Film

Sydney Film Festival Review: Free in Deed (USA, 2016)

New Zealand born Director Jake Mahaffy was trawling the news one day when he came across a chilling story from 2003 concerning the death of an 8 year old autistic boy named Terrance Cottrell. His death was seemingly the unintentional consequence of a modern-day exorcism performed by members of a small storefront Milwaukee church who…

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Film Review: Blood Punch (USA, 2014)

Blood Punch is a cool, innovative little horror flick that takes inspiration and crafts something wholly unique, but its appeal lies in knowing next to nothing about its plot. Our story centres on Milton, a former meth cook who finds himself in rehab. When Skylar shows up and plans a breakout, under the guise of…

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Sydney Film Festival Review: I Saw The Light (USA, 2015)

I Saw The Light is the new feature film from second time director Marc Abraham, focusing on the short life and influential career of iconic American musician Hank Williams. It’s not the first time Williams’ story has found its home on the big screen, but it’s the first major take since 1964’s Your Cheatin’ Heart,…

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Sydney Film Festival Review: Mustang (Turkey, 2015)

Defiance in the face of constraint brought on by stringent cultural convention is a favourite topic for Sydney Film Festival year in and year out. Falling into that category this year is Turkish award-winner Mustang which, following last year’s release, picked up the coveted Cannes Directors’ Fortnight prize, four Césars and an Oscar nomination, well…

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Sydney Film Festival Review: Embedded (Australia, 2016)

Embedded fits nicely within the growing catalog of Australian films determined to prove our country has much more to offer the world of cinema than just koalas and beaches. Part erotic thriller, part political statement. Embedded revolves entirely around the relationship between disillusioned war correspondent Frank (Nick Barkla) and Madeline (Laura Gordon), the enigmatic woman he shares…

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Sydney Film Festival Review: Lo and Behold: Reveries of the Connected World (USA, 2016)

Any documentary ambitious enough to tackle different facets and implications of the “internet” is going to fall short of something. The single most influential creation of the past few decades has grown into such an impossibly complex and overwhelming force that it would be pure insanity to think one could encapsulate all its infinite intricacies…

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Sydney Film Festival Review: Julieta (Spain, 2016)

What would an Almodovar film be like without the major presence of women? Certainly not an Almodovar film, that’s for sure. And it is a delight to see him back in his normal ways of female-centric stories that made him renowned and acclaimed around the world by audiences and critics over. Films of his like…

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Sydney Film Festival Review: Europe, She Loves (Sweden, 2015)

If there’s anything that sticks with you the most about Jan Gassmann’s latest documentary effort Europe, She Loves, it’s the striking cinematography. A surprisingly intimate look into the emotions and lives of five couples across Europe, the film never really looks, nor feels, like a documentary. It wears its authenticity with pride, inviting you to engage and…

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Sydney Film Festival Review: Patchwork (Canada/USA, 2015)

Kicking off this year’s “Freak Me Out” program as part of the Sydney Film Festival was Tyler MacIntyre’s Patchwork, a horror-comedy gem that managed to fly under the radar when it was released last year. The charming indie is a literal blend of character, inventive in the way it draws from the influential idea behind…

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Sydney Film Festival Film Review: Swiss Army Man (M, USA, 2016)

Simply put, Swiss Army Man is a story about how a man, whilst lost and trapped on an island, befriends a seemingly magical corpse in order to find his way back to civilisation. However, this film is far more than that, it’s an examination of a multitude of themes. A comedy, a drama,a tale of friendship…

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Film Review: Teenage Mutant Ninja Turtles: Out Of The Shadows (M) (USA, 2016)

In 2014 a new live adaptation of the beloved comic and cartoon series Teenage Mutant Ninja Turtles hit our screens. The reception wasn’t great, complaints aplenty from fans and mutiple Raspberry Awards made it fairly clear that the film’s producers, writers and the studio had some work to do to win back their audience. Two…

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Film Review: The Conjuring 2 (MA15+) (2016) (USA)

Our own Australian director James Wan has made quite a name for himself in the horror genre. Alongside some mild detours like the revenge-film Death Sentence and the ventriloquist horror Dead Silence, he started off the Saw franchise – which spawned SEVEN films. Next came the Insidious franchise – which spawned another FOUR films. Then all of a…

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Sydney Film Festival Review: A War (Denmark, 2016)

Simply titled and straight out of Denmark, A War dives into the thick of modern warfare and finds itself fascinated by the moral nuance that most blockbusters simply glaze over. It’s about a soldier coming to terms with a world that isn’t black and white – but not in the way you think. Pilou Asbæk headlines as Claus…

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Australian Box Office Report: Now You See Me 2 is pulling no illusions here

Hello Folks, Again we have some newbies taking charge! The illusionists are back in Now You See Me 2, which brought in $2,869 million and earned this week’s #1 spot. Jodie Foster’s thriller Money Monster is a close second, pushing Alice further down the rabbit hole at #3. Other titles in the ladder sit tight but we’ve lost Bad Neighbours 2, Florence…

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Film Review: Money Monster (USA, 2016)

Jodie Foster hops onto the Director’s seat for Money Monster, a sort-of thriller that rightfully leans on the collective charismatic energy of leads George Clooney and Julia Roberts, as well as impressive young gun (pun intended) Jack O’Connell, to bring to life a story of economic frustration, uncertainty, and greed with a timely punch. Distrust…

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Film Review: Now You See Me 2 (USA, 2016)

