chris o’dowd

The Starling squanders any of its emotional potential with lazy manipulation: TIFF 2021 Review

There’s a hopeful message about tackling grief in a healthy manner and how there’s the possibility of light at the end of darkness present in the core of The Starling.  With so many promising ingredients too, Theodore Melfi‘s feel-good dramedy is likely to lure audiences in with a false sense of security, promising potential but…

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Sydney Film Festival Review: Juliet, Naked (USA, 2018) Is The Rom-Com We Deserve

Relationships are hard, messy complicated things. Finding a balance between what you want and what your partner wants, whilst still retaining a sense of uniqueness feels impossible. Most mainstream Hollywood rom-coms would have us believe that it’s possible with their glossy happy endings. Juliet, Naked is not the rom-com we need but the one we…

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Film Review: Molly’s Game (USA, 2017) is as sophisticated as it is entertaining

Known for his rapid-fire flair for dialogue, writer Aaron Sorkin proves ideally suited to tackling the true story of Molly Bloom.  Bloom, a former professional skier, earned her stripes working under one of the co-owners of the infamous Viper Room as she recruited high-profile talent to take part in secretive poker games in the club’s…

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