Author: Dylan Marshall

Album Review: DMA’s – For Now (2018 LP)

I was out having a Thai dinner with friends recently, the day after I first sat down to listen to the second album of Sydney band DMA’s. As we sat down and ordered a vast variety of dishes for this midweek banquet, it dawned on me that this dinner I was about to pay $30…

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Album Review: Confidence Man – Confident Music For Confident People (2018 LP)

I preface this entire review by saying Confidence Man are a live band; they’re not a physical release band. There are plenty of acts that fail to live up to the hype when it comes to a live set. Then there are bands that absolutely crush the live performance. And that is exactly what Confidence…

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Album Review: City Calm Down – Echoes In Blue (2018 LP)

When sitting down to listen to new music, I’ve recently taken to making the first listen of an album a passive experience. In a time poor society, using the album as the soundtrack to your daily tasks, whether they’re mundane work tasks or other articles you’re reading and creating, having those new sounds play in…

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Album Review: Maddy Jane – Not Human At All (2018 EP)

Maddy Jane appears to be on the precipice of success. At a time where Australian female singer-songwriters are on the up and up, the Tasmanian has continually evolved to a point where you just know she’s about to be in everyone’s ears and on everyone’s playlists. On the back of 2017’s breakout single “No Other…

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Festival Review: Sydney City Limits debuts with a bang at Centennial Park

It’s always going to be tough for a new festival to break into a seemingly saturated market and also have a line up that would rival just about any other festival across the world. Thankfully, the team behind Sydney City Limits know a thing or two about booking, curating and planning a successful festival in…

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Live Review: The National introduce Sleep Well Beast to massive Sydney crowd

There’s definitely something enigmatic about The National. They’ve been a band for twenty years, are all seemingly grounded family men, and manage to always find themselves in the upper echelons of festival bills. And yet, they don’t rest on their laurels. They’ve just won their first Grammy, and have returned to the Sydney Opera House…

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Album Review: Brian Fallon – Sleepwalkers (2018 LP)

As good as change may be, continuity and familiarity is just as great. And in some cases, it’s probably better. Here on the new Brian Fallon album, Sleepwalkers, the American artist has embraced some changes from his The Gaslight Anthem days, whilst maintaining much of what has allowed him to develop such a loyal and…

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Festival Review: Anderson .Paak rules, while Dream Wife & Father John Misty prove Laneway Festival highlights in Sydney

Returning once more to the Sydney College of the Arts, the Laneway Festival again made its presence felt throughout Sydney’s inner west. With a line up packed from front-to-back, it promised to be a stellar day as the early clouds cleared to a warm, but pleasant, Sunday afternoon. Obviously a cost cutting measure, having a single…

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Album Review: Tiny Little Houses – Idiot Proverbs (2018 LP)

Having been in and around Australian listeners’ ears for near enough to the past four years, it’s safe to say it has been a slow burn as Tiny Little Houses have gradually built up to their debut album, the (I hope) mostly ironically titled Idiot Proverbs. If you do yourself a favour and head over…

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Festival Review: Liam Gallagher, Peking Duk & The Kooks provide a fitting close for Falls Byron Bay

Entering the last day of Falls Festival Byron Bay, you could sense festival fatigue was starting to hit the masses en masse. The campground was quieter for longer in the morning, the toilet blocks were giving off a lovely earthy odour, and security started to be less hands on than they’d been in the previous…

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Festival Review: Flume headlines a massive New Year’s Eve program of music at the Falls Festival in Byron Bay

Here for its 25th instalment, the Falls Festival has become a staple diet for the many punters up and down the east coast of Australia who enjoy listening to quality tunes to bring in their new year. Returning for its fifth edition at the North Byron Parklands, Falls managed to put in place what has…

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Festival Review: Dune Rats find Scott Green, Camp Cope shine on New Year’s Day in Byron Bay

With heads pounding and only the cicadas and Kookaburras making noise, the eerie silence of a camp ground at 6am on New Years Day is something to behold. Making the seemingly genius decision to get up early and have a cold shower was the kick start needed to get 2018 underway. What wasn’t envisaged was…

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Live Review: Jack Johnson impresses despite rainy conditions on the Sydney Opera House steps

For this writer, seeing Jack Johnson live has been fourteen years in the making. I vividly remember being at a family-friends’ house and their youngest son playing Johnson’s break out track “Taylor” on repeat (or near enough) for the entirety of the night. Little did I know that in 2017 I’d get the chance to…

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Live Review: Gordi’s brilliance as a live performer shines at sold out Oxford Art Factory gig

It is always great seeing artists you’ve followed for a while finally receive the recognition and sold out venues their skills deserve. In this instance, it was the brilliant Gordi who got to sell out a hometown (sort of) show and show off to the Oxford Art Factory crowd just why she’s been copping a…

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Album Review: Greta Stanley – Full Grown (2017 LP)

Like just about everyone else in existence, your late teens and early twenties is a time where you’re trying to find your place and struggle to work out what and who you are or want to be. While Greta Stanley admits to being in this boat, one thing she definitely has already worked out is…

