Film & TV

Film Review: Bugonia is bleak, satirical and deliciously bizarre

It speaks to just how truly bizarre Yorgos Lanthimos‘s filmography is if his latest, Bugonia – an English language remake of the 2003 South Korean black comedy sci-fi outing, Save the Green Planet! – is considered one of his most accessible.  Yes, there’s a certain comedic universality to the film’s premise – that of a…

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Fernando director

Interview: Guillermo Diaz on the universality of love explored with his directorial debut Dear Luke, Love, Me; “It’s okay to be unique and different.”

A true When Harry Met Sally for a new generation, Dear Luke, Love, Me is a groundbreaking story of Penny and Luke, two best friends, who find love in unconventional ways. A nostalgic look back into the early-mid 2000’s, we watch these two music-loving tree-huggers grow from college Freshman to 30-something adults. We peek into…

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Interview: Sophie Somerville on guerilla filmmaking and exploring raw friendship with her directorial debut Fwends

In some capacity, we have all lived through the experience of drifting apart from a friend. While it is a normal part of growing up, it’s often unexpected and, honestly, heartbreaking. The friend who used to be your ride or die suddenly feels so far away, and it feels like there’s nothing you can do…

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Film Review: Good Fortune; Aziz Ansari’s directorial debut is a playful, crowd-pleasing comedy

A rougher slog to get to his directorial “debut” as a feature filmmaker than he would have liked, Aziz Ansari – seven years after he was accused of sexual misconduct and three years after his planned first feature, Being Mortal, was shut down over the inappropriate behaviour of its lead actor, Bill Murray – finally…

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The Wilderness

Film Review: The Wilderness offsets the beauty of its location with the brutality of its subject matter

In a time when conversion therapy is once again in discussion as to whether or not such a practice will be allowed to be constitutionalized once more, a film like Spencer King‘s The Wilderness feels even more topical.  Whilst King’s film isn’t exactly detailing the same notion as conversion therapy, it’s still bringing awareness to…

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Chris Hemsworth is breaking every rule he’s ever lived by in action-packed first trailer for Crime 101

In the twisty, stylish crime thriller Crime 101, Davis (Chris Hemsworth) is an elusive thief whose high-stakes heists have mystified police. He’s planning his biggest ever score – hoping it’ll be his last – when his path collides with Sharon (Halle Berry), a disillusioned insurance executive whom he’s forced to work with, and Orman (Barry…

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Film Review: Shelby Oaks; YouTube critic-turned-filmmaker Chris Stuckmann displays directorial promise with effective, if unoriginal debut

Film critics making their own films can go a multitude of ways.  Given the expected penchant for critiquing what they do – or don’t – expect out of a genre film, one could assume that their idea of a film would be, at the very least, acceptably serviceable.  For Chris Stuckmann – a YouTube-based film…

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Film Review: Frankenstein; Guillermo del Toro’s classic retelling is as haunting as it is beautiful

Though it’s been a story told countless times before, you can’t help but still be monstrously excited at the prospect of Guillermo del Toro adapting Mary Shelley’s classic Frankenstein.  His name above the title just feels correct, and not just because the director has been talking about helming his version of the story for close…

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Interview: Harrison Sloan Gilbertson on playing Bruce Springsteen’s close friend, Matt Delia, in the new biopic Springsteen: Deliver Me from Nowhere

From 20th Century Studios, Springsteen: Deliver Me from Nowhere chronicles the making of Bruce Springsteen’s 1982 Nebraska album when he was a young musician on the cusp of global superstardom, struggling to reconcile the pressures of success with the ghosts of his past. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album…

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Everything we learned from Jeremy Allen White, Jeremy Strong and director Scott Cooper at the Springsteen: Deliver Me from Nowhere press conference

From 20th Century Studios, Springsteen: Deliver Me from Nowhere chronicles the making of Bruce Springsteen’s 1982 Nebraska album when he was a young musician on the cusp of global superstardom, struggling to reconcile the pressures of success with the ghosts of his past. Recorded on a 4-track recorder in Springsteen’s New Jersey bedroom, the album…

