It’s time to say goodbye. For now. Billed as the final entrant in the near-three-decade long Mission: Impossible series (which would ironically indicate these missions are, in fact, possible), Mission: Impossible – The Final Reckoning goes out with the expected balance of spectacle and emotion that the majority of these films have adhered to –…
Whilst I had heard all the discourse around his performance (among other things) in the much maligned HBO drama series The Idol, it was not a show I particularly wanted to seek out – even out of curiosity. So, with that, I came into Hurry Up Tomorrow free from any of that baggage, here merely…
In 2000, at a time when the horror genre was thriving in its teen slasher subsect, Final Destination dared to shake up the formula just enough to earn a prominent place in the annals of horror franchise fame. It took the at-the-time trend of casting prominent “teen” faces – largely off a successful television series…
Operating as a double entendre for both the literal titular roadside placement and the relationships within Jason Buxton‘s tense drama, Sharp Corner lays focus on the vehicular and emotional torture put forth by a series of fatal crashes that take place on a suburban front lawn that kisses the edge of a tight curvature on…
Having helmed such actioners as Smokin’ Aces, The A-Team, The Grey, and Boss Level, as well as writing credits on the Death Wish remake and Bad Boys For Life, director Joe Carnahan is no stranger to the genre and the excessive cheese it can give way to. For his latest effort, Shadow Force, he’s working…
Directed by a then-rising Ang Lee, 1993’s The Wedding Banquet‘s tackling of themes around queerness, immigration and cultural identity marked something of a silent rebellion in cinema. It was a film that paved the way for furthered LGBTQIA+ stories to be told, and in Andrew Ahn‘s reimagining, Lee’s original story is expanded upon, allowing a…
Having already dipped his toe in the comedy/horror field with both Little Evil and Tucker & Dale vs. Evil, writer/director Eli Craig dives confidently headfirst into the cornfield for a meta slasher of sorts that subverts expectation as much as it plays into tropes of the genre. With a title like Clown in a Cornfield,…
Whilst it shouldn’t have taken as long as 7 years for us to be gifted a sequel to 2018’s comedic thriller A Simple Favour – a quirky piece that played out like Gone Girl rinsed through the cycle of a soap opera – director Paul Feig (Bridesmaids, Spy) and writers Jessica Sharzer (who also penned…
Not unlike its DC counterpart the Suicide Squad, Marvel have assembled an anti-hero-minded crew of degenerates to lead the charge for the greater good in Thunderbolts*, one of the MCU’s strongest efforts in a recent phase of mostly underwhelming, middle-ground entries that have all largely failed to live up to the expectations of a post-Endgame…
Unhinged was the first word that came to mind when viewing Murder Ballads: How to Make It in Rock ‘n’ Roll, a British rock mockumentary (rockumentary?) that very much submits to a level of madness that is likely to prove incredibly divisive. Writer/director Mitchell Tolliday and co-writer Neil Rickatson adopt a more-is-more type mentality across…
Basic, comedy-inclined title aside, Neighbourhood Watch proves to be more than just a mismatched buddy effort thanks, in large part, to the winning chemistry between Jeffrey Dean Morgan and Jack Quaid, who, against their characters’ best efforts, find a sense of kinship in their respective societal outcasts. There’s a bit of clumsiness to their exposure…
There is no shortage of coming of age films that dive into the deep existential dread that most people experience at the mere thought of growing up; Lady Bird, Eighth Grade, Boyhood, Booksmart…the list goes on. Escape from the 21st Century is another good example of a film that falls into this category, but sets…
Tinā is the feature debut from writer/director Miki Magasiva. The film might appear on the surface a classic underdog tale, but it quickly proves itself to be something richer and more resonant; coming off earlier contributions to Teine Sā and We Are Still Here, Magasiva brings a fresh, heartfelt perspective to this deeply communal story….
