Film

AF Film Review: Four Days in France (France, 2016) is all in the name

Four Days in France really is about four days outside of Paris. Since Pierre (Pascal Cervo) has floored it out of the city into a freeway odyssey, with no change of clothes and no clear destination, he is relying on other gay men for somewhere to sleep and just pass the time. He finds young,…

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Alliance Francaise French Film Festival Review: The Workshop (L’Atelier) isolation becomes xenophobia

Laurent Cantet’s The Workshop is the product of creative introspection, a film that reflects on the subtexts of creating a contentious political thriller, while forwarding a narrative that takes its own advice. It’s a tense and insightful film from the Palme d’Or winner that snowballs radical tensions, while offering audiences a window to Cantet’s writing…

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Film Review: The Square (Sweden, 2017) is a strange slice of fiction that’ll unwind itself differently for each individual viewer

A film that appears more episodic than cohesive, The Square is an indulgent and uncomfortable piece of work from a filmmaker who’s clearly enjoying himself as he dissects human behaviour and the pretension of modern art. Excited to present his latest art installation to the public – the titular Square – chief curator at a…

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Transitions Film Festival Review: Big Dream (USA, 2014) is a call to arms for young women interested in STEM careers

Microsoft have asked us, “Where do you want to go today?” The answer can be found in their new slogan, “Empowering us all” and in the film, Big Dream, which they helped fund. This documentary draws together the stories of several inspiring young women who are challenging the male-dominated STEM (science, technology, engineering and maths)…

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Film Review: Red Sparrow (USA, 2018) is a thriller that fails to find its wings

Jennifer Lawrence may look like a black swan in Red Sparrow but this bird fails to fly. Red Sparrow is a tense, spy thriller that is so dark and brutal at times that it isn’t for the faint-hearted. While the action is more slow-burning in nature compared to other espionage-type films, the scenes involving torture,…

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Alliance Française French Film Festival Review: Rodin (France, 2017) is a dull & inert bio-pic

Auguste Rodin was a renowned French sculptor who produced works like “The Thinker” and “The Kiss”. Some people even declare this artist a genius. But the same cannot be said about his eponymous bio-pic. This French film manages to make this famous man’s life seem so hollow and pedestrian that there is more life emanating…

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Film Review: Film Stars Don’t Die In Liverpool (UK, 2017) is an under-realised story about two unlikely lovers

They say that film stars don’t die in Liverpool but this bio-pic of the same name just might. Okay, that’s a bit harsh but the fact is the story is quite a basic one that could have been realised in a much better way. While the performances are top-notch you can’t help but feel like…

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Alliance Française French Film Festival Review: Rock’n Roll (France, 2017) is an uneven mockumentary dripping in silliness & excess

Rock’ n Roll is a film that doesn’t take itself too seriously. The same can also be said about the film’s star, writer and director, Guillaume Canet. The result is an uneven French comedy and a satire that examines the worst of Hollywood and show business ego, and while it deserves points for originality, the…

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Film Review: Finding Your Feet (UK, 2018) is a rom-com about swimming through life’s second act

If ever there was a film that did what it said on the tin then it is Finding Your Feet. This boomer rom-com and English dramedy is all about second chances and discovering your true self. The film is a pleasant and predictable one that should appeal to fans of Hampstead and The Best Exotic…

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Film Review: Game Night (USA, 2018) is an unruly bout of fun

Whether it’s an old-fashioned detective story (Murder on the Orient Express), a children’s adventure (Young Sherlock Holmes), a romantic farce (Blind Detective) or a flat-out comedy (Clue), the murder mystery is the type of genre staple that can result in lots of fun, particularly if it involves audience participation. If 2018’s latest comedy Game Night can…

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Film Review: Lady Bird (USA, 2017) is the most tender and genuine coming-of-age story in years

There’s something incredibly sweet about Lady Bird, without having the film push into over-sentimental territory. That in itself is a remarkable achievement for Greta Gerwig, who in her directorial debut has turned in an endearing and sincere coming-of-age story that, although quite monotone, springs to life with particularly powerful performances from two female actors of…

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Film Review: Black Panther (USA, 2018) roars into the MCU with an ambitious story

When Black Panther was announced the film was automatically destined to bear the hopes and aspirations of many. There was whispers of it finally bringing some long needed diversity to both the MCU and the film landscape. Director and co-writer Ryan Coogler would need to bring his A-game and with this film he’s successful in…

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Film Review: Gurrumul (Australia, 2018) is a striking portrait of an enigmatic and impressive Australian musical talent

With Gurrumul, director Paul Damien Williams has created a striking and emotive portrait of one of Australia’s greatest musical talents – Geoffrey Gurrumul Yunupingu. But more than that, Gurrumul also affords us all a glimpse into the cultural life and traditions of the Yolngu people in North Eastern Arnhem Land, in what are some of…

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Film Review: Michael Haneke punishes the self-indulgent in Happy End (France/Germany, 2017)

Fans of Michael Haneke and, in particular, his earlier works should take a swift and immediate liking to Happy End and stick with the patient-testing film throughout. It’s a cynical, pointed and rather sharp jab at the hypocrisy, selfishness and tragedy of droll middle-class life; well-made, beautifully acted and painstakingly (sometimes painfully) complex, although the…

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Film Review: Insidious bows out of the modern supernatural horror genre with The Last Key (USA, 2018)

As inconsistent and creaky as the old floorboards of this film’s generic haunted house, Insidious: The Last Key is a tired though mildly inspired jolt to a franchise that could never quite match the far superior universe of The Conjuring. The fourth entry, and supposed swan song, for the Insidious series hinges itself firmly on…

