate migration

Rita Walsh is an award-winning producer based in Los Angeles, but working between Australia and the USA, on a series of cross-fiction and non-fiction filmmaking projects embodying a strong directorial vision. Her most recent collaboration is with director Gabrielle Brady on the hybrid feature The Wolves Always Come at Night, which premiered in Platform Competition…

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Interview: Nick Frost on finding the freedom to explore the live-action atmosphere of How to Train Your Dragon

There’s an ineffable magic to seeing dragons come to life on the screen – a blend of myth and marvel that speaks to the child in all of us. Few stories have captured this magic as masterfully as DreamWorks Animation’s How to Train Your Dragon franchise, an adaptation of author Cressida Cowell’s best-selling book series….

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Twiggy is a delightful romp celebrating the 60s modeling world & beyond: Sydney Film Festival Review

In the 1960s models went to deportment school and were all rather alike – read cookie cutter – in appearance. That was until Lesley Hornby a.k.a. Twiggy was discovered. Now known as Dame Lesley Lawson, she was told she was too short and too slim to be a model. Yet, as this eponymous documentary shows,…

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The Hicks Happy Hour is a short drama about the pressures of a public persona: Tribeca Film Festival Review

Highlighting the drama behind the for-the-camera-smiles of the 1970s variety show, Kate McCarthy‘s The Hicks Happy Hour is a moment-in-time short feature that escalates with a certain tension, before it ultimately pivots for a more cathartic climax that speaks to one woman’s eventual truth. “Stars stay smiling” is the Hicks family motto, something mother Jill…

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Lemonade Blessing transcends its coming-of-age teen comedy confines with a truthful layering: Tribeca Film Festival Review

Finding truth in the absurd and writing what you know are so often two rules that filmmakers adhere to, and both apply heartily for writer/director Chris Merola, who speaks his veracity in Lemonade Blessing, a coming-of-age dramedy centred around religion and how one responds to its pressures. Inspired by his own childhood growing up under…

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Interview: Director Chris Merola on exploring his truth in Lemonade Blessing, the dichotomy of comedy and religion, and casting against the grain

Premiering at this year’s Tribeca Film Festival, Lemonade Blessing is a biting coming-of-age comedy about John (Jake Ryan), freshly tossed into a private Catholic high school by his devout mother, who falls head over heels for a devious classmate ready to push his faith (and morals) to the brink with a series of increasingly uncomfortable…

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Jennifer Lopez stuns in first trailer for lavish musical Kiss of the Spider Woman

Will Jennifer Lopez finally secure herself an Oscar nomination? After the Hustlers snub that still hits hard these years later, the multi-hyphenate performer is in full movie musical mode in Kiss of the Spider Woman, an adaption of the 1992 musical based on the 1976 novel of the same name by Manuel Puig. The movie,…

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Melbourne International Film Festival announces a sneak peak into 2025 program

From 7–24 August, Melbourne International Film Festival (MIFF) proudly returns to Naarm and surrounds with some of the most talked about films arriving hot from Cannes, Berlin, Sundance and across the globe. Across 18 days of bold programming, this year’s festival slate is brimming with original storytelling that will ask audiences to Look Closer as…

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Racewalkers offers heart and humour in equal measure: Sydney Film Festival Review

As ridiculous a sport racewalking may seem – Aussies are sure to have images of Jane Turner and Glenn Robbins powerwalking with all their might come to mind – writing/directing duo Phil Moniz and Kevin Claydon lace such with a tenderness and respect that allows audiences to laugh with the sport’s quirk rather than at…

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Film Review: The Ritual; Al Pacino and Dan Stevens fail to save horror film from expected cliches

Playing with the beats you come to expect from such an exorcism feature, The Ritual sets itself up with two priests – the devotee and the doubter – who go head-to-head on hoping to save a poor soul who has been inhabited by a certain evil.  It’s a standard practice, and many films have made…

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Predators opens up a wealth of conversations around the world of online predator behaviour: Sydney Film Festival Review

There’s a certain frustration felt when watching Predators, a 96 minute documentary centering around the series To Catch a Predator, itself an offshoot from NBC’s Dateline.  In the early 2000s, the show lured audiences in as it highlighted online predatory behaviour – primarily older men meeting underage boys and girls for the intention of sexual…

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The Life of Chuck is a life affirming fable that proves powerful and emotionally resonate: Sydney Film Festival Review

