Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Hal & Harper is a special, emotionally nuanced series from Cooper Raiff; Sundance Film Festival Review

On the initial surface, Cooper Raiff‘s television series Hal & Harper appears to be a sibling drama about two children and their single father.  And whilst that is the case in the most basic of manners, when the film presents its grown-up cast (Raiff as Hal and Lili Reinhart as Harper) as the seven-and-nine-year-old iterations…

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Apple TV+ announce K-pop song battle series KPOPPED starring PSY and Megan Thee Stallion

East meets West as stars face-off in collaborative sing battles for the recently announced Apple TV+ series KPOPPED, an all-new eight-episode song battle series from executive producer Lionel Richie, starring PSY, the international chart-topper who helped bring K-pop to the world with his global sensation “Gangnam Style”, and three-time, Grammy award-winning superstar and executive producer Megan…

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Film Review: Amy Schumer’s Netflix “comedy” Kinda Pregnant is kinda awful

We’re only a month-and-a-bit into 2025, and it’s possible that Netflix have given birth (pun unintended) to one of the year’s absolute worst filmic offerings in Amy Schumer‘s Kinda Pregnant, an absolutely unfunny “comedy” that wastes the talents of its capable cast. A Happy Madison production – which tells you all you need to know…

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Film Review: Presence; Steven Soderbergh’s unique ghost story hones a defined, yet divisive personality

Much like how his 2018 psychological thriller Unsane was elevated by it being shot entirely on an iPhone 7 Plus, Steven Soderbergh is implementing another technological gimmick of sorts in Presence, a ghost story that’s filmed entirely from the point of view of the haunting figure lurking within the walls of a sprawling suburban residence….

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Interview: Lucy Liu and Chris Sullivan on ghost story Presence and working with director Steven Soderbergh; “This is a feat of cinematic execution on his part.”

Throughout his directorial career, Steven Soderbergh has so often gone against the grain.  From his avant-garde arthouse approach in films like Sex, Lies and Videotape, shooting the entirety of the psychological thriller Unsane on an iPhone 7, to acclaimed studio franchises like the Ocean’s and Magic Mike trilogies, he indulges in the unexpected.  And his…

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A new era is born in first Jurassic World Rebirth trailer

Fiyero, I don’t think we’re in Oz anymore. After making an entrance as the Winkie Prince in last year’s thrillifying Wicked, Jonathan Bailey is trading dancing (through life) for dinosaurs in the anticipated first trailer for the latest chapter in the Jurassic Park film series – Jurassic World Rebirth. As paleontologist Henry Loomis, alongside Scarlett…

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Film Review: Queer; Luca Guadagnino’s sweaty fever dream is sure to divide audiences

Described as his most personal work yet, Luca Guadagnino‘s Queer is an adaptation of William S. Burrough‘s 1985 novel of the same name; though published in the 80s, it was written between 1951 and 1953.  Guadagnino has made a career out of telling vastly opposing stories with each of his productions – Call Me By…

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Film Review: The Order is a terrifying, topical thriller that echoes the divisive nature of today’s society

When it comes to depicting real-life violence on screen, Australian director Justin Kurzel has an enviable history of such.  His 2011 debut, Snowtown, was a harrowing re-enactment of the South Australian body-in-a-barrel murders that plagued the 90s for close to a decade.  In 2021 he represented the 1996 Port Arthur Massacre through the psychologically taxing…

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Death runs in the family in (nose) piercing teaser for Final Destination: Bloodlines

25 years ago, a rejected X-Files plot and a morbid sense of humour came together in the most glorious (and gory) fashion for Final Destination.  At a time when the horror genre was heavily reliant on the slasher subsect, Final Destination dared to go beyond conventions, taking the pin-up cast of its contemporaries and offing…

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Film Review: Widow Clicquot; Fitting for its namesake, true story telling is poised and tastefully made

There’s a certain period-piece sexuality billowing through Widow Clicquot that brings to mind other such similarly-set efforts as Atonement and Pride & Prejudice.  And given that those films’ second-unit director, Thomas Napper, is at the helm here, it makes perfect sense that such detail and intimacy is adhered to; fittingly, Joe Wright, director of the…