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Album Review: Wolf Alice – Visions of a Life (2017 LP)

Ever since they released their break out single “Bros”, Wolf Alice has been a band who’ve been able to create tracks that are earnest, heartfelt and easily relatable, whilst simultaneously being as aggressive and downright brilliant as you could expect from a band in their genre. Where their debut album, 2015’s fantastic My Love Is…

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Live Review: Megan Washington simply mesmerises with the Sydney Symphony Orchestra

There’s something surprisingly relaxing yet equally daunting as watching an orchestra accompany a contemporary artist. As I sat looking down at the side of the Sydney Opera House stage, you’d have been forgiven if you forgot that fronting the Sydney Symphony Orchestra was Megan Washington. On night one of her current tour showcasing the tracks…

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Live Review: The Jezabels nail Night Four of their residency at Sydney’s Lansdowne Hotel

Taking the pretty much unheard of route of playing seven shows in seven days at Sydney’s The Lansdowne, locals The Jezabels played night four of their residency to a sell out crowd in front of their hometown fans. Playing a venue literally the next street down from where they formed whilst at uni, the Sydney…

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Album Review: Gordi – Reservoir (2017 LP)

When I was younger, after Saturday sport, if I’d played well and scored a goal, my Dad would give me dollar to buy something from the canteen. Without failure, I’d buy a bag of mixed lollies. Mainly because it was great value, but also because you never knew what you were going to get until…

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Album Review: Gang Of Youths – Go Farther In Lightness (2017 LP)

Straight off the bat, Go Farther In Lightness is a victory album. It’s a victory of love and loss; a triumph for hope and life. It’s an album with many peaks and just as many moments that make you ponder and appreciate your existence. It’s a compass for those lacking direction. It’s the ‘I may…

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Album Review: Saskwatch – Manual Override (2017 LP)

Change, for the lack of a better word, is good. And while they may have moved even further away from the soul and horns that made me fall in love with them in the first place, Saskwatch continually prove they know how to make devastatingly beautiful indie-pop. This is no different here on their fourth…

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Live Review: Witnessing LCD Soundsystem’s return to Sydney was a truly humbling experience

Time helps build a cult of personality; a paradigm in which how you remember things can be altered dramatically from how they actually are. With more than six years since their last visit, plenty of time has passed since LCD Soundsystem had the chance to play to a Sydney crowd. And while the music industry…

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Live Review: Sigur Rós enchant the Hordern Pavilion on a Tuesday night out in Sydney

You know that old rule your mum used to tell you: ‘If you can’t say anything nice, then don’t say anything at all’? While it sure is nice to be spoken to politely, Sigur Rós must have listened really well to their mums, as they played the nicest and most awe inspiring of sets you’ll…

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Live Review: HAIM – Enmore Theatre, Sydney (20.07.17)

As the usual circus that is Splendour In The Grass rolls through this vast country of ours, so too does some of the best bands currently walking the earth. One of these said bands is HAIM, and I’ll tell you what, they know how to play a live show. Here at their only headline date…

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Live Review: Furnace and The Fundamentals – Enmore Theatre, Sydney (08.07.17)

Who doesn’t love a cover song? I have a theory that in any festival set, if a band (irrespective of their size or street cred) covers a classic song, the crowd will froth on it and that will be the biggest moment of the set. Playing their own headlining show at the Enmore Theatre, Furnace…

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Album Review: Haim – Something To Tell You (2017 LP)

More than four years in the making, Haim have returned from the world of playing festivals and obsessive touring to create Something To Tell You. On Something To Tell You they haven’t recreated the wheel, but have more than ably changed the manual on how use said wheel, or in this case, album. Haim have spoken…

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Album Review: Kacy Hill – Like A Woman (2017 LP)

I saw Kacy Hill live at Splendour In The Grass 2016 on the back of knowing two songs of hers. Going into the set thinking her sound was maybe a cross between James Blake and Montaigne, I quickly realised I was doing her an injustice in comparing her to any other artist (irrespective of the…

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Album Review: Phoenix – Ti Amo (2017 LP)

Phoenix is a seemingly cool band. They just ooze confidence in their music and live sets. Here on their sixth album Ti Amo, the Parisian four-piece seemingly rest on these cool laurels that has made them favourites worldwide, while not really progressing all that much as a band. While the band are notable and proud…

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Live Review: The Lansdowne Hotel returns to the Sydney music scene in style with epic supergroup tribute

With Sydney’s nightlife and arts community severely depleted in recent years on the back of a government seemingly going out of their way to deny any support to the community, one of Sydney’s more famed venues reopened its doors to a packed band room upstairs, and a bustling bar and bistro downstairs. Back after a…

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Live Review: Laura Marling – Sydney Opera House (12.06.17)

I’m calling it here. Laura Marling will go down as one of the greats. For someone to be so prolific, accomplished, lauded and respected by fans and critics alike at the age she is, it’s a testament to how great she is in a live setting. Playing a headlining show as part of Vivid Live,…

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