Film & TV

High Potential Series Review: Why you should be watching Kaitlin Olson’s highly entertaining crime show

[This episode contains spoilers for the final episode of High Potential] If you haven’t been watching High Potential, the latest crime drama out of America created by Drew Goddard, then the good news is, you can now binge-watch all 13 episodes of season one on Disney +. The season finale, which aired on Thursday April…

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Film Review: The Comic Shop; Independent dramedy has charm, but needs a little fine-tuning

A sweet film with a talented cast and an evident love for the aspiring creative, The Comic Shop is well-meaning in its temperament, but a little less confident in its execution as it injects a dramatic streak that doesn’t flow with its initial personality. The titular comic shop is Mike’s World, a small venture that…

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The Last of Us Season 2 returns with a compelling first episode

It’s been two years since The Last of Us Season 1 became a cultural phenomenon on HBO. The second season of the show is adapting the video game “The Last of Us Part II”, and strangely enough in the first 5 minutes of the season opener, the show just randomly spoils the big twist from…

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Interview: Christopher Landon on directing Drop, calibrating thrills, and inverting the damsel in distress trope

First dates are nerve-wracking enough.  Going on a first date while an unnamed, unseen troll pings you personal memes that escalate from annoying to homicidal? Blood-chilling! Returning to the thriller genre with the playful, keep-you-guessing intensity he perfected in the Happy Death Day films, director Christopher Landon delivers an of-the-moment whodunnit where everyone in the…

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Film Review: Drop; Cat-and-mouse thriller easily maintains its sense of entertaining tension

However far fetched Drop proves to be with its wild, pulling-the-wool-over-our-eyes premise, director Christopher Landon (Happy Death Day, Freaky) and screenwriters Jillian Jacobs (Fantasy Island) and Chris Roach (Non-Stop) maintain a sense of unpredictable fun across the film’s tight 95 minutes as it presents a cat-and-mouse thriller ripe for the digital age. After opening with…

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First wave of stars announced for Adelaide and Melbourne’s Oz Comic-Con 2025

It’s that time of the year again, and Oz Comic-Con 2025 is creeping around the corner, set to hit Adelaide and Melbourne with the first wave of pop culture stars revealed. Catherine Tate (Doctor Who, The Office), Giancarlo Esposito (Breaking Bad, The Mandalorian, The Boys), and Brandon Rogers (Helluva Boss, YouTube) will all be in attendance for both the Adelaide…

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Film Review: Sinners is a gory, horny, relevant reflection on Black culture and artistry in the guise of a vampiric chiller

Delivering his first essentially original screenplay since his 2013 breakout Fruitvale Station, filmmaker Ryan Coogler basks in the glory of a post-Creed/Black Panther space with the liberating Sinners, a gory, horny, relevant reflection on Black culture and artistry. Set in 1930s Mississippi in the midst of Prohibition, Coogler’s gradually escalating gonzo horror effort finds its…

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Fireflies in the Dusk is a melodramatic romp of a comedy: Cleveland International Film Festival Review

In the same manner as to how Netflix’s Bridgerton blends its English Regency with a modernised mentality, Jonathan Hammond‘s Fireflies in the Dusk takes that notion and dials it to 11, enhancing its sense of absurdity and random humour to create a truly witty, daft comedy in the process. The short film’s comedic temperament is…

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Film Review: The Amateur; Rami Malek is the anti-Jason Bourne in charming throwback thriller

Between last month’s spy thriller Black Bag and this week’s release, The Amateur, adult audiences are finally finding reason to go to the theatres again.  To enjoy smart, almost understated genre features that delight in dialogue and a forward narrative over the spectacle of tentpole cinema feels almost archaic in this day and age, so…

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Interview: Alex Scharfman on his “English language Korean movie” Death of a Unicorn; “There’s a tremendous amount of genre blending.”

