Film

Ten years of changing the frame: Melbourne Women in Film Festival celebrates a landmark anniversary

The Melbourne Women in Film Festival (MWFF) is marking a major milestone in 2026, unveiling its tenth-year program with a bold and celebratory lineup championing women and gender-diverse filmmakers from Australia and beyond. Running March 19th – 23rd across ACMI and Federation Square, the festival continues its decade-long commitment to amplifying underrepresented voices on screen….

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What’s your favourite opening scene?: Ranking the Scream franchise

With Scream 7 stalking its way into cinemas this week, there’s no better time to revisit the franchise’s most sacred tradition: the opening kill. From subversive fake-outs to era-defining terror, the first ten minutes of a Scream movie are its thesis statement – laying out the rules, the tone, and the body count to come….

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Interview: Jordan Giusti on Floodland, climate reckoning and the meaning of home

Lismore has long worn its floods as a badge of resilience – a town that rebuilds, again and again, along the banks of a river that refuses to be tamed. But in Floodland, director Jordan Giusti looks beyond the mythology of grit and endurance to ask a far more unsettling question: what happens when resilience…

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Interview: Director Frank E. Flowers on The Bluff and crafting a fierce female-led action adventure

In the adrenaline-charged action-adventure The Bluff, Priyanka Chopra Jonas stars as Ercell “Bloody Mary” Bodden, a former pirate forced to confront her violent past to protect her family. Director Frank E. Flowers spoke with our Peter Gray to discuss bringing the Cayman Islands’ rarely seen history to life on screen, the meticulous authenticity behind the…

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Film Review: The Bluff; entertaining, though not revolutionary jaunt for audiences in the mood for swords and spectacle

The Bluff is a spirited dive into pirate-infused action, set against the jaw-dropping Cayman Brac, where towering bluffs and Skull Cave provide the perfect backdrop for a story about revenge, family, and redemption. At its heart is Priyanka Chopra Jonas as Ercell “Bloody Mary” Bodden, a woman dragged back into the violent world she thought…

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Interview: David Maler on Zumeca and rewriting the story of conquest through love

History is often told in sweeping gestures – conquest, empire, survival. But in Zumeca, David Maler narrows the lens. Set against the violent collision of worlds in the early days of the Americas, the film reframes the so-called “discovery” of the New World through something far more intimate: the relationship between a Spaniard, Miguel, and…

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Film Review: The Testament of Ann Lee; you truly haven’t seen anything like Mona Fastvold’s assured spiritual fever dream

There’s a particular kind of audacity required to make a film like The Testament of Ann Lee. It’s a historical epic. It’s a spiritual fever dream. It’s a full-bodied musical about celibate 18th-century dissenters who worshipped by trembling and dancing themselves toward transcendence. And somehow, under the assured direction of Mona Fastvold, it coheres into…

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Interview: Amanda Seyfried and director Mona Fastvold on the ecstasy, grief, and radical power of belief of The Testament of Ann Lee

From the outside, The Testament of Ann Lee might sound like an unlikely cinematic proposition: a period biopic about the founder of the Shakers, structured as a musical, rooted in ecstatic song and movement rather than spectacle. But in the hands of writer-director Mona Fastvold and star Amanda Seyfried, the film becomes something far more…

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Interview: John Patton Ford on How To Make A Killing and turning moral chaos into comedic gold

When How To Make A Killing hits screens, audiences meet Becket Redfellow, a charmingly ruthless heir-in-waiting determined to reclaim the fortune his estranged, high-society family denied him at birth. Disowned and raised in the working-class world of New York, Becket (Glen Powell) will stop at nothing – and kill anyone in his way – to…

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Film Review: How To Make A Killing proves that sometimes the sharpest comedies are the ones delivered with the straightest face

John Patton Ford’s How To Make A Killing arrives disguised as a revenge thriller, but what unfolds is something far more sly, strange, and darkly delightful. Loosely inspired by the 1949 classic Kind Hearts and Coronets, the 2026 film swaps aristocratic Britain for modern American excess and delivers a wickedly funny meditation on class, greed,…

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Interview: Joel Johnstone on faith under fire in Grizzly Night; “Conviction was the spine of the character for me.”

