Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Interview: Aisha Dee and Olivia Vásquez on the importance of their thrilling new series Watching You

Watching You follows thrill-seeking paramedic Lina (Aisha Dee), who, despite being happily engaged, has an impulsive one-night stand with a mysterious stranger. Their dalliance is secretly filmed and used to blackmail her. As her life spirals and paranoia grows, Lina sets out to expose the voyeur – only to discover the true threat is far…

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Film Review: Held Hostage in My House; Netflix thriller is a campy, melodramatic affair

With a title that can’t be misconstrued in all its obviousness, it makes sense as to why Held Hostage in My House adheres to a melodramatic, campy temperament. Despite the cheapness of proceedings, you have to hand it to writer/director Anna Elizabeth James (who seemingly has a penchant for blatantly titled thrillers, with Sinister Sorority…

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Film Review: After The Hunt; Julia Roberts anchors frustratingly tailored drama

A loud ticking clock accompanies the opening minutes of After the Hunt, Luca Guadagnino‘s topical #MeToo drama that presents the mundane actions of its central focus, Professor Alma Imhoff (Julia Roberts), as she goes about her day at Yale.  It feels as if perhaps the ticking is leading to something substantial – a revelation –…

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Interview: Hunter Doohan and The Wilderness director Spencer King on respecting nature and trusting one another

Both rising forces in the film and television industry, expressing their passions for emotional, captivating storytelling, director Spencer King and actor Hunter Doohan have joined for the survivalist drama The Wilderness. Detailing a group of troubled teenage boys who are kidnapped from their homes and taken deep into the unforgiving Utah desert, where they are…

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Interview: Scott Derrickson on what inspired him to make Black Phone 2

The Black Phone rightfully terrified audiences when it was released across theatres in 2022.  And now, just in time for the Halloween season, director Scott Derrickson is bringing the nightmarish void of his supernatural world back to the masses with Black Phone 2, where true evil transcends death…and the phone is ringing once more. As…

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Interview: Madeleine McGraw on the deeper understanding of her character in Black Phone 2

The Black Phone rightfully terrified audiences when it was released across theatres in 2022.  And now, just in time for the Halloween season, director Scott Derrickson is bringing the nightmarish void of his supernatural world back to the masses with Black Phone 2, where true evil transcends death…and the phone is ringing once more. As…

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Film Review: Other is a gradually unsettling thriller that revels in its confusion

It’s not too far into the 95 minutes of David Moreau‘s Other that it becomes eerily evident that everyone aside from lead Olga Kurylenko has their appearance intentionally hidden or distorted from view.  Moreau himself stated that it was a visual additive that played into the loneliness and confinement of Kurylenko’s Alice, who spends the…

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Film Review: Your Host is a gory, nostalgic reminder of the torture horror wave of the Noughties

Nostalgia has proven a strong enough tool within the horror genre to revisit seemingly dormant franchises over the last few years (Halloween, Scream, I Know What You Did Last Summer, to name a few), but what about a particular subsect itself? For those craving the wince-inducing torture porn wave that swept the 2000s (thanks predominantly…

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Film Review: Black Phone 2 is an atmospheric, emotional sequel that outdoes the original

The Black Phone, released to theatres in 2022, was not the type of film that needed a sequel in any form.  It was a perfectly contained, suitably unnerving horror effort that made the most of its short story origins (Joe Hill wrote the original prose in 2004).  As we all know in the business of…

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Interview: Channing Tatum, Kirsten Dunst and LaKeith Stanfield on baring their souls on screen in Roofman

A true story that proves reality is so often wilder than fiction, Roofman, from director Derek Cianfrance (Blue Valentine), details the life of Jeffrey Manchester, dubbed the “Roofman” due to his modus operandi of breaking into his target locations (mostly McDonald’s restaurants) through their roofs.  After escaping prison and hiding out in a Toys “R”…

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Film Review: Roofman; Channing Tatum delivers career-best performance in wild, emotional true story dramedy