A movie that sells you exactly what it says on its genre blending box, Death of a Unicorn stars Paul Rudd and Jenna Ortega as a father/daughter duo who accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss (Richard E. Grant) and his greedy family (Téa Leoni…

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Film Review: Death of a Unicorn is a blackly comic creature feature that eats the rich and delights in mythological madness

Movies about unicorns have a certain fantastical nature to them, so it makes sense that Death of a Unicorn adopts such a mentality – albeit with a serious case of nastiness and surprising class commentary. A blackly comic creature feature with an evident love for the back catalogue of Steven Spielberg and James Cameron –…

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Interview: Saskia Archer; Australia’s rising star on her role opposite Mark Wahlberg in Shane Black’s forthcoming Play Dirty

Having made a name for herself across Australian stage and screen for her compelling performances, Saskia Archer is poised to be Australia’s next international export. Having honed her skills at the Western Australian Academy of Performing Arts (WAAPA), where she starred in such productions as Romeo & Juliet, When the Rain Stops Falling, and An…

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Series Review: Ten Pound Poms Season Two takes us further into 1950s Australia

Having made it to Australia in season one, the characters of Stan and BBC One’s collaborative historical drama series Ten Pound Poms find themselves faced with even more stark realities about their new life as the show returns for a second season. While each of the core characters came to the camp at Galgownie in New…

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Becoming Vera is a thoughtful drama about the power of pursuing one’s own creativity: Miami Film Festival Review

An exploration of identity and creativity set against the backdrop of the largely unexplored realm of classic Latin jazz, Becoming Vera is a quiet, reflective drama that finds its comforting centre in the performance of Raquel Lebish as the titular Vera. As the film closes out, writer/director Sergio Vizuete states that “23,000 children age out…

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Series Review: Love on the Spectrum Season Three will have you crying tears of joy

Love on the Spectrum is back for their third season on Netflix. The Emmy winning documentary-type series, which fittingly premiered worldwide on World Autism Day (April 2nd), is a reality TV show based off of the Australian version of the same name, created and produced by Karina Holden and Cian O’Clery. It follows the lives…

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Here’s how you can win tickets to see the terrifying new survivalist horror flick Until Dawn

Same night, different nightmare. Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see the new survivalist horror film Until Dawn, based on the hit video game, only in cinemas from April 24th, 2025. One year after her sister Melanie mysteriously disappeared, Clover and her friends head into the remote…

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Interview: M3GAN 2.0 director Gerard Johnstone on bettering sequels and exploring relationships with A.I

The murderous doll who captivated pop culture in 2023 is back. And this time she’s not alone. The original creative team behind the original $180m phenomenon – led by horror titans James Wan for Atomic Monster, Jason Blum for Blumhouse and director Gerard Johnstone – reboot an all-new wild chapter in A.I. mayhem with M3GAN…

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Jungle warfare gets prehistoric in first trailer for survivalist actioner Primitive War

This ain’t no walk in the park! Based on Ethan Pettus’ cult-favorite novel, Primitive War is a 1968-set action film that follows an elite recon unit, Vulture Squad, who are sent deep into the Vietnamese jungle to locate a missing Green Beret platoon—only to discover a far more lethal threat: dinosaurs. Written and directed by…

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Persian Film Festival Australia announces daring 2025 program

The Persian Film Festival Australia 2025 returns this April and May to offer a unique cinematic experience that brings together the best of Persian cinema from the past year, presenting stories that transcend borders and connect people across the globe. Now in its 11th edition, the festival continues to be a key platform for Persian…

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Full program announced for the 2025 Palestinian Film Festival Australia

The 13th Palestinian Film Festival Australia is set to return this May with a bold and innovative program of new cinema from and about Palestine, offering a powerful and resonant exploration of resilience, love and freedom in the face of ongoing war and dispossession. Running across five cities – Sydney, Melbourne, Perth, Brisbane and Canberra…