Author Stephen King and filmmaker Mike Flanagan have made careers predominantly out of their affinity for horror.  With The Life of Chuck, they have decidedly pivoted and leaned into another of their shared strengths; broadcasting emotional stories.  The result, however schmaltzy it may threaten to be, is a beautiful, weird celebration of life and all…

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Film Review: From the World of John Wick: Ballerina; Ana de Armas dominates savage slice of action escapism

It’s been something of an arduous trek to the screen for one Ballerina – or, as it’s been marketed, From the World of John Wick: Ballerina – a serviceable action film that hopes to elevate its own being by attaching itself to a lucrative, acclaimed franchise, even though it originated as something else entirely. To…

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OBEX delights in its hallucinatory anxiety and surrealist mentality: Sydney Film Festival Review

There’s a certain bittersweetness in watching OBEX (the title specifically capitalised) following David Lynch’s sad passing, as Albert Birney‘s truly bizarre odyssey feels like a kindred spirit to Lynch’s Eraserhead, with the hallucinatory anxiety and surrealist mentality playing into a personality that is perversely into its own weirdness. Set in a pre-internet 1987, and expressed…

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John Candy: I Like Me to serve as Opening Night film for the 50th edition of the Toronto International Film Festival

TIFF is thrilled to announce the World Premiere of John Candy: I Like Me as the Opening Night Gala taking place on Thursday, September 4, at Roy Thomson Hall. Directed by Colin Hanks and produced by Ryan Reynolds, this documentary is a heartfelt tribute to the legendary Canadian icon, with stories and memories from Candy’s…

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Film Review: Dangerous Animals is a pulpy thriller aware of its own madness

Given that it’s merging two proven cinematic killers – one serial, the other a shark – it makes sense that Sean Byrne‘s horror-adjacent thriller is suitably tense and highly aware of its own madness. No stranger to executing unbearable tension and providing an antagonist that we can’t help but be utterly absorbed by (see The…

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Interview: Jai Courtney on finding the humanity within a shark-obsessed serial killer in Dangerous Animals; “It was really about a character that had a lot of colour to them.”

From his imposing turn in Jack Reacher to the Suicide Squad, Jai Courtney is no stranger to playing villains and anti-heroes on screen.  But his latest role in cult filmmaker Sean Byrne’s Dangerous Animals, the actor may be embodying his most unhinged yet, as Tucker, a shark-obsessed serial killer with a penchant for showing tourists the…

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The Accountant 2 is coming to Prime Video

After a successful box office run, the Certified Fresh, SXSW Audience Award-winning film is coming to Prime Video! It’s been nearly 10 years since Ben Affleck debuted as Christian Wolff, aka The Accountant, in the same-name actioner that Gavin O’Connor pushed to a sizeable box office haul ($155m) despite tepid-ish reviews.  That being said, average reviews have never stopped a…

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Film Review: Karate Kid: Legends is a family friendly outing that should find appeal with long-standing fans and the new generation

Despite Karate Kid: Legends centering itself around a new character, Jonathan Entwistle‘s legacy sequel is like a greatest hits package, taking all the things that worked from previous Karate Kid offerings, removing the psychological fat that should be traumatizing its plethora of players, and wrapping it neatly in a family-friendly bow, presenting itself as a…

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Guillermo and Gilmore and Gaga, Oh My!: Everything announced at this year’s Netflix Tudum

In Los Angeles over the weekend, Netflix Tudum, a global pop culture event that showcases what’s on the slate for the streaming behemoth, was held to mass fanfare – and a Gaga performance – in celebration of all the most anticipated titles for the remainder of 2025. Here at The AU Review we’ve gathered all…

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Interview: Director Wes Anderson, Benicio del Toro, Scarlett Johansson and the cast of The Phoenician Scheme on balancing calculated filming with playful improv

Director Wes Anderson has his devotees and his detractors in equal measure, but it can’t be denied that his films manage to assemble some of the most impressive ensembles put to screen.  And his latest, The Phoenician Scheme (you can read our review here), is no exception. Centering around Zsa-zsa Korda, “one of the richest…

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Film Review: The Phoenician Scheme is a typically bizarre, nonsense-embracing comedy from the unique mind of Wes Anderson

With over a dozen films made across three decades, Wes Anderson has very much honed what it is to be considered an auteur; he’s possibly even bent the term to his own liking with his distinct style.  And it’s that particular style that is once again on display in The Phoenician Scheme, a bizarre, nonsense-embracing…

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