A classic case of truth being stranger than fiction, Roofman is the wild, almost unbelievable true story of Jeffrey Manchester, who earned himself the titular moniker due to the fact that he robbed a series of McDonald’s in the late 90s-early 2000s (45 locations, to be exact), entering the premises through their roofs.  Despite his…

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Bark is a claustrophobic, slow burn horror piece with a lot of bite: Dark Nights Film Festival Review

\ Tied to a tree with no recollection of how he got there – or why – when Bark opens with its interesting set-up of seeming Average Joe, Nolan Bentley (Michael Weston), in this predicament, Marc Schölermann‘s horror effort wants us to question if he’s a victim or a perpetrator. Over the course of its…

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Album Review: Khalid lives his best popstar life on slinky After The Sun Goes Down

A little over a year since the release of his Sincere LP, R&B singer Khalid has decidedly changed his tune from those airy, harmonic rhythms to a more pop-forward, liberating sound with After The Sun Goes Down, a confident, at times sexually charged collection of beats that leans into an almost Y2K sense of sound….

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Theatre Review: Pretty Woman: The Musical; Samantha Jade exudes big, huge charm in faithful, pop-driven adaptation

If you’re a popular-enough movie with a strong feminine edge, there’s a good chance you have been, will be, or are receiving the screen-to-stage treatment.  Over the last near-two decades we’ve seen such titles as Legally Blonde, Bring It On, 13 Going On 30, and Mean Girls all get the musical treatment, and now, the…

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Interview: Samantha Jade on moving from the pop studio to the Pretty Woman stage; “It’s really nice to be able to say you’re proud of yourself.”

Australian pop sensation Samantha Jade has long been a powerhouse in the music industry – from winning The X Factor in 2012 to topping charts with her platinum-selling hits and captivating audiences with her dynamic performances.  Known for her stunning vocals and undeniable stage presence, Samantha has continually evolved as an artist, expanding her talents…

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Affection; Jessica Rothe wholly commits to cyclical, sinister horror flick: ScreamFest Film Review

Whilst there is a certain initial familiarity in Jessica Rothe portraying someone who’s in something of a cyclical environment in her latest horror effort, Affection, it becomes all too evident in the early minutes of BT Meza‘s genre outing that this is no retread of the more humorously minded Happy Death Day – the film…

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Film Review: Tron: Ares maintains series spectacle as it boldly pivots beyond virtual ground

The Tron series has always existed in an interesting space within cinematic history.  The 1982 original (Tron) and its 2010 sequel (Tron: Legacy) were more a cult phenomenon than box office successes, with the first film something of a visual revolution as it introduced audiences to the notion of entering a digital world, before Joseph…

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Film Review: Sovereign; Nick Offerman dominates quietly intense, masculine drama

An uncomfortable drama inspired by true events, Sovereign is a quiet, muscular outing from first-time feature filmmaker Christian Swegal, featuring a terrifying, layered turn from Nick Offerman at its core that speaks to the actor’s undeniable presence. Jerry and Joseph Kane were a father-son duo of anti-government extremists; Jerry was a self-proclaimed “sovereign citizen” who…

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Interview: Nick Offerman on his new film Sovereign, toxic ideology, and being an optimist in a divisive world climate

Inspired by true events, Sovereign stars Nick Offerman as Jerry Kane, a radicalised “sovereign citizen” who, with his 16-year-old son Joseph (Jacob Tremblay), gunned down two West Memphis police officers in 2010, sparking a deadly manhunt. Directed by Christian Swegal, and also starring Dennis Quaid, Nancy Travis and Martha Plimpton, Sovereign draws chilling parallels to…

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Interview: Michael Stahl-David on how new fatherhood affected his connection to his work in Looking Through Water

Michael Stahl-David first burst onto the scene with his breakout turn in the seminal sci-fi horror hit Cloverfield. Since then, he’s built an impressively varied screen career, appearing in HBO’s Golden Globe winning Show Me a Hero, Netflix’s acclaimed juggernaut Narcos, the medical drama Good Sam, and Almost Family, an adaptation of the Australian series…

