Film

Interview: Joel Edgerton on The Plague, bullying, and the horror of adolescence

Few environments capture the fragile hierarchies of adolescence quite like summer camp. Friendships form quickly, loyalties shift overnight, and the unspoken rules of belonging can be as ruthless as they are invisible. The Plague taps directly into that volatile world, following a 12-year-old boy who becomes entangled in a cruel camp tradition targeting an outcast…

Read more

Film Review: The Plague is a psychological drama that carries the uneasy weight of a horror film without ever needing traditional genre scares.

Cruelty has always been a rite of passage in coming-of-age stories, but few films capture the quiet terror of adolescent social hierarchies as vividly as The Plague. Set at a water polo summer camp in the summer of 2003, writer-director Charlie Polinger’s striking debut transforms the awkward, anxiety-ridden world of early teenage boyhood into something…

Read more

Interview: Jenna MacMillan on her directorial debut The Snake, premiering at SXSW, and celebrating imperfect heroines

For producer Jenna MacMillan, stepping behind the camera for the first time wasn’t about abandoning what she already knew, it was about trusting herself to lead the story. With The Snake, her offbeat directorial debut premiering in competition at this year’s SXSW Film & TV Festival, MacMillan brings writer-star Susan Kent’s sharp, darkly funny script…

Read more

Interview: Peter Warren on finding humour in the darkness of his own personal story with Kill Me

A murder mystery usually begins with a body. In Kill Me, it begins with a question: what if the detective and the victim were the same person? Blending a darkly comic whodunit with an unexpectedly candid exploration of depression, the film follows Jimmy (Charlie Day), who begins investigating his own attempted murder, unsure whether he’s…

Read more

Win a double in-season pass to the Oscar nominated animated adventure Arco

Thanks to Kismet Movies, we have 3 double digital in-season passes (Admit 2) to see the Academy Award-nominated animated adventure Arco, in Australian theatres from March 12th, 2026, featuring the voices of Will Ferrell, America Ferrera, Natalie Portman, Mark Ruffalo, Flea and Andy Samberg. A magical and beautifully animated journey through time, ARCO is a…

Read more

Blacktown Mayor backs Western Sydney as ideal home for new film studio

Blacktown City Mayor Brad Bunting has welcomed the NSW Government’s decision to begin the search for a second major film studio in Greater Sydney, saying Western Sydney is perfectly positioned to help drive the next phase of Australia’s screen industry growth. The NSW Government has committed up to $100 million towards the development of a…

Read more

Australian theatrical release date and trailer revealed for indie-breakout Alphabet Lane

A delightfully off-kilter new Australian film is about to arrive, with the first trailer now unveiled for Alphabet Lane, set to open in Australian cinemas on April 23rd, 2026. Written and directed by James Litchfield in his striking feature debut, the film pairs Tilda Cobham-Hervey (Apple Cider Vinegar, Jimpa) and Nicholas Denton (Talamasca, Dangerous Liaisons)…

Read more

Win a double in-season pass to see Glen Powell in How To Make A Killing

Thanks to StudioCanal Australia and Think Tank Communications, we have 5 double in-season passes (Admit 2) to see Glen Powell in the wicked new comedy How To Make A Killing, now screening in Australian cinemas. Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow (Glen Powell) will stop at nothing to reclaim his…

Read more

Interview: Patton Oswalt on passion, perseverance, and playing coach in GOAT

From Sony Pictures Animation – the powerhouse behind Spider-Man: Across the Spider-Verse – comes GOAT, a high-energy, all-animal sports comedy about a small dreamer trying to muscle his way into a game built for giants. Set in the roarball arena, where claws are sharp and egos sharper, the film follows undersized underdog Will as he…

Read more

Opinion: The fabulous Michelle Pfeiffer, the piano, and the Oscar that got away

When The Fabulous Baker Boys arrived in 1989, it carried the modest shape of a character drama: two weary lounge musicians drifting through a career of half-empty hotel bars and forgotten standards. What transformed the film into something electric was the arrival of Michelle Pfeiffer as Susie Diamond – a character who, in lesser hands,…

