Author: Peter Gray

Seasoned film critic and editor, music reviewer, occasional lifestyle collaborator. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Voter for the 84th Annual Golden Globes. Contact: [email protected]

Interview: Spider-Noir showrunner Oren Uziel on building a story that’s equal parts hard-boiled noir, comic-book pulp and melancholy character study

Ben Reilly’s version of Spider-Man has already lived through the kind of disillusionment most superhero stories spend entire trilogies building toward. By the time Spider-Noir begins, the idealism is gone, the city has worn him down, and what remains is a weary private investigator muttering lines like, “With no power, comes no responsibility” – a…

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I Don’t Care at 25: Appreciating Delta Goodrem’s teen-pop origins

There’s a certain poetic irony in the fact that Delta Goodrem‘s true debut single – “I Don’t Care” – is the one that rarely gets invited into the conversation. Overshadowed by the seismic impact of “Born To Try” and the era-defining success of her debut LP Innocent Eyes, this 2001 release has long been treated…

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Film Review: Tom Clancy’s Jack Ryan: Ghost War; confident thriller works as both a continuation for fans of the series and a satisfying standalone for newcomers

There’s always a risk when a successful streaming series makes the leap to a feature film that it will feel like an extended episode rather than a cinematic evolution. Fortunately, Tom Clancy’s Jack Ryan: Ghost War threads that needle with confidence, delivering a slick, character-driven thriller that works both as a continuation for fans and…

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Film Review: Finding Emily; refreshingly sincere romantic comedy is a reminder of the joy of watching two people fall in love

Romantic comedies live and die by chemistry, sincerity and the audience’s willingness to believe two people are destined to collide at exactly the right moment. Finding Emily, the charming new feature from director Alicia MacDonald, understands that formula completely. Rather than trying to reinvent the genre, the film leans into what has always made these…

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Interview: Alicia MacDonald on favouring romantic optimism in cynical times with her romantic comedy Finding Emily

There’s a moment early in Finding Emily where sensitive musician Owen locks eyes with a stranger across a crowded student union, and suddenly the world feels charged with possibility. It’s a feeling director Alicia MacDonald spends the entirety of her warm, witty and deeply heartfelt romantic comedy chasing – that intoxicating blur between adolescence and…

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Interview: Angourie Rice and Spike Fearn on building chemistry through their opposing acting processes for Finding Emily

Romantic comedies have always thrived on grand gestures, chance encounters and impossibly perfect timing, but Finding Emily is more interested in the messy uncertainty that exists between those moments. Produced by Working Title Films, the warm and disarmingly sincere new film follows sensitive musician Owen (Spike Fearn), whose attempt to reconnect with a girl he…

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Here’s how you can see exclusive cinematic footage of Tom Cruise’s new film Digger

Tom Cruise has spent more than four decades sprinting across movie screens, hanging off planes, scaling skyscrapers and redefining what audiences expect from a blockbuster star. Now, moviegoers are getting a glimpse at what may be one of the strangest and most transformative roles of his career – but only if they head to the…

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Film Review: Forge; less glossy crime thriller, more melancholy character study

Jing Ai Ng’s Forge slips into the art world through the side door. There are no velvet ropes, champagne-soaked auctions, or globe-trotting thieves in tuxedos here. Instead, the film plants itself in the sticky Miami heat, inside cramped motel rooms and a family-run dim sum restaurant where exhaustion hangs heavier than ambition. What emerges is…

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Film Review: In the Grey; charisma abounds in Guy Ritchie’s effortlessly cool caper

Guy Ritchie’s In the Grey feels like the filmmaker maintaining the exact groove he knows best – fast-talking criminals, swaggering operatives, tangled negotiations, and men who communicate affection through insults, loyalty, and violence. After several years spent bouncing between blockbuster experimentation and franchise filmmaking, Ritchie once again returns to the kind of slick, dialogue-driven crime…

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Interview: Jasmin Tarasin and Courtney Collins on Life Could Be A Dream, romantic myths, and invisible cages

There’s a haunting contradiction at the centre of Life Could Be A Dream. On the surface, Sarah has everything: beauty, privilege, a handsome husband, an elegant home, and the kind of curated life that resembles a glossy magazine spread. But beneath the designer clothes and glass walls sits something far more fragile – a woman…