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Film Review: Looking Through Water is a calm, simplistic swan song for Michael Douglas

A sound reflection of the tranquil art of fishing, Looking Through Water is a calm, simple drama about the complicated relationships between fathers, sons and brothers. Now even more notable for being Michael Douglas‘s final screen role – the actor announcing his retirement earlier this year – Looking Through Water adopts a Princess Bride-like narrative…

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Interview: Kate Hudson, director Max Minghella and Kaia Gerber on their horror film Shell and its commentary on beauty standards

If you could restore youthful beauty and guarantee longevity by committing to a few days of mysterious treatments, would you? Would you trust your life and health to science and technology that might be more hype than healthy?  Enter Shell. Samantha (Elisabeth Moss) is thinking it over. She’s a slightly unkempt, earnest, talented actress who…

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Film Review: Shell; Kate Hudson lets loose in campy body horror flick

Arriving not long after The Substance doesn’t bode well for something like Shell, Max Minghella‘s campy, body horror ode to trashy escapist 90s cinema that similarly explores the world of ageing in Hollywood and how far someone will go to maintain perfection.  With both films screening within a week of each other at last year’s…

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After its TIFF premiere, Christy knocks out a new year Australian theatrical release

One of the most talked about titles out of this year’s Toronto International Film Festival was the biographical sports drama Christy from acclaimed Australian filmmaker David Michôd (Animal Kingdom) and starring Sydney Sweeney in the titular role, one that generated Oscar buzz out of the festival last month; you can read our review here, where we…

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Apple TV+ reveals trailer for documentary Mr. Scorsese ahead of its streaming premiere

Mr. Scorsese is a cinematic portrait one Martin Scorsese, detailing the man through the lens of his work, exploring the many facets of a visionary who redefined filmmaking, including his extraordinary career and unique personal history. With exclusive, unrestricted access to Scorsese’s private archives, the documentary series is anchored by extensive conversations with the filmmaker…

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Kevin James and Alan Ritchson are having a Play Date in first look at new Prime Video action-comedy

No stranger to helming both action and comedy, director Luke Greenfield (The Girl Next Door, Let’s Be Cops) hilariously collides suburban dad life with high-stakes thrills, transforming an ordinary afternoon into an absurd action-packed adventure where minivan mayhem meets professional hitmen in Play Date, which Prime Video have revealed today through exclusive first-look images ahead…

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Japanese Film Festival reveals 2025 program

The Japanese Film Festival (JFF), presented by The Japan Foundation, Sydney, marks its 29th year with a line-up of major new releases, literary adaptations, thrillers and anime features. Touring Canberra, Melbourne, Brisbane, Sydney and Perth from 27th October to the 19th December, the festival continues to highlight the best of contemporary and classic Japanese cinema….

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Interview: Natalie Abbott on rinsing Shakespeare through the pop sphere in The Lovers

Natalie Abbott burst onto the scene as Muriel Heslop in Muriel’s Wedding The Musical, earning Helpmann and Green Room Award nominations in the process.  And now, she brings her comedic brilliance and powerhouse vocals to The Lovers, a popified take on Shakespeare’s classic ‘A Midsummer Night’s Dream’; you can read our review here. As the…

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Film Review: Play Dirty; Mark Wahlberg and LaKeith Stanfield charm their way through chaotic actioner

Whether we’ve taken notice or not, but, much like your James Bonds, Jack Ryans and Jack Reachers, the character at the centre of Shane Black‘s Play Dirty – Parker – is a cinematic mainstay who has appeared in films dating back to the 1960s, portrayed either directly or taken inspiration from by a multitude of…

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Film Review: Stolen Girl undermines its important message with disjointed action

There’s an odd satisfaction that comes from watching genre films that use the narrative of stolen children.  It’s a horrific, harsh reality, but Hollywood knows how to take the weighted drama of such and merge it with a revenge-cum-saviour mentality, creating the type of story where justice prevails in a way to make the escapism…

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