In 1967, two grizzly bear attacks nine miles apart shattered the illusion that America’s national parks were a perfectly managed wilderness. Nearly six decades later, Grizzly Night revisits that harrowing evening with a human-first lens – less creature feature, more reckoning with faith, fear and fragility. Directed by first-time feature filmmaker Burke Doeren and written…

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Win a double in-season pass to see Ghostface burn it all down in the slasher sequel Scream 7

Thanks to Paramount Pictures Australia and Superdream, we have 10 double in-season passes (Admit 2) to the anticipated slasher sequel, Scream 7, starring Neve Campbell, Courteney Cox, Isabel May, Jasmin Savoy Brown, Mason Gooding, Anna Camp, Joel McHale, Mckenna Grace, Michelle Randolph, Jimmy Tatro, Asa Germann, Celeste O’Connor, Sam Rechner, Ethan Embry, Tim Simons and…

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Interview: Director Brad Anderson on navigating parenthood and the end of the world in Worldbreaker

The end of the world has rarely felt this intimate. In Worldbreaker, the earth is split apart by an event known as The Stitch, unleashing feral, mutating creatures called Breakers and reshaping the balance of survival itself. With men most susceptible to infection, women lead the fight for humanity’s future. Amid the chaos, a battle-scarred…

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Film Review: EPiC: Elvis Presley in Concert is a reminder of why Elvis still matters after all these decades

There’s something quietly poetic about Baz Luhrmann returning to Elvis Presley after the maximalist fever dream of his 2022 biopic. If that film was a glitter cannon aimed at the myth, EPiC: Elvis Presley in Concert feels like Luhrmann lowering the lights and letting the man step forward on his own terms. Built from rediscovered…

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The Revenant returning to global theatres for 10th year anniversary engagement

Ten years ago, The Revenant arrived in theaters, redefining what audiences expect from physical and emotional endurance in cinema. Weight loss, weight gain, dangerous stunts, extensive prosthetics – these are just some of the extremes actors endure to inhabit a role. But few have pushed themselves as far as Leonardo DiCaprio did in this film,…

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Film Review: Jimpa is a warm and talkative portrait of queer family

Sophie Hyde has always been drawn to intimacy – the kind that sits in the uncomfortable pauses between people who love each other but don’t quite know how to speak plainly. With Jimpa, arguably her most personal film to date, she turns that lens inward. The result is a warm, thoughtful and occasionally over-explanatory family…

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Interview: Sophie Hyde on directing Jimpa and the radical act of listening; “Maybe that’s something we could all do a little more of.”

There are films about chosen family – and then there are films that gently ask whether your biological family might be something you can choose, too. In Jimpa, acclaimed director Sophie Hyde (Good Luck to You, Leo Grande) returns with a tender, funny and quietly radical portrait of three generations negotiating love, identity and the…

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Film Review: War Machine; sharp and muscular actioner leans into the tradition of macho action cinema of decades past

There’s something deeply comforting about a movie that knows exactly what it is. War Machine doesn’t pretend to be elevated sci-fi or a meditative treatise on artificial intelligence. It’s here to drop you in the wilderness with a squad of Army Rangers, unleash a skyscraper-sized battle droid, and let the bullets – and biceps –…

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Margot Robbie and Jacob Elordi bid farewell to Wuthering Heights with Queensland homecoming

There’s something undeniably poetic about two Queensland kids coming home with a windswept romance in tow. After months of globe-trotting premieres, red carpets and breathless international press stops, Margot Robbie and Jacob Elordi quietly returned to where it all began, surprising Valentine’s Day audiences with unannounced appearances at multiple Brisbane screenings of “Wuthering Heights”. And…

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Film Review: The Rose: Come Back To Me is a touching look at the power of connection and a reminder that genuine talent can be rewarded

One of the great things about documentaries such as The Rose: Come Back to Me is that it both provides further insight into a rock outfit for the legions of fans, as well as introducing uninitiated viewers into a world that proves endlessly fascinating.  I am personally of the latter, as going into this film,…

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Win a double pass to see Olivia Colman in the tender drama Jimpa