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Interview: Zoe Pepper on how class obsession and generational entitlement shaped her black comedy Birthright

The housing crisis has become such a relentless part of modern conversation that it’s often reduced to statistics, market forecasts, and political finger-pointing. But in Birthright, writer-director Zoe Pepper turns that anxiety into something far messier, darker, and deeply human. The film follows Cory (Travis Jeffery) and his pregnant wife, Jasmine (Maria Angelico), after they’re…

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Film Review: Birthright is a sharp, uncomfortable black comedy about generational resentment

Birthright is the kind of film that feels painfully recognisable, even as it spirals into increasingly absurd and unsettling territory. Writer-director Zoe Pepper takes the all-too-relatable anxiety of moving back in with your parents as an adult and turns it into a viciously funny social satire about class, entitlement, and the widening emotional divide between…

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Film Review: Dirty Hands is a rough-edged, emotionally charged crime drama

There’s a grimy authenticity pulsing through Dirty Hands that elevates it beyond the standard one-night crime thriller. Written, directed by, and starring Kevin Interdonato, the film thrives not because of its escalating violence, but because of the emotional wreckage left in its wake. Beneath the bloodshed, bruises, and frantic survival instincts is a surprisingly affecting…

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It’s The Five Star Weekend away for Jennifer Garner in first-look trailer for new Binge series

BINGE has unveiled the official trailer for The Five Star Weekend, a glossy new eight-part drama led by and executive produced by Jennifer Garner. Adapted from the bestselling novel by Elin Hilderband, The Five Star Weekend follows Hollis Shaw (Garner), a beloved celebrity chef and author whose carefully curated life begins to unravel after a…

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Film Review: Mother Mary; Anne Hathaway commits wholly to gothic horror fever dream that’s as intoxicating as it is self-indulgent

David Lowery’s Mother Mary wants to be an exorcism of pop stardom. Sometimes it feels like a fever dream stitched together from celebrity mythology, couture spectacle, psychological collapse, and gothic horror imagery. Other times, it feels like a film so entranced by its own symbolism that it forgets to give its characters enough humanity to…

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Interview: Karis Oka on the importance of representation and the emotional whiplash of Beetlejuice the Musical

Death, grief, loneliness, goblin demons, and a “crusty old” bio-exorcist in black-and-white stripes are probably not the ingredients you’d expect for one of musical theatre’s most unexpectedly heartfelt shows. Yet that strange emotional cocktail is exactly why Beetlejuice the Musical has developed such a fiercely devoted following around the world. Beneath the chaos, the absurdity,…

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Prime Video’s Off Campus; it’s Dawson’s Creek for the TikTok generation

Off Campus understands exactly what it is selling within the first ten minutes. Beautiful people. Hockey players with tragic backstories and perfect jawlines. College hookups shot like perfume ads. Emotional vulnerability wrapped in towels (and sometimes not) and locker-room lighting. It knows the “girls, gays, and theys” audience it is chasing, and it goes after…

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Interview: Andrew Bernstein on making Tom Clancy’s Jack Ryan: Ghost War feel more cinematic than episodic

After four successful seasons on Prime Video, Tom Clancy’s Jack Ryan: Ghost War marks the franchise’s leap from streaming series to full-scale feature-length thriller. Directed by Andrew Bernstein, the film finds Jack Ryan (John Krasinski) reluctantly pulled back into the world of espionage when a covert international mission spirals into a deadly conspiracy involving a…

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Delta Goodrem announces new album Pure

Delta Goodrem has never really fit into a single lane. Across more than two decades, she has moved seamlessly between chart-topping pop star, songwriter, actress, author, television personality, and entrepreneur, building one of the most enduring careers in Australian entertainment along the way. Now, with a new label partnership, a major international spotlight, and a…

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Whatever Will Be at 21: Tammin Sursok’s break from the pop princess playbook

In 2005, when Tammin Sursok released Whatever Will Be, the pop landscape was in a fascinating state of transition. The glossy, hyper-produced dance-pop that had defined the late ’90s was still dominant – championed by figures like fellow soap-turned-pop players Kylie Minogue and Holly Valance – but there was a parallel wave surging forward. Artists…

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Interview: Blake Johnston on breaking the silence around mental health with In Pieces Together

Endurance stories are often framed around the finish line – the record broken, the impossible conquered. But In Pieces Together reframes that idea entirely. What begins as Blake Johnston’s attempt to break the world record for the longest continuous surf – a gruelling 40-hour effort – quickly reveals itself to be something far more profound….