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Film Review: The Cloverfield Paradox (USA, 2018) is not so complex

Not so long ago, in a galaxy pretty close, on a planet called Earth we saw the release of Cloverfield. Ten-Years-Ago to be precise. It was a hit at the time, unique with its clever use of found footage that had not been done to death (just yet). With J.J. Abrams producing and Matt Reeves…

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Film Review: Den of Thieves (USA, 2018) is a competent homage to Michael Mann’s epic heist saga Heat

Heist films are a dime-a-dozen these days. They’re the ones that fit the “put people on a mission” genre, starring a well known ensemble cast, who have been given an exciting plot where cast chemistry, filmmaking chops and fun storytelling mix together to make an entertaining night out for cinemagoers. If you think of the…

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Film Review: Phantom Thread (USA, 2017) is a romantic comedy disguised as a period drama

I must be a really bad film critic since I have realised another error of my ways. After other mistakes, like never seeing a Agnes Varda film before until Faces Places, here’s another I must confess and rectify: I have never seen any of the works of Daniel Day-Lewis. Considered to be the best actor…

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Film Review: Molly’s Game (USA, 2017) is as sophisticated as it is entertaining

Known for his rapid-fire flair for dialogue, writer Aaron Sorkin proves ideally suited to tackling the true story of Molly Bloom.  Bloom, a former professional skier, earned her stripes working under one of the co-owners of the infamous Viper Room as she recruited high-profile talent to take part in secretive poker games in the club’s…

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Film Review: I, Tonya (USA, 2017) showcases Margot Robbie in the role of her career (so far)

To think that a notorious figure like Tonya Harding could be, in any way, made out to be sympathetic is no mean feat, yet screenwriter Steven Rogers, director Craig Gillespie, and star Margot Robbie (also serving as one of the film’s producers) have achieved just that in I, Tonya. For the uninitiated, the saga of…

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Film Review: The Jungle Bunch (France, 2017) offers shallow entertainment

Children’s films are usually edifying. It’s a pervasive trait in the genre that sees every Disney protagonist journey through some moral challenge and emerge kinder, more accepting or the hallmark ‘true to oneself’. But without these platitudes guiding the protagonists to their better selves, what does a children’s film really look like? David Alaux has…

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Film Review: Maze Runner: The Death Cure (USA, 2018) delivers a satisfying conclusion to the franchise

While the Maze Runner franchise has been far from original, each film has delivered a healthy dose of fun and been crafted quite impressively. Gratefully, Wes Ball’s Maze Runner: The Death Cure, the final instalment in the series, continues that trend and offers fans a deserving farewell. It does so in the fact that it’s entirely familiar…

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Film Review: Sweet Country (Australia, 2018) is Australia’s answer to To Kill A Mockingbird

Man on the run. Sweet Country is based on the true, Australian story about a point in history where justice was put on trial. For this reason, it has echoes of To Kill A Mockingbird except that here, Atticus Finch isn’t a lawyer but a preacher played by Sam Neill. The result is a shockingly…

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Film Review: The Shape of Water (USA, 2017) is a breathtaking, big screen spectacle

At the Golden Globes last weekend, Director Guillermo Del Toro accepted a long overdue Best Director trophy for his latest effort The Shape of Water, which has been something of a surprise award season favourite around the world, topping both the Globes and BAFTA nominations lists (among others). In the speech, which brought the film’s…

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Film Review: Swinging Safari (Australia, 2018) is a gloriously playful film that finds the humour and horror of growing up in 1970’s Australia

Spin-the-vase, a late night taste of fondu, and a rotting beached whale make for just some of the intricate ingredients of Stephan Elliott‘s semi-autobiographical comedy Swinging Safari, a gloriously playful film that finds both the humour and the horror of growing up in Australia in the 1970’s. As kinetic a film it may be (I…

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Film Review: Mary and the Witch’s Flower (Japan, 2017) is a familiar yet dazzling adventure that will please Studio Ghibli fans

It’s that fantastic time of the year again! We have another Studio Ghi–Wait a minute! This isn’t a Studio Ghibli film! It is in fact, a Studio Ponoc film. In case you don’t know, Studio Ponoc is an animation studio that was founded in 2015 by people who used to work in Studio Ghibli. One…

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Film Review: The Post (USA, 2017) is a thrilling look at a significant point in history

These days the words, “The Post” are more likely to get you thinking about a blog then a newspaper. In fact, Steven Spielberg’s latest film, The Post is all about history and a bygone era in print journalism. It’s a historic thriller and bio-pic that looks at how The Washington Post handled the decision to…

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Film Review: Darkest Hour (UK, 2017) is a celebration of Churchill’s war of words

Winston Churchill was a leading writer and orator. So it should come as no surprise that Darkest Hour, a new biopic about the British leader sees the usual guns and weaponry synonymous with wartime films replaced with words, glorious words. While the story is not the most necessary one (as it has been told countless…

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Film Review: All the Money in the World is compelling but flawed (USA, 2017)

Ridley Scott made a very tough, very challenging decision in direct response to last year’s accusations of sexual assault against Kevin Spacey; he decided to pull the actor from All the Money in the World entirely, even after most of the scenes had been shot (and a trailer was released), with only a month left…

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Film Review: Francis McDormand is unstoppable in Three Billboards Outside Ebbing, Missouri (USA, 2017)

Fearlessness and eagle-eyed justice drive Mildred Hayes as she takes an entire town’s police squad to task for failing to properly investigate her daughter’s rape and murder in Three Billboards Outside Ebbing, Missouri. Martin McDonagh’s black comedy is all it has been hyped up to be: sharp, wry, nuanced, clever, hilarious and utterly compelling as…

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