Film

Interview: Paul Giamatti on his Golden Globe Award-winning role in The Holdovers, character quirks and inspiration, and if he thinks he’s become a better actor

The Holdovers reunites Sideways’ director Alexander Payne and Paul Giamatti in a holiday story of three lonely, shipwrecked people at a New England boarding school over winter break in 1970.  Giamatti, in his Golden Globe Award-winning role, stars as Paul Hunham, a curmudgeonly instructor who is forced to remain on campus during Christmas break to…

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Film Review: Race for Glory: Audi vs. Lancia is a likeable, occasionally thrilling underdog racing drama

In the same week that Ferrari arrives in Australian theatres, Race for Glory: Audi vs. Lancia hits American multiplexes, digital and On Demand (an Australian release is yet to be determined), showcasing a more accessible racing story and the men driving such to fruition. Creative licence and enhanced melodrama are unavoidable in telling this particular…

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Win a double in-season pass to the new comedy MEAN GIRLS

Plastic is forever! To celebrate the release of MEAN GIRLS, with thanks to Paramount Pictures and Superdream, we are giving away 5 double in-season passes (Admit 2) to see the fetch new comedy from Tina Fey, based on the MEAN GIRLS stage musical, and starring Angourie Rice, Auli’i Cravalho, Reneé Rapp, Jaquel Spivey, Avantika, Bebe…

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Film Review: The Boys in the Boat is a handsome, but hollow, old-fashioned slice of cinema from George Clooney

There’s nothing wrong with a movie being nice, but George Clooney‘s old-fashioned drama The Boys in the Boat is a little too sweet and tropey for its own good.  Based on Daniel James Brown‘s best-selling nonfiction novel of the same name, the 1930s set tale feels as if it’s been made in that era through…

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Film Review: Night Swim aims for a deep dive but comes up shallow

Given the calibre of horror talent on board with Night Swim (between them, producers Jason Blum and James Wan have such genre treats as the Halloween series, The Conjuring films, M3GAN and Malignant), as well as the fact that the short film it’s based on earned critical acclaim upon its release a decade ago, one…

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Interview: Night Swim stars Wyatt Russell and Kerry Condon on being smart and surviving the horror genre

Following his interviews with executive producer Ryan Turek and writer/director Bryce McGuire, Peter Gray wrapped up his talks for the forthcoming Night Swim with the film’s lead actors, Wyatt Russell and Academy Award nominee Kerry Condon. Based on McGuire’s acclaimed short film, Night Swim stars Russell as Ray Waller, a former major league baseball player…

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Film Review: Ferrari needs a tune-up if it wants to be considered an enjoyable ride overall

Compared to the other “exceptional man” biopics of the last year (Oppenheimer, Maestro, Napoleon), Michael Mann‘s Ferrari is, sadly, the least interesting.  Whilst it doesn’t take an entirely traditional narrative – the film only shows us a certain chunk of the man’s life – and Adam Driver does his best with his showy role, to…

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Interview: Bryce McGuire on expanding his short film Night Swim into a feature for James Wan and Jason Blum

Based on his own acclaimed 2014 short film, Night Swim high dives into the deep end of horror as it takes the most banal pleasure of suburban life and transforms it into a wellspring of demonic evil in a movie that combines the style, impishness and wicked world-building that audiences have come to expect from …

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Interview: Producer Ryan Turek on Night Swim and why audiences like being scared; “It’s an escape and a catharsis for them.”

A backyard swimming pool. A symbol of youth, status and wish-fulfillment, quintessentially American yet universal in its shimmering appeal. A life-enhancing luxury to those who can afford the cost, an absolute necessity for those poor souls who live in the most hellishly hot of places. A heavenly playground for people of any age, a devilish…

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Film Review: Next Goal Wins; Inspiring underdog tale returns Taika Waititi to his humble roots as a filmmaker

If you browse long enough on Twitter, sorry, X, you’ll note that there’s still chatter and self-diagnosed “hot takes” regarding Taika Waititi‘s 2019 outing Jojo Rabbit.  The film already had its share of detractors in the immediate aftermath of its release, but an Oscar win for Best Screenplay and the general good word for its…

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Film Review: Aquaman and the Lost Kingdom brings the DCEU to an end with a droplet rather than a splash

And just like that, the DCEU comes to a close with a droplet rather than the splash we were expecting a decade ago. In 2013, when Man of Steel premiered, there was the promise of an exciting future of storytelling to be told for the variety of characters within the DC lore.  There was rousing,…

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Film Review: Wish doesn’t quite conjure the usual Disney magic

There’s been a lot of chatter around Wish and the fact that its release celebrates Disney’s centennial, where the major theme across a heft of the studio’s films – that of wishes being granted – would be tied together.  It’s a sweet notion, without question, but it would appear that the creatives behind the film…

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Film Review: Poor Things is a twisted enormity of a movie with a deeply intimate core

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the eccentric…

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Interview: Anyone But You‘s Joe Davidson on risky auditions, Aussie slang and THAT shower scene

Sydney Sweeney and Glen Powell may be generating plenty of heat throughout their new romantic comedy Anyone But You, but there’s some distinct Australian flavour ready to challenge the duo in the form of one Joe Davidson. The Queensland-born actor, who looks as if he’s a long-lost brother to the famed Hemsworth clan, has snared…

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Film Review: Anyone But You; Sydney Sweeney and Glen Powell generate heat and humour in sexy, throwback romcom