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Sauna is a nuanced, inclusive telling of a very human drama: Sundance Film Festival Review

Sensitively handling the queer love story at its core, Mathias Broe‘s Sauna explores the fluid possibilities of connection, further exacerbating its impact through the filmmaker’s own relationship with his transitioning partner. The sauna of the title refers to the place of work for young Johan (Magnus Juhl Andersen), a barely-legal, zero body fat-type twink who…

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The Things You Kill is a suspenseful, profound thriller that breaks apart what it is to transform: Sundance Film Festival Review

A self-awareness regarding certain specifications in getting his film made along with a universality in conjunction with its narrative, writer/director Alireza Khatami goes beyond genre conventions with The Things You Kill, a twisted thriller that breaks apart what it is to transform. At one point in the film, the language professor at the centre of…

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Predators is an at once frustrating and fascinating documentary around the world of online predators: Sundance Film Festival Review

There’s a certain frustration felt when watching Predators, a 96 minute documentary centering around the series To Catch a Predator, itself an offshoot from NBC’s Dateline.  In the early 2000s, the show lured audiences in as it highlighted online predatory behaviour – primarily older men meeting underage boys and girls for the intention of sexual…

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Marlee Matlin: Not Alone Anymore is a beautiful, unapologetic telling of a truly remarkable human: Sundance Film Festival Review

Given how she made history as the first deaf person to win an Academy Award for acting, one might think the documentary Marlee Matlin: Not Alone Anymore would be something of a straightforward and celebratory profile on the actress.  Shoshannah Stern – who, like her subject, is also a deaf actor and director – certainly…

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OBEX is a truly bizarre, Lynchian-like odyssey: Sundance Film Festival Review

There’s a certain bittersweetness in watching OBEX (the title specifically capitalised) only weeks after David Lynch’s sad passing, as Albert Birney‘s truly bizarre odyssey feels like a kindred spirit to Lynch’s Eraserhead, with the hallucinatory anxiety and surrealist mentality playing into a personality that is perversely into its own weirdness. Set in a pre-internet 1987,…

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Kate Hudson is Running Point in first-look trailer for new Netflix comedy series

The ball appears to be in Kate Hudson‘s court, with the Academy Award nominated actress and singer flexing her “biggest bitch” energy in the first-look trailer for her new comedy series Running Point, premiering February 27th on Netflix. Created by Mindy Kaling, the series follows Isla Gordon (Hudson) who is appointed president of the Los…

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Plainclothes is a quiet and devastating tale of queer shame in the 90s: Sundance Film Festival Review

Audiences today, specifically modern queer audiences, may not quite understand the gravity of shame and fear expressed throughout Plainclothes, a 90s-set drama that sets itself around the gay cruising scene that honed a far-more secretive temperament than what is experienced today. By no means is Carmen Emmi‘s enveloping film an alienating experience, but freedom in…

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Interview: Will Ferrell, Reese Witherspoon and director Nicholas Stoller on You’re Cordially Invited; “For a movie to be funny, it needs to be honest.”

For the first time in their careers (bar a Saturday Night Live appearance), Will Ferrell and Reese Witherspoon have joined forces for some wedding hijinks in the new comedy You’re Cordially Invited. When two weddings are accidentally booked on the same day at the same venue, chaos ensues as the father of the bride (Ferrell)…

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Film Review: You’re Cordially Invited; Will Ferrell and Reese Witherspoon make for a winning comedic couple in Prime Video laugher

Very much speaking to just how much times have changed in terms of film distribution, a romantic comedy from the director of such acclaimed titles as Forgetting Sarah Marshall, Bad Neighbours, and Bros, and starring proven talent as Will Ferrell and Reese Witherspoon is releasing straight to the streaming service market. Oh, and it’s actually…

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Everything we learned from director Ryan Coogler at the Sinners trailer launch

The night belongs to Sinners From the director of Creed and Black Panther, Ryan Coogler, comes a terrifying new vision of fear in Sinners, starring Michael B. Jordan as a duo of twin bothers looking to leave their troubles behind, returning to their hometown, only to discover a greater evil awaits them. As the new…