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Film Review: Novocaine – No Pain; Jack Quaid elevates brutal, quirky action flick

Playing with a character that’s as if Clark Kent didn’t entirely realise the pros of having superhuman strength, or, perhaps, a more reluctant John Wick, Novocaine – No Pain (which is the title being pushed here in Australia for the otherwise known as Novocaine, presumably off the notion that local audiences aren’t entirely aware of…

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The Gold Coast Film Festival unveils 2025 program

The Gold Coast Film Festival (GCFF) unveils their fantastic program with 5 World, 11 Australian and 4 Queensland Premieres along with the return of SIPFEST: Shorts in Paradise in this year’s festival, running between April 30th and May 11th, 2025, at HOTA, Home of the Arts. Included in the 12-day festival are some incredible events…

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Film Review: A Minecraft Movie is far more enjoyable than it has any right to be

As someone who has never played Minecraft the game, and is only vaguely familiar with its building premise, to say there was a major detachment – and perhaps an unenthusiasm – towards A Minecraft Movie would be an understatement.  But in that uninitiated mentality is perhaps the perfect embodiment to review such a film as…

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Sydney Film Festival announces its first slate of films for 2025 edition

The 72nd Sydney Film Festival (4–15 June) has today revealed a sneak peek of 16 bold new films set to screen this June, offering a taste of the 2025 program ahead of the full Festival announcement on Wednesday, 7th May. “This first look offers a cross-section of the bold storytelling and distinctive voices that can…

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Series Review: The Bondsman proves the perfect blend of gory horror and situational comedy

The Bondsman is a horror-comedy series that tells the story of Hub Halloran (Kevin Bacon, comical and ever charismatic), a murdered bounty hunter in the south whose bound for Hell due to his own sins, before being brought back to life by the Devil to hunt demons on Earth that have escaped the pits of…

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What happened at the Garden State 20th Anniversary Concert in Los Angeles (and how you can watch the whole thing!)

In 2004, actor Zach Braff, best known for fronting the TV sitcom Scrubs, released his debut feature film Garden State to critical acclaim. The film – co-starring Natalie Portman, Peter Sarsgaard, the late great Ian Holm, and many others – was praised for its smart script (penned by Braff), clever editing, endearing performances and an…

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Series Review: Mid-Century Modern; Hilarious, nostalgic sitcom breaks down queer stereotypes as much as it embraces them

Watching something like Mid-Century Modern you’re reminded of both the golden age of the multi-cam, live audience classicality of a sitcom, as well as the shift in televisual consumption, with this nostalgic itch-scratching firecracker of a show taking advantage of its streaming setting with boundary-pushing humour and considerable profanity; once you hear the stupendous Linda…

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Film Review: Holland; Nicole Kidman anchors ambitious, twisted mystery thriller

If there’s one thing about our Nicole Kidman, it’s that she’s going to work! Fresh off three of last year’s buzziest shows (Expats, Lioness and The Perfect Couple) and a criminally Oscar-oversighted performance in the erotic drama Babygirl, the perennially busy actress/producer is at the centre of another twisted thriller of sorts in Prime Video’s…

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Film Review: A Working Man; Jason Statham’s latest vehicle is a serviceable slice of action

At this point you know what you’re going to get with a Jason Statham vehicle, and when it’s one penned by Sylvester Stallone and directed by David Ayer (who, in addition to such actioners as Suicide Squad and End of Watch, was behind last year’s Statham surprise The Beekeeper), you shouldn’t be remotely taken aback…

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Interview: Mid-Century Modern creators David Kohan and Max Mutchnick on evolutionary comedy and ensemble casting

After changing the way network television viewed queer comedy with their revolutionary sitcom Will & Grace, creators David Kohan and Max Mutchnick are set to alter the landscape of the streaming space with Mid-Century Modern, a classic multi-cam comedy series about old friends, new roommates and chosen family. Executive produced by Ryan Murphy, directed by…

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