Film

Film Review: Wonder Woman (USA, 2017) is the heroine we need and deserve

After what can only be said as the frustrating and disappointing efforts of Man Of Steel and Batman Vs Superman: Dawn of Justice and Suicide Squad in the DC Comics movie universe. The hopes of the DCEU and an opportunity for it to be redeemed appeared to rest on the shoulders of Wonder Woman. The…

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Australian Box Office Report: Pirates Of The Caribbean: Dead Men Tell No Tales sails to top spot

The fifth film in the Pirates franchise lived up to expectations, earning $5.88m at the box office in its opening weekend and shooting straight to no. 1.  Pirates Of The Caribbean: Dead Men Tell No Tales  is also the best performing opening for a film since Guardians Of The Galaxy Vol. 2 opening at the beginning of May with $8.61m….

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Film Review: Hounds of Love (Australia, 2016) rewards those with strong stomachs with one of the best films of the year

Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…

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Film Review: Wilson (USA, 2017) lacks both pattern and personality

After showcasing his worth as a filmmaker to keep an eye on with 2014’s The Skeleton Twins, Craig Johnson sadly suffers a sophomore slump with Wilson, an episodic dramedy that proves to be too far removed from Johnson’s directorial capabilities. It’s not that he is unable to guide dark material to fruition – something he…

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Film Review: Pirates Of The Caribbean: Dead Men Tell No Tales (USA, 2017) flies with half sails

In the fifth installment of the Pirates of the Caribbean franchise, Dead Men Tell No Tales, we return to the seas on another adventure with our ridiculous Captain Jack Sparrow. This time pairing up with a new bickering couple of non-pirates, and being chased down by his old frenemy Captain Barbossa and his even older…

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Australian Box Office Report: King Arthur reigns supreme with box office takings

It supposedly didn’t do as well as expected in its opening week in the USA, but Australians haven’t been quite so tough on King Arthur: Legend Of The Sword.  In its first appearance at the Australian box office, it earned $2.32m.  That’s not to say it’s been hugely successful here.  Its performance at the box office so far has…

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Film Review: Handsome Devil (Ireland, 2016) is a pleasant but predictable coming of age story

Handsome Devil is cut from the same cloth as Sing Street and Dead Poet’s Society, but it also leaves a few things deliberately ambiguous. This is a pleasant, coming-of-age tale set in a private, all-boys boarding school in Ireland. The story ends on an encouraging and positive note where you should be yourself because it…

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Film Review: Norman: The Moderate Rise & Tragic Fall of a New York Fixer (USA, 2017) is like a conga dance, blurring the lines between friendships & manipulation

Norman: The Moderate Rise and Tragic Fall of a New York Fixer is a light comedy film about a human of New York. But he’s not just any human. The eponymous Norman is a wheeler/dealer and the undisputed king of networking. The film is what you’d get if The Ides of March were directed by…

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Film Review: Netflix’s War Machine (MA15+) (USA, 2017) is an enjoyable satirical war drama in the vein of The Big Short

With the release 2015’s Beasts of No Nation, the streaming giant Netflix began producing their own Netflix Original movies and to this day their library of original content starring high profile actors and actresses continues to grow. Now we see the release of Netflix’s biggest original movie to date, War Machine. Written and directed by David…

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Film Review: Haus of Pain (USA, 2017) is an amusing, heartfelt love letter to wrestling and chasing your dream

Do you ever sit back and take stock of your life, and wonder how things might have been if you followed another path? A path you were so adamant you’d pursue at some point? This is the premise for Rooster Teeth’s newest documentary Haus of Pain which sees James Willems of the popular YouTube channel…

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Film Review: Neruda (Chile, 2016) is a complex bio-pic that leaves you questioning what is truth and fantasy

Neruda is a film that truly embodies its subject matter. But this proves to be one double-edged sword because it is also to its betterment and detriment. This bio-pic about the eponymous, beloved Chilean poet uses the lyrical qualities the writer employed to bend the narrative in so many ways that the result is virtually…

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Film Review: King Arthur: Legend Of The Sword (USA, 2017) is a fun but overcooked take on the myth

Just when you think you’ve seen and heard every iteration of the legend of King Arthur and Excalibur, comes a new take and telling of the myth, one that prefers its heroes dirty, its villains seething and its action ridiculously over the top. There are elements in King Arthur: Legend Of The Sword that really…

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Australian Box Office Report: Alien: Covenant takes the lead from Guardians of the Galaxy Vol. 2

It’s been a pretty big opening weekend for at least two new release films, which both occupy the top two spots on the box office ladder this week. Ridley Scott’s Alien: Covenant opened this weekend and promptly took over the no. 1 spot (last week held by Guardians of the Galaxy Vol. 2) , earning $3.95m in its…

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Film Review: Don’t Tell (Australia, 2017) doesn’t serve its source material justice

May I set the scene? On a farm in Queensland, 22-year- old Lyndall (Sara West) is talking to lawyer Stephen Roche (Aden Young) about her willingness to face the might of the Anglican Church in court over the abuse she suffered in boarding school. She asks about Bob Myers (Jack Thompson), the barrister who would represent her…

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Film Review: John Wick: Chapter Two (USA, 2017) proves itself a very serviceable sequel

From comedic roles like his iconic slacker character, Ted “Theodore” Logan to the action heroes like Jack Traven from Speed and Neo from The Matrix films; dramatic roles like in River’s Edge and Hardball; and even villainous roles like in The Gift and Man of Tai Chi, Keanu Reeves is far more versatile an actor than he’s often given credit for. You certainly can’t…

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Film Review: Snatched (USA, 2017) is an uneven caper with more faces than a hundred watches

