Reviews

Sydney Film Festival Review: High-Rise (UK, 2016)

Clever and dark, High-Rise (directed by Ben Wheatley) is a dystopia to remember. The story follows surgeon Laing (Tom Hiddleston) who moves to a tower far from civilisation. This tower has everything you need from a supermarket to a gym, but no contact with the outside world. Laing adjusts to life at the tower and…

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Sydney Film Festival Review: The Lure (Poland, 2016)

Far from Disney’s little mermaid, The Lure is a film that mixes musical, comedy and horror together. The story centres on a family of entertainers who find a pair of mermaids and decide to take them in since they have beautiful singing voices. The mermaids immerse themselves in the human world, but soon one of…

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Sydney Film Festival Review: Blood Father (France, 2016)

One of the first thing that Blood Father makes clear is that John Link (Mel Gibson) is over being a flashy action hero type. It’s old hat to an ex-con like him and he doesn’t want anything to do with it. However, don’t be fooled, Gibson himself seems to be having a hell of a…

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Film Review: Warcraft: The Beginning (M15+) (USA, 2016)

As someone completely unschooled in the world of Warcraft, I entered the filmic adaptation of the popular video game franchise with an open mind and no expectations.  On its own merits it’s a perfectly serviceable action/fantasy opus that’s heavy on CGI and spectacle but short on much else – not that that is necessarily a…

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Sydney Film Festival Review: Teenage Kicks (Australia, 2016)

Craig Boreham’s beautifully filmed coming of age tale Teenage Kicks is a film that leaves you thinking long after the final credits have rolled. Writing this review two days after the film had its world premiere at the Sydney Film Festival I find myself still grappling with its expert exploration of cultural and sexual identities…

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Sydney Film Festival Review: Goat (USA, 2016)

I’ve got to get one thing out of the way before I can get on with the rest of this review – who would have thought that Nick Jonas was such a good actor. I mean seriously, I’ve heard nothing of this guy since his Disney starring, purity ring wearing days but he completely knocks…

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Sydney Film Festival Review: Goldstone (Australia, 2016)

Goldstone was easily my most anticipated film of this year’s Sydney Film Festival, and it’s fair to say it did not disappoint. Written, directed, edited and pretty much everything else by Ivan Sen, it is sure to join the pantheon of great Aussie films – a triumph from start to finish. Seeing the return of…

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Sydney Film Festival Review: The BFG (USA, 2016)

Like many people in the world, Roald Dahl has been one of my favourite authors during my childhood. His twisted sense of humour, his unique whimsical touch and its warm-hearted tone have delighted kids as well as adults all around the world and even the film adaptations of his works have all been well-regarded by…

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Sydney Film Festival Review: Girl Asleep (Australia, 2015)

I’d be lying if I said I was an Australian Cinema connoisseur. Despite being an avid cinephile, I guess I’ve always been a bit ignorant towards my home country’s unique brand of cinema. But Girl Asleep may have absolutely opened my eyes. Girl Asleep is set in the 70’s, as Gretta who is about to…

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Sydney Film Festival Review: Closet Monster (Canada, 2015)

Closet Monster isn’t a film that succeeds because on its premise alone. It’s all in the execution. Though hardly the first drama film to concern itself with what it means to grow up queer in the 21st century, it feels rare to find a film as well realised as this one. The acting, direction, editing and music…

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Sydney Film Festival Review: Zero Days (USA, 2016)

Over the course of the last century, warfare has been conducted on land, in the sea or in the air. But with thanks to our ever evolving technology there no longer needs to be a physical presence for war. It can now all be done electronically, digitally, silently and invisibly and cause irreparable damage. When…

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Sydney Film Festival Review: War On Everyone (UK, 2016)

Pausing from his planned trilogy of films with Brendan Gleeson – which has already seen the release of the brilliant The Guard (2011) and Calvary (2014) – English/Irish director John Michael McDonagh makes his debut outside of Ireland with the incredibly black comedy War on Everyone, starring Alexander Skarsgård and Michael Peña – who are both…

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Sydney Film Festival Review: Free in Deed (USA, 2016)

New Zealand born Director Jake Mahaffy was trawling the news one day when he came across a chilling story from 2003 concerning the death of an 8 year old autistic boy named Terrance Cottrell. His death was seemingly the unintentional consequence of a modern-day exorcism performed by members of a small storefront Milwaukee church who…

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Film Review: Blood Punch (USA, 2014)

Blood Punch is a cool, innovative little horror flick that takes inspiration and crafts something wholly unique, but its appeal lies in knowing next to nothing about its plot. Our story centres on Milton, a former meth cook who finds himself in rehab. When Skylar shows up and plans a breakout, under the guise of…

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Sydney Film Festival Review: I Saw The Light (USA, 2015)

I Saw The Light is the new feature film from second time director Marc Abraham, focusing on the short life and influential career of iconic American musician Hank Williams. It’s not the first time Williams’ story has found its home on the big screen, but it’s the first major take since 1964’s Your Cheatin’ Heart,…

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Sydney Film Festival Review: Mustang (Turkey, 2015)