Even if Anyone But You isn’t the type of film that would ordinarily interest you, it’s difficult to not know about Will Gluck‘s frisky romcom due to the “Are they/aren’t they” chemistry of stars Sydney Sweeney and Glen Powell, two impossibly gorgeous actors who leaned into their own sex appeal during the filming in Sydney…

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Film Review: Migration is a lively animated comedy that should resonate with your family this holiday season

Given that Migration, the latest animated offering from the Illumination collective (the production company behind such successes as Despicable Me and the inexplicable Minions), is penned by White Lotus creator Mike White, it makes sense that the film manages to make us care about its characters, rather than just be mildly amused at their comedic…

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Film Review: Ruthless; Dermot Mulroney proves predictable revenge thriller’s sole saving grace

Whilst Dermot Mulroney won’t exactly see a career shift in the same manner as Liam Neeson did as an action-heavy persona in the wake of Taken, his rough and ready stature as a vigilante wrestling coach in Ruthless certainly works in his favour, and proves the film’s only true saving grace. Directed by Art Camacho…

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Interview: Elizabeth Banks and Kumail Nanjiani on identifying with their animated counterparts in Migration; “Cartoons are better than people.”

This holiday season, Illumination, creators of the blockbuster Minions, Despicable Me, Sing and The Secret Life of Pets comedies, invites you to take flight into the thrill of the unknown with a funny, feathered family vacation like no other in the action-packed new original comedy, Migration. The Mallard family is in a bit of rut….

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Interview: Kung Fu Panda 4 director Mike Mitchell and producer Rebecca Huntley on what we can expect in this brand new adventure

This autumn, for the first time in almost a decade, comedy icon Jack Black returns to his role as Po, the world’s most unlikely kung fu master, with a hilarious, butt-kicking new chapter in DreamWorks Animation’s beloved action-comedy franchise: Kung Fu Panda 4. After three death-defying adventures defeating world-class villains with his unmatched courage and…

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Film Review: Under the Influencer is an earnest effort that speaks to the value of staying honest in the world of social media

Given how important a person’s online presence (or persona, even) is in this age of social media, and that “influencer” is now apparently so prime that it can be considered a career, it’s not surprising that such a topic is readily explored in other forms of media.  In the case of Alex Haughey‘s Under the…

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Aquaman and the Lost Kingdom will break Australian ground with gold trident and water-projected footage presentation

From Atlantis to Waterman’s Cove, Warner Bros. Pictures’ Aquaman and the Lost Kingdom will preview footage from the film on 9m high wall of water, as the character’s own 7m gold trident sets for display in Sydney’s Barangaroo from the 14th to 17th of December, 2023, ahead of the film’s release on Boxing Day. The…

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Win a double in-season pass to the sexy new romantic comedy Anyone But You

Hot? Yes. Bothered? Also yes. Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see the sexy new romantic comedy Anyone But You, starring Sydney Sweeney and Glen Powell, set to steam up cinemas exclusively from Boxing Day, December 26th, 2023. Bea (Sydney Sweeney) and Ben (Glen Powell) look like…

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Film Review: Wonka, like his chocolate, is a sweet, delicious treat

There’s something rather ironic in Paul King‘s Wonka being deliciously, inoffensively sweet, given that the character at its core has done plenty to unnerve (however slightly) young audiences across the near six decades of his existence. As written by Roald Dahl in 1964’s “Charlie and the Chocolate Factory” and then brought to life by the…

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Interview: Natalia Córdova-Buckley and Ryan Kwanten on exploring grief in their horror film The Portrait

In the wake of her husband’s devastating accident, a devoted wife becomes consumed by a mysterious portrait that resembles him in his happier days. However, as her obsession intensifies, the painting starts to unleash terror upon her life, leading her to question whether it is possessed by a malevolent force or if she is losing…

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Film Review: The Portrait appears as a fresh piece of horror art thanks to the sum of all its creators within.

Making his feature-length debut, director Simon Ross proves a capable genre helmer with The Portrait, which, initially, expresses its terror through the artwork that sits in the attic (where else?) of the expansive mansion that serves as the film’s lead location. Why it proves unsettling to the film’s tortured heroine, Sofia (Natalia Córdova-Buckley, committed to…

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Film Review: Our Son is a universally emotional and deeply personal drama

Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer cinema has taken a…

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2024 Sundance Film Festival announces 91 projects for its 40th edition

Today the non-profit Sundance Institute announced the 82 films, eight episodic titles, and a New Frontier interactive experience selected for the 2024 Sundance Film Festival. The Festival will take place January 18–28, 2024, in person in Park City and Salt Lake City, with a selection of titles available online nationwide from January 25–28, 2024. This…

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The Australian Academy of Cinema and Television Arts announces the debut of the AACTA Festival

The Australian Academy of Cinema and Television Arts (AACTA) proudly announces the debut of the AACTA Festival, a four-day celebration of Australia’s vibrant screen industry that promises an immersive experience for all, from industry professionals to film enthusiasts, school-leavers, families, and aspiring creatives.  The festival, including the AACTA Awards presented by Foxtel Group, will be hosted at the Home of…

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Film Review: Silent Night; John Woo’s dialogue-free actioner is brutally unique

Though prolific action director John Woo has maintained a steady hand behind the camera for decades now, it’s been 20 years since he helmed an American production; the last standing as the largely-forgotten Ben Affleck sci-fi leaning Paycheck. Returning stateside with a mentality that feels far removed from the oft-outlandish, budget-aplenty genre films he was…

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