A more appropriate title for the film Snatched would be “Botched” because this was a wasted opportunity. The movie is an uneven one starring comedian Amy Schumer and Hollywood’s own, the truly wonderful Goldie Hawn making her silver-screen comeback after a 15 year hiatus. It’s one that has some decent-enough ingredients but the overall combination…

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Film Review: Ridley Scott tugs on existential threads with Alien: Covenant (USA, 2017)

2012’s Prometheus marked the beginning of a franchised prequel to Ridley Scott’s original Alien, not only taking fans back to the origins of this iconic sci-fi franchise, but diving deeper into the meaty philosophies such a concept brings, finding purpose with the motif of creation. The introduction of synthetic android David (Michael Fassbender) emerged as…

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Australian Box Office Report: Guardians remain leaders of the Galaxy for the second week in a row

Guardians Of The Galaxy Vol. 2 topped the box office ladder again this week, taking in $4.99m in earnings.  The only steady title in the top three, it’s already earned $23.06m since it premiered on Anzac Day, and is set to overtake the first Guardians of the Galaxy if it can make a total of $27m –…

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Film Review: The Zookeeper’s Wife (USA, 2017) is a beautifully told true story

The Zookeeper’s Wife follows the real events of the owners’ of the Warsaw Zoo in Poland from 1939 until 1946. It centres on their moral struggle of not being a mere bystander of the ghettos and executions during the Holocaust. It’s a film that has the rare potential to educate  its audience with a fascinating story, without…

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Film Review: Becoming Bond (USA, 2017) is hilarious, original documentary filmmaking

Getting a release on Hulu today in the US is the hilarious documentary Becoming Bond, which screened at SXSW earlier this year. It takes a look at the life and times of Australia’s only Bond, George Lazenby, in his own words. The film takes the spirit of Drunk History to deliver an original and entertaining…

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Australian Box Office Report: Guardians of the Galaxy Vol. 2 leaves Fate of the Furious behind

It’s no surprise that the highly anticipated Guardians of the Galaxy Vol. 2 performed so well.  The first film, which opened in 2014, became the 6th best grossing film of its year.  The sequel took in $8.61m in this week, but advance screenings went way back to the Anzac Day opening last week, so its actual total…

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Film Review: The Innocents (Poland/France, 2016) is a remarkable, must-see film

Films based on true events are often met with a mixed response; audience left to question the validity of the liberties its filmmakers have taken. Though it can render some films as potentially predictable or even unbelievable, others can be inspiring and heart-wrenching. In the case of The Innocents, we find cinema that belongs to the latter camp; quietly powerful,…

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Gold Coast Film Festival Review: Out Of The Shadows (Australia, 2017) makes promises it cannot fulfil

The opening moments of Out Of The Shadows are among its best. The first scene, a tracking shot through a murder scene with grievously damaged bodies, an upset detective and an unsettling atmosphere set by the colour grade and sound, promises a clever indie horror that for the most part, the film fails to deliver….

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Gold Coast Film Festival Review: The Osiris Child: Science Fiction Volume One (Australia, 2016) is Star Wars on a shoestring

In ninety-five minutes, The Osiris Child recreates the past twenty years of sci-fi. It’s a fast blend of genre styles new and old, reaching screens in the format of a graphic novel and touching bases with every ‘humanity in crisis’ story ever told. While never profound, The Osiris Child achieves its vision, but the lack of…

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Gold Coast Film Festival Review: My Entire High School Sinking Into The Sea (USA, 2016) is high school through a kaleidoscope

My Entire High School Sinking Into The Sea is a psychedelic trip through four storeys of a floating high school. About as bad of a place as someone would want to take a transcendental journey, but for the main characters it’s an edifying one, filled with colour, strange visuals and awkward relationships. Dash (Jason Schwartzman)…

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Film Review: Jordan Peele’s directorial debut Get Out (USA, 2017) is a triumph

Fresh off the writing table of comedy sketch duo Key & Peele, Jordan Peele tackles his solo directing/writing debut in this racially-fueled thriller determined to leave you with a bad taste in the mouth in the most wonderful of ways. Peele is without a doubt best known for his comedy, so his new project was…

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Film Review: Below Her Mouth (Canada, 2016) is a steamy lesbian love story

Put in simple terms, Below Her Mouth is a story about a girl meets a girl except that the latter is engaged to a boy. It’s a tender lesbian romance that showcases the sexual awakening of one of its lead characters. But it’s also one that could do with a lot more conversation and a…

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Film Review: Certain Women (USA, 2016) proves Kelly Reichardt the master of quiet filmmaking

Proving to be the master of quiet filmmaking, Kelly Reichardt has established quite a name for herself within the independent cinematic industry. With slow-burning, patient films like Old Joy and Wendy and Lucy, her newest picture follows the style of her preceding work. Certain Women, an adaptation of short stories by Maile Meloy, shows Reichardt…

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Australian Box Office Report: The Fate of the Furious retains no. 1 spot

It seems there’s no roadblocks for The Fate of the Furious, which remains in the top spot at the box office for the second week in a row.  This week, it earned $4.96m, down considerably from its opening week last week when it earned $10.07m.  This is also due to the overlap of the school holiday period, and…

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Dave Bautista on learning as an actor, working on independent films and what he hopes fans will take away from Guardians Of The Galaxy Vol 2

With the forthcoming release of Guardians Of The Galaxy Vol 2 in cinemas, the hotly anticipated sequel sees a bunch of mischievous criminals saving the galaxy, yet again. One of those criminals happens to be Drax The Destroyer, played by Dave Bautista. In the next installment of our interview we discuss what he’s been learning…

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