Defiance in the face of constraint brought on by stringent cultural convention is a favourite topic for Sydney Film Festival year in and year out. Falling into that category this year is Turkish award-winner Mustang which, following last year’s release, picked up the coveted Cannes Directors’ Fortnight prize, four Césars and an Oscar nomination, well…

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Sydney Film Festival Review: Embedded (Australia, 2016)

Embedded fits nicely within the growing catalog of Australian films determined to prove our country has much more to offer the world of cinema than just koalas and beaches. Part erotic thriller, part political statement. Embedded revolves entirely around the relationship between disillusioned war correspondent Frank (Nick Barkla) and Madeline (Laura Gordon), the enigmatic woman he shares…

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Sydney Film Festival Review: Lo and Behold: Reveries of the Connected World (USA, 2016)

Any documentary ambitious enough to tackle different facets and implications of the “internet” is going to fall short of something. The single most influential creation of the past few decades has grown into such an impossibly complex and overwhelming force that it would be pure insanity to think one could encapsulate all its infinite intricacies…

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Sydney Film Festival Review: Julieta (Spain, 2016)

What would an Almodovar film be like without the major presence of women? Certainly not an Almodovar film, that’s for sure. And it is a delight to see him back in his normal ways of female-centric stories that made him renowned and acclaimed around the world by audiences and critics over. Films of his like…

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Sydney Film Festival Review: Europe, She Loves (Sweden, 2015)

If there’s anything that sticks with you the most about Jan Gassmann’s latest documentary effort Europe, She Loves, it’s the striking cinematography. A surprisingly intimate look into the emotions and lives of five couples across Europe, the film never really looks, nor feels, like a documentary. It wears its authenticity with pride, inviting you to engage and…

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Sydney Film Festival Review: Patchwork (Canada/USA, 2015)

Kicking off this year’s “Freak Me Out” program as part of the Sydney Film Festival was Tyler MacIntyre’s Patchwork, a horror-comedy gem that managed to fly under the radar when it was released last year. The charming indie is a literal blend of character, inventive in the way it draws from the influential idea behind…

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Sydney Film Festival Film Review: Swiss Army Man (M, USA, 2016)

Simply put, Swiss Army Man is a story about how a man, whilst lost and trapped on an island, befriends a seemingly magical corpse in order to find his way back to civilisation. However, this film is far more than that, it’s an examination of a multitude of themes. A comedy, a drama,a tale of friendship…

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Film Review: Teenage Mutant Ninja Turtles: Out Of The Shadows (M) (USA, 2016)

In 2014 a new live adaptation of the beloved comic and cartoon series Teenage Mutant Ninja Turtles hit our screens. The reception wasn’t great, complaints aplenty from fans and mutiple Raspberry Awards made it fairly clear that the film’s producers, writers and the studio had some work to do to win back their audience. Two…

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Film Review: The Conjuring 2 (MA15+) (2016) (USA)

Our own Australian director James Wan has made quite a name for himself in the horror genre. Alongside some mild detours like the revenge-film Death Sentence and the ventriloquist horror Dead Silence, he started off the Saw franchise – which spawned SEVEN films. Next came the Insidious franchise – which spawned another FOUR films. Then all of a…

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Sydney Film Festival Review: A War (Denmark, 2016)

Simply titled and straight out of Denmark, A War dives into the thick of modern warfare and finds itself fascinated by the moral nuance that most blockbusters simply glaze over. It’s about a soldier coming to terms with a world that isn’t black and white – but not in the way you think. Pilou Asbæk headlines as Claus…

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Film Review: Money Monster (USA, 2016)

Jodie Foster hops onto the Director’s seat for Money Monster, a sort-of thriller that rightfully leans on the collective charismatic energy of leads George Clooney and Julia Roberts, as well as impressive young gun (pun intended) Jack O’Connell, to bring to life a story of economic frustration, uncertainty, and greed with a timely punch. Distrust…

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Film Review: Now You See Me 2 (USA, 2016)

The first Now You See Me had a thrifty premise and a slick cast but was let down by a last-minute plot twist that was, quite literally, almost-unbelievable. The second film,  while disappointingly not called either Now You See Me Too or Now You Don’t, settles a more evenly-spread acceptance of the impossible. However, if the series’ previous…

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Film Review: Pawno (Australia, 2016)

A film this intrinsically Aussie must exist as an enigma to international audiences. Something very alien, and as I thought once before, about what those people distant from the Antipodes would have made of Crackerjack, I again think for Pawno, and wonder whether subtitles could comprehend or merely transcribe the dialogue of a film so…

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Film Review: Hunt for the Wilderpeople (NZ, 2016)

Have you seen that ad where the three kids sit in the car and talk about how their dads drive when they’re blazed? If so, you’ll probably recognise Ricky Baker (Julian Dennison), though he’s done some growing. When he arrives at his latest foster home, deep in the New Zealand bushland, he steps out of…

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Film Review: The Nice Guys (MA15+) (USA, 2016)

It has been a long time coming, but it is here. It is finally here. A brand-spanking new film by renowned action-maestro Shane Black. For those who don’t know, Shane Black is responsible for writing cult-classic 80’s/90’s films like Lethal Weapon, The Last Boy Scout, The Long Kiss Goodnight, Last Action Hero and The Monster…

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