Thanks to Kismet Movies, we have 3 double digital in-season passes (Admit 2) to see Olivia Colman and John Lithgow in the tender drama Jimpa, in Australian theatres from February 19th, 2026. From acclaimed director Sophie Hyde (Good Luck to You, Leo Grande), JIMPA is an uplifting multi-generational family story starring award-winning favourites Olivia Colman and John Lithgow. Hannah…

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Skip the obvious this Valentine’s Day: Five romantic comedies you haven’t already rewatched

Every Valentine’s Day, the same titles trend. The Julia Roberts megahits. The Kate Hudson comfort rewatches. The Reese Witherspoon charm offensives. The Sandra Bullock slow-burns. And, if you’re feeling windswept and literary, perhaps another brooding dive into “Wuthering Heights” and its stormy declarations of doomed love. But what if this year you skipped the obvious?…

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Film Review: “Wuthering Heights”; Emerald Fennell’s horny and indulgent adaptation is a bold reclamation of Emily Brontë’s misunderstood prose

Few novels have been simultaneously romanticised and misunderstood as thoroughly as “Wuthering Heights“. Emily Brontë’s 1847 fever dream of obsession, cruelty, class resentment and emotional sadism has, over time, been softened into windswept yearning and tragic soulmates. Emerald Fennell’s “Wuthering Heights” arrives not to preserve that illusion, but to tear it open. This is not…

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Film Review: Whistle; supernatural scarer never quite finds its own piercing sound

Corin Hardy’s Whistle wants to resurrect the kind of glossy, high-concept teen horror that flooded multiplexes in the early 2000s – and in some aspects, he succeeds. The problem is that it also inherits the era’s worst instincts. Riffing openly on Final Destination’s death-as-destiny mechanics and Smile’s trauma-tinged apparitions, the film follows a group of…

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“Stepping into another world.”: Inside the You, Me & Tuscany trailer

There’s a distinct kind of cinematic pleasure that comes from a sweeping romantic comedy – the kind that whisks audiences away to sun-drenched landscapes, pairs irresistible leads, and leans wholeheartedly into love without cynicism. If the global trailer launch for You, Me & Tuscany is anything to go by, that pleasure is firmly back on…

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Film Review: Crime 101 is a sleek exercise in neo-noir

A sleek exercise in neo-noir, Crime 101 knows exactly how cool it wants to be – and mostly earns it. Set along California’s Highway 101, the film uses its coastal sprawl as both a backdrop and thematic spine, turning beach towns and long asphalt stretches into part of the story’s DNA. Here, the geography matters:…

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Interview: Lauren Call on navigating roles as lead actor and producer of Grizzly Night; “It’s terrifying, but also empowering.”

Lauren Call is, in many ways, used to navigating dual roles. A fourth-generation Californian born and raised in Costa Mesa, she has been in front of cameras and on stages since she was six years old – from local and regional theatre across the state, to honing her craft at Orange County School of the…

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On the AACTA Awards Red Carpet: Hope, genre dreams and the future of Australian screen

The AACTA Awards red carpet always feels like a curious collision of celebration and anticipation – part victory lap for the year that was, part tea-leaf reading for the year to come. Under the camera flashes and polished smiles, there’s often a deeper conversation happening about what Australian screen culture is becoming, what it values,…

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Interview: Baz Luhrmann and Catherine Martin at the Gold Coast Premiere of EPiC: Elvis Presley in Concert

When Baz Luhrmann went searching for Elvis Presley, he didn’t just find an icon – he found a voice. Premiering to Australian audiences at the AACTA Festival, EPiC: Elvis Presley in Concert unveils long-lost footage painstakingly uncovered and restored by the Academy Award–nominated filmmaker, offering an intimate, unguarded portrait of the King that feels both…

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Interview: Stephanie McIntosh on returning to music and how being a mum shapes her creativity

Talking to Stephanie McIntosh at the AACTA Festival Awards Industry Gala, you’re reminded just how fluid her career has always been – and how thoughtfully she reflects on it. From her breakthrough years on Neighbours and her pioneering pop album, Tightrope, to the accompanying televisual journey The Steph Show that felt almost ahead of its…

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