The first Now You See Me had a thrifty premise and a slick cast but was let down by a last-minute plot twist that was, quite literally, almost-unbelievable. The second film,  while disappointingly not called either Now You See Me Too or Now You Don’t, settles a more evenly-spread acceptance of the impossible. However, if the series’ previous…

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Australian Box Office Report: Wonderland has arrived

Hello folks, Some new movers and shakers at large! Forget X-Men: Apocalypse and get around Alice. The Alice I speak of is Mia Wasikowska who plays her in Alice Through the Looking Glass, this weeks #1 pushing X-Men: Apocalypse to the #2 spot. The dollars aren’t massive, nor have the reviews been rewarding but it’s…

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Top ten horror films that you really haven’t seen (Part 2)

Last week, Jake ran through five of the best undiscovered gems the horror genre has to offer, this week he’s finishing that effort with five more underrated works of the genre that most audiences won’t have run up against before. Life After Beth (2014) For such a big cast, Life After Beth kind of slipped through…

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DVD Review: How to be Single (M) (USA, 2016)

Given the combined creative genius of writers (Abby Kohn, Marc Silverstein, Dana Fox) who co-wrote this screenplay, one would have expected to strap themselves in for a solid, heart wrenching, feel good romp with How to be Single. However not all rom-coms are created equal and this would be sure fire winner, boosted by the…

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Film Review: Pawno (Australia, 2016)

A film this intrinsically Aussie must exist as an enigma to international audiences. Something very alien, and as I thought once before, about what those people distant from the Antipodes would have made of Crackerjack, I again think for Pawno, and wonder whether subtitles could comprehend or merely transcribe the dialogue of a film so…

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Film Review: Hunt for the Wilderpeople (NZ, 2016)

Have you seen that ad where the three kids sit in the car and talk about how their dads drive when they’re blazed? If so, you’ll probably recognise Ricky Baker (Julian Dennison), though he’s done some growing. When he arrives at his latest foster home, deep in the New Zealand bushland, he steps out of…

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DVD Review: Orange is the New Black Season Three (USA, 2015)

When we were first introduced to the inmates of Litchfield Penitentiary in the 2013 debut season of Orange is the New Black, it was quite clear that we were supposed to be introduced to this new environment through the show’s protagonist, Piper Chapman (Taylor Schilling). The upper-class NYC dweller’s transportation to a world completely different to the…

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John Noble talks Lord Of The Rings, Elementary and Fringe: “I loved Walter Bishop”

Aussie John Noble has some pretty prolific pop culture roles under his belt. Since his time as an All Saint, John has found himself the covetable intelligent, slightly wicked choice for Hollywood producers looking to cast someone with that versatility (it’s not by his choice he swears). The result has been a flourish of eloquent…

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Film Review: The Nice Guys (MA15+) (USA, 2016)

It has been a long time coming, but it is here. It is finally here. A brand-spanking new film by renowned action-maestro Shane Black. For those who don’t know, Shane Black is responsible for writing cult-classic 80’s/90’s films like Lethal Weapon, The Last Boy Scout, The Long Kiss Goodnight, Last Action Hero and The Monster…

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DVD Review: The Hateful Eight (R18+) (USA, 2015)

The Hateful Eight is (fittingly) iconic auteur Quentin Tarantino‘s eighth film, which this week opened in Australian cinemas for a limited 70mm Ultra Panavision release – the first film to do so since 1966’s Khartoum and the first Western since The Hallelujah Trail (1965). For cinephiles around the world, the day couldn’t have come soon enough,…

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Australian Box Office Report: The X- Men take their place at the top

Hi Folks, We see a few changes this week with regards to #1. X-Men: Apocalypse sits at the top spot with $6.4 million – a pretty good turnout but not the same figures as Captain America: Civil War or even Batman V Superman: Dawn Of Justice on their openings. In second place we have The Angry Birds Movie, the comedy-adventure based on the video game. The…

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DVD Review: Goosebumps (PG) (USA, 2015)

The Goosebumps novel series was one I read religiously as a child growing up – in fact I don’t know many 90’s children who weren’t invested in this wonderfully ghoulish series – so the idea of a (long overdue) cinematic adaptation of R.L. Stine’s classic tales was one I embraced wholeheartedly.  The type of subject matter…

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Melbourne Documentary Film Festival Review: Mad Tiger (USA / Japan, 2015)

Mad Tiger is such a strange and brilliant film it’s hard to know where to begin. Donning Power Rangers-inspired costumes and describing themselves as a “Japanese Action Comic Punk band”, Peelander-Z are a band you’ve probably never heard but aren’t unlikely to forget once you encounter them. In their own words, their performances are probably…

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Film Review: The Meddler (USA, 2016)

Written and Directed by Lorene Scafaria, The Meddler is tender in its approach to comedy-drama; light on the former and heavy on the latter as it follows the highly likeable and sympathetic Marnie Minervini, who is portrayed with considerable depth by the supremely talented Susan Sarandon. The simple, soft touch with which Scafaria handles the…

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Film Review: X-Men: Apocalypse (M 15+) (USA, 2016)

X-Men: Apocalypse delivers the super fights, the superhero costumes, the supervillain and the super team. But was this latest X-Men film so special that, if it was a person, it would be enrolled at Xavier’s School for Gifted Youngsters? Yes and no. Mild spoilers ahead. Set in 1983, 10 years after the previous Days of…

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