Read more

Beyond Matt Damon: five actors who could become the next Jason Bourne

Rumours are swirling that the Jason Bourne franchise could be gearing up for another reboot – this time without Matt Damon, the actor who defined the role across the majority of the series; The Bourne Identity in 2002, The Bourne Supremacy in 2004, The Bourne Ultimatum in 2007, and Jason Bourne in 2016, with only…

Read more

Interview: Director Patrick Hughes and Alan Ritchson on War Machine, positive charges and peak suffering

During the final stage of U.S. Army Ranger selection, a routine training exercise mutates into something far more dangerous in War Machine – a survival thriller that hits the ground running and never lets up. Speaking with director Patrick Hughes and star Alan Ritchson, our Peter Gray unpacked the film’s pulse-pounding rhythm, from meticulously engineered…

Read more

Film Review: GOAT; a brash and colourful fable about believing in yourself and lifting others up

There’s something undeniably infectious about GOAT. It moves at the speed of a sugar high and rarely stops to breathe, which is either part of its charm or its greatest flaw depending on your tolerance for chaos. At its core, this animated sports comedy follows a scrappy young underdog (or under-goat, technically) – Will Harris…

Read more

Interview: Cédric Klapisch on Colours of Time, memory and cinema’s relationship with the past

When Cédric Klapisch makes a film about time, he doesn’t treat it as something fixed or distant. Instead, it becomes something fluid – memories bleeding into the present, generations speaking to each other across decades. His latest film, Colours of Time, screening at the Alliance Française French Film Festival, begins with a simple discovery: in…

Read more

Gold Coast Film Festival 2026: Bold stories, big oceans, and a fierce local spirit

Gold Coast Film Festival returns from 22nd April to 3rd May, 2026, and if this year’s opening and closing night films are anything to go by, it’s shaping up to be one of its most emotionally charged editions yet. Fresh from critical acclaim at the Berlin Film Festival, Warwick Thornton’s Wolfram will open the festival…

Read more

Film Review: The Bride! is a beautiful, baffling monster of a movie

There’s something undeniably thrilling about watching a filmmaker swing this hard. From Maggie Gyllenhaal – whose directorial debut The Lost Daughter announced a fierce and precise new voice – The Bride! arrives as a bold, operatic reimagining of Mary Shelley’s mythos. On paper, it’s intoxicating: a 1930s Chicago-set fever dream starring Jessie Buckley and Christian Bale,…

Read more

The Wayans Brothers are back to cancel the Cancel Culture in first-look Scary Movie trailer

Twenty-six years after outrunning a suspiciously familiar masked killer, the Core Four are back in the killer’s crosshairs and no horror movie IP is safe. Marlon Wayans, Shawn Wayans, Anna Faris, and Regina Hall reunite in Scary Movie alongside returning favourites and fresh faces to slash through reboots, remakes, requels, prequels, sequels, spin-offs, elevated horror, origin…

Read more

Interview: True South director Dave Klaiber and creator Will Alexander on the cost of endurance

For 80 years, the Sydney to Hobart Yacht Race has occupied a rare place in Australian cultural life – a spectacle of endurance that unfolds each summer as the nation watches the fleet charge south into the Bass Strait, one of the most volatile stretches of water on earth. It is a race built on…

Read more

From page-turner to prime time: The power of the crime adaptation

There’s something deliciously ironic about the fact that, in an age obsessed with spoilers, audiences are flocking to stories where many already know the ending. Prime Video’s “Crime On Prime” slate isn’t just ambitious – it’s strategic. With adaptations of novels by James Patterson, Patricia Cornwell, Sir Arthur Conan Doyle, and Catherine Ryan Howard launching…

Read more

Film Review: Dolly; grimy hicksploitation horror flick is a feral love letter to the genre

There’s a particular kind of grime that clings to the best grindhouse horror – the sense that if you wiped your hand across the screen, it would come away sticky. Dolly, directed by Rod Blackhurst, leans into that filth with feral enthusiasm. This is not polite horror. It’s blood-caked, sun-bleached, and proudly nasty; a love…

Read more

Film Review: Solo Mio is a breezy, lush romantic comedy grounded by the surprising softness of Kevin James

Romantic comedies don’t usually hand the microphone to the guy who gets left at the altar. Solo Mio does, and that alone gives it a slightly different flavor. Kevin James has flirted with the genre before (and memorably scene-stole in Hitch), but here he steps fully into leading-man territory. Reuniting with the Kinnane brothers (Directors…

Read more

Interview: Nick Corirossi and Armen Weitzman on the value of sincere comedy with The Napa Boys; “It feels like we’ve forgotten what movies used to feel like.”