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Interview: Macario de Souza on documentary In Pieces Together and turning vulnerability into strength

There’s a moment in In Pieces Together where the scale of what Blake Johnston is attempting stops feeling physical and starts feeling deeply emotional. On paper, surfing continuously for 40 hours to break a world record sounds almost impossible. But beneath the exhaustion, saltwater and spectacle lies something far more personal: a son trying to honour…

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Bridesmaids at 15: How one comedy blew up the boys’ club

Fifteen years on, Bridesmaids doesn’t simply just hold up – it looms. What once arrived as a risky studio gamble now feels like a cultural reset, a film that didn’t merely succeed within its moment but permanently altered the parameters of what mainstream comedy could look like, who it could center, and how honestly it…

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The Mortal Kombat II cast and filmmakers celebrate its Gold Coast homecoming at official Australian preview

The Gold Coast turned into Earthrealm this week as fans, gamers and cosplayers packed out the Official Australian Preview of Mortal Kombat II at Event Cinemas Pacific Fair on Tuesday night, welcoming the stars of the blood-soaked blockbuster back to the place where much of the film was brought to life. The event marked something…

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Elle, the prequel series to Legally Blonde, drops colourful teaser ahead of global launch

Before she conquered Harvard in pink stilettos, Elle Woods was just trying to survive high school. Prime Video has unveiled the first teaser trailer for Elle, the upcoming prequel series to the beloved Legally Blonde franchise, ahead of Amazon’s annual upfront presentation in New York on May 11th. The series will premiere July 1st on…

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Film Review: Iron Maiden: Burning Ambition is an entertaining and surprisingly accessible portrait of one of heavy metal’s most enduring bands

Heavy metal has always carried a certain mythology around it, but few bands have embodied that larger-than-life aura quite like Iron Maiden. With their undead mascot Eddie, operatic stage shows, and literary-infused lyrics about war, history and mortality, the British legends have spent five decades building a legacy that stretches far beyond music. Iron Maiden:…

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Interview: Director Simon McQuoid on fan expectations, fatalities, and finding the soul of Mortal Kombat II

As Earthrealm prepares for its most brutal battle yet in Mortal Kombat II, director Simon McQuoid returns with a sequel determined to go bigger, bloodier and far more ambitious than its predecessor. Bringing the long-awaited tournament to the screen, the film introduces Karl Urban’s swaggering Johnny Cage into a sprawling war against Shao Kahn, while…

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Interview: Karl Urban, Jessica McNamee and Josh Lawson on Mortal Kombat II, action icons, complexity and escapist cinema

In Mortal Kombat II, Earthrealm’s champions return for a bloodier, louder and far more chaotic showdown against the forces of Shao Kahn – this time with Karl Urban’s swaggering Johnny Cage entering the arena. Leaning fully into the outrageous spirit of the iconic video game franchise, the sequel embraces brutal fatalities, self-aware humour and the…

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Film Review: Mortal Kombat II; bigger, bloodier sequel embraces the game’s chaotic spectacle

Mortal Kombat II understands exactly what fans wanted more of after the 2021 film: brutal fights, outrageous fatalities, fan-favourite characters, and a stronger sense of the video game’s gleefully excessive identity. While Simon McQuoid’s first film may have been the more technically controlled entry, the sequel is easily the more entertaining one, operating with the…

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Interview: Mark Kassen on his paranoid, political thriller PH-1; “The film is less about what’s revealed and more about what’s being explored.”

Set almost entirely within the confines of a luxury penthouse, PH-1 unfolds over one harrowing night as rising politician Payton Burnham watches his carefully constructed public image disintegrate in real time. Held hostage by an unseen force, he’s trapped not just physically, but within a media ecosystem that thrives on speculation, spin, and viral outrage….

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