As someone who hasn’t played the video game upon which this film is based, and is only vaguely familiar with its plot outline, I’m coming into David F. Sandberg‘s adaptation with horror movie eyes. And in that regard, the Lights Out director – returning to the genre that made him a name after dipping his…
It’s been nearly 10 years since Ben Affleck debuted as Christian Wolff, aka The Accountant, in the same-name actioner that Gavin O’Connor pushed to a sizeable box office haul ($155m) despite tepid-ish reviews. That being said, average reviews have never stopped a sequel from being brought to fruition before, and the creation O’Connor, Affleck and…
As much as Warfare is detailing a true story during the events of the Iraq War in 2006, Ray Mendoza and Alex Garland‘s panic-attack of a movie goes beyond merely being “based on true events.” Instead, it’s noting itself as a film based on “the memory of the people who lived it.” With that, the…
Having already carved out a sense of the absurd regarding the legal system with their work on the TV series Rake, star Richard Roxburgh and writer Peter Duncan take on a far more serious aspect of such risibility in The Correspondent through the incarceration of Australian journalist Peter Greste and the dubious charges of terrorism…
A sweet film with a talented cast and an evident love for the aspiring creative, The Comic Shop is well-meaning in its temperament, but a little less confident in its execution as it injects a dramatic streak that doesn’t flow with its initial personality. The titular comic shop is Mike’s World, a small venture that…
However far fetched Drop proves to be with its wild, pulling-the-wool-over-our-eyes premise, director Christopher Landon (Happy Death Day, Freaky) and screenwriters Jillian Jacobs (Fantasy Island) and Chris Roach (Non-Stop) maintain a sense of unpredictable fun across the film’s tight 95 minutes as it presents a cat-and-mouse thriller ripe for the digital age. After opening with…
Delivering his first essentially original screenplay since his 2013 breakout Fruitvale Station, filmmaker Ryan Coogler basks in the glory of a post-Creed/Black Panther space with the liberating Sinners, a gory, horny, relevant reflection on Black culture and artistry. Set in 1930s Mississippi in the midst of Prohibition, Coogler’s gradually escalating gonzo horror effort finds its…
In the same manner as to how Netflix’s Bridgerton blends its English Regency with a modernised mentality, Jonathan Hammond‘s Fireflies in the Dusk takes that notion and dials it to 11, enhancing its sense of absurdity and random humour to create a truly witty, daft comedy in the process. The short film’s comedic temperament is…
Between last month’s spy thriller Black Bag and this week’s release, The Amateur, adult audiences are finally finding reason to go to the theatres again. To enjoy smart, almost understated genre features that delight in dialogue and a forward narrative over the spectacle of tentpole cinema feels almost archaic in this day and age, so…
Movies about unicorns have a certain fantastical nature to them, so it makes sense that Death of a Unicorn adopts such a mentality – albeit with a serious case of nastiness and surprising class commentary. A blackly comic creature feature with an evident love for the back catalogue of Steven Spielberg and James Cameron –…
An exploration of identity and creativity set against the backdrop of the largely unexplored realm of classic Latin jazz, Becoming Vera is a quiet, reflective drama that finds its comforting centre in the performance of Raquel Lebish as the titular Vera. As the film closes out, writer/director Sergio Vizuete states that “23,000 children age out…
Playing with a character that’s as if Clark Kent didn’t entirely realise the pros of having superhuman strength, or, perhaps, a more reluctant John Wick, Novocaine – No Pain (which is the title being pushed here in Australia for the otherwise known as Novocaine, presumably off the notion that local audiences aren’t entirely aware of…
As someone who has never played Minecraft the game, and is only vaguely familiar with its building premise, to say there was a major detachment – and perhaps an unenthusiasm – towards A Minecraft Movie would be an understatement. But in that uninitiated mentality is perhaps the perfect embodiment to review such a film as…
If there’s one thing about our Nicole Kidman, it’s that she’s going to work! Fresh off three of last year’s buzziest shows (Expats, Lioness and The Perfect Couple) and a criminally Oscar-oversighted performance in the erotic drama Babygirl, the perennially busy actress/producer is at the centre of another twisted thriller of sorts in Prime Video’s…
At this point you know what you’re going to get with a Jason Statham vehicle, and when it’s one penned by Sylvester Stallone and directed by David Ayer (who, in addition to such actioners as Suicide Squad and End of Watch, was behind last year’s Statham surprise The Beekeeper), you shouldn’t be remotely taken aback…
As someone who grew up with the Looney Tunes, there’s certainly a sense of nostalgic warmth when watching something as unapologetically wacky (and 2D) as Looney Tunes: The Day the Earth Blew Up. Nostalgia only takes you so far though, and as much as The Day the Earth Blew Up is a bombastically entertaining cartoon…
Given that he’s experienced his own health problems over the last few years, it would seem Paul Schrader is a man reflecting on his own mortality if Oh, Canada is anything to go by, the filmmaker’s fourth effort in almost as many years. Reuniting with his own American Gigolo, Richard Gere, Oh, Canada centres around…