If legacy sequels are supposed to coast on nostalgia, Nick Corirossi and Armen Weitzman clearly missed the memo. With The Napa Boys – the entirely fabricated “fourth chapter” of a wine-soaked comedy franchise that never actually existed – the longtime collaborators have pulled off something both mischievous and oddly sincere. Co-written by Weitzman and Corirossi,…

Read more

Film Review: Scream 7; nostalgia and camp abound in meta-heavy sequel

The road to Scream 7 has been so fraught with controversy that it could almost qualify as its own horror story. Following the success of 2023’s Scream VI – itself marked by the absence of franchise cornerstone Neve Campbell amid a pay dispute – the seventh entry endured director departures, cast exits, online backlash, and…

Read more

Film Review: Idiotka is a sharp, stylish satire with a whole lot of heart

With her feature debut Idiotka, filmmaker Nastasya Popov delivers a spirited satire that skewers influencer culture and reality television while grounding the chaos in something surprisingly tender: family. At its centre is Margarita – or Margusya – played with precise comic timing and quiet vulnerability by Anna Baryshnikov. A young Russian American woman living in…

Read more

Ten years of changing the frame: Melbourne Women in Film Festival celebrates a landmark anniversary

The Melbourne Women in Film Festival (MWFF) is marking a major milestone in 2026, unveiling its tenth-year program with a bold and celebratory lineup championing women and gender-diverse filmmakers from Australia and beyond. Running March 19th – 23rd across ACMI and Federation Square, the festival continues its decade-long commitment to amplifying underrepresented voices on screen….

Read more

What’s your favourite opening scene?: Ranking the Scream franchise

With Scream 7 stalking its way into cinemas this week, there’s no better time to revisit the franchise’s most sacred tradition: the opening kill. From subversive fake-outs to era-defining terror, the first ten minutes of a Scream movie are its thesis statement – laying out the rules, the tone, and the body count to come….

Read more

Interview: Jordan Giusti on Floodland, climate reckoning and the meaning of home

Lismore has long worn its floods as a badge of resilience – a town that rebuilds, again and again, along the banks of a river that refuses to be tamed. But in Floodland, director Jordan Giusti looks beyond the mythology of grit and endurance to ask a far more unsettling question: what happens when resilience…

Read more

Interview: Director Frank E. Flowers on The Bluff and crafting a fierce female-led action adventure

In the adrenaline-charged action-adventure The Bluff, Priyanka Chopra Jonas stars as Ercell “Bloody Mary” Bodden, a former pirate forced to confront her violent past to protect her family. Director Frank E. Flowers spoke with our Peter Gray to discuss bringing the Cayman Islands’ rarely seen history to life on screen, the meticulous authenticity behind the…

Read more

Film Review: The Bluff; entertaining, though not revolutionary jaunt for audiences in the mood for swords and spectacle

The Bluff is a spirited dive into pirate-infused action, set against the jaw-dropping Cayman Brac, where towering bluffs and Skull Cave provide the perfect backdrop for a story about revenge, family, and redemption. At its heart is Priyanka Chopra Jonas as Ercell “Bloody Mary” Bodden, a woman dragged back into the violent world she thought…

Read more

Interview: David Maler on Zumeca and rewriting the story of conquest through love

History is often told in sweeping gestures – conquest, empire, survival. But in Zumeca, David Maler narrows the lens. Set against the violent collision of worlds in the early days of the Americas, the film reframes the so-called “discovery” of the New World through something far more intimate: the relationship between a Spaniard, Miguel, and…

Read more