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Interview: Companion writer/director Drew Hancock on subverting expectations and navigating twists

New Line Cinema, the studio that brought you The Notebook, the unhinged creators of Barbarian, and writer/director Drew Hancock cordially invite you to experience a new kind of love story… Companion. Companion, which makes for “biting viewing, gleefully playing at once with the dynamics of power and sex as it toys with our own expectations”…

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Film Review: Freelance is another shining example of Australia’s strength in the horror genre

There’s a certain appeal of freedom that comes with the notion of freelancing.  For most creatives, there’s the feeling of independence in choosing one’s own working conditions, and, to the more corporate minded nine-to-fivers, this may conjure a sense of envy in being able to escape certain confinements.  Whilst this isn’t necessarily untrue, freelancing is…

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Interview: Amy Adams on the important conversations surrounding her film Nightbitch; “I think if we validated the idea of parenthood as a very important job, that’s going to elevate humanity.”

Based on Rachel Yoder’s acclaimed novel, Nightbitch tells of an artist who pauses her career to be a stay-at-home mother.  Seeking a new chapter in her life, she encounters just that when her nightly routine takes a surreal turn and her maternal instincts begin to manifest in canine form. Brought to life to screen by…

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Film Review: Nightbitch is sure to help audiences reflect on their own self worth and identity

Despite the fact that the recently released trailer made Nightbitch look more like a quirky comedy – think a female-drive, R-rated take on Tim Allen’s The Shaggy Dog – I can attest that Marielle Heller‘s take on Rachel Yoder‘s seemingly unadaptable 2021 novel of the same name is far from the laughable ridiculousness some may…

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Film Review: Flight Risk; Mel Gibson is unable to smoothly land tepid plane-set thriller

Regardless of how one feels about him personally, you can’t entirely deny that Mel Gibson knows how to direct a movie.  Braveheart, The Passion of the Christ and Apocalypto are all, at worst, competently made features that speaks to a creative awareness of the craft.  The Gibson that made those movies, however, isn’t anywhere to be…

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Film Review: Companion gleefully plays with our own genre expectations

There was a point when it came to initially reviewing Companion that I was thinking how difficult it would be to navigate around certain plot points, given that Drew Hancock‘s horror-leaning, sci-fi adjacent, romantic thriller bets on a particular narrative reveal.  It’s one that I wasn’t dare going to spoil – I had the luck…

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Interview: Adrien Brody, Guy Pearce and Felicity Jones on the power thematic and complicated nature of their characters in The Brutalist

Escaping post-war Europe, visionary architect László Toth (Adrien Brody) arrives in America to rebuild his life, his work, and his marriage to his wife Erzsébet (Felicity Jones) after being forced apart during wartime by shifting borders and regimes. On his own in a strange new country, László settles in Pennsylvania, where the wealthy and prominent…

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Film Review: The Brutalist stands strong with its psychological scaffolding

It’s all a little too easy to accuse actor-turned-director Brady Corbet of indulging in his own self given the running time of his third feature The Brutalist; the 215 minute drama following 2015’s The Childhood of a Leader and 2018’s divisive Natalie Portman feature Vox Lux.  The length, however, (which also includes a needed 15…

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Interview: Elle Fanning and Monica Barbaro on respecting the history of their real-life counterparts in Bob Dylan biopic A Complete Unknown

In the early 1960s, 19-year-old Bob Dylan arrives in New York with his guitar and revolutionary talent, destined to change the course of American music. Forming his most intimate relationships during his rise to fame, he grows restless with the folk movement, making a controversial choice that reverberates worldwide. Bringing Dylan’s specific story to the…

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Film Review: A Complete Unknown; Bob Dylan biopic deliberately keeps its enigmatic subject at a distance from its audience

A more evasive mentality is adhered to in A Complete Unknown and its subject, musician Bob Dylan, than what director James Mangold afforded Johnny Cash in Walk The Line (2005), here, a deliberately distant biopic that dares to keep Dylan as the enigmatic character he is, rather than create anything false and flashy for the…

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