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Film Review: The Hand That Rocks the Cradle is a quiet, more patient thriller than the 90s original

Given this day and age where (mostly) everyone is traced to a social media presence and it’s not as easy to get away with saying who you aren’t, the premise of the original 1992 domestic thriller The Hand That Rocks the Cradle, where a sweet-natured mother essentially hires a stranger off the street to watch…

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Interview: Michelle Garza Cervera on reimagining the classic 90s thriller The Hand That Rocks the Cradle through a modern lens

One of the most defining thrillers of the 1990s, The Hand That Rocks the Cradle terrified a whole generation into second-guessing who they invite into their home.  With the release of the 2025 reimagining, clearly a lesson hasn’t been learned, as a new progeny will learn “the help” have other plans for your supposed domestic…

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AFF premiere screening of Diabolic includes red carpet and Q&A

The Adelaide Film Festival (AFF)  has continued to foster outstanding home-grown movies. With Diabolic, Adelaide director Daniel J. Philips has created an edge-of-your-seat horror thriller based on real-life events from co-writer Ticia Madsen‘s time in a fundamentalist Mormon church. Whilst the forbidden love story was real, the dark malevolent horror is pure blood-curdling fantasy. Walking…

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A montage

Win a double in-season pass to the new Colleen Hoover romance adaptation Regretting You

Thanks to Paramount Pictures Australia and Superdream, we have 5 double in-season passes (Admit 2) to the new romance Regretting You, based on the best-selling novel from Colleen Hoover (It Ends With Us), starring Mason Thames, Mckenna Grace, Dave Franco, Allison Williams, Willa Fitzgerald and Scott Eastwood. Based on the bestselling book, REGRETTING YOU introduces…

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Interview: Aisha Dee and Olivia Vásquez on the importance of their thrilling new series Watching You

Watching You follows thrill-seeking paramedic Lina (Aisha Dee), who, despite being happily engaged, has an impulsive one-night stand with a mysterious stranger. Their dalliance is secretly filmed and used to blackmail her. As her life spirals and paranoia grows, Lina sets out to expose the voyeur – only to discover the true threat is far…

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Film Review: Held Hostage in My House; Netflix thriller is a campy, melodramatic affair

With a title that can’t be misconstrued in all its obviousness, it makes sense as to why Held Hostage in My House adheres to a melodramatic, campy temperament. Despite the cheapness of proceedings, you have to hand it to writer/director Anna Elizabeth James (who seemingly has a penchant for blatantly titled thrillers, with Sinister Sorority…

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Film Review: After The Hunt; Julia Roberts anchors frustratingly tailored drama

A loud ticking clock accompanies the opening minutes of After the Hunt, Luca Guadagnino‘s topical #MeToo drama that presents the mundane actions of its central focus, Professor Alma Imhoff (Julia Roberts), as she goes about her day at Yale.  It feels as if perhaps the ticking is leading to something substantial – a revelation –…

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Interview: Hunter Doohan and The Wilderness director Spencer King on respecting nature and trusting one another

Both rising forces in the film and television industry, expressing their passions for emotional, captivating storytelling, director Spencer King and actor Hunter Doohan have joined for the survivalist drama The Wilderness. Detailing a group of troubled teenage boys who are kidnapped from their homes and taken deep into the unforgiving Utah desert, where they are…

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Cast and crew of Jimpa walk the Pink Carpet for Adelaide Film Festival opening night

The Adelaide Film Festival opened the 2025 season in style with a pink carpet outside the Capri Cinema in Goodwood. Gilbert Street was closed off between the Capri and the Good Gilbert bar, giving a sophisticated European chic. There was an expectant buzz about the Australian debut of Jimpa, a film about an Adelaide filmmaker…

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Interview: Scott Derrickson on what inspired him to make Black Phone 2

The Black Phone rightfully terrified audiences when it was released across theatres in 2022.  And now, just in time for the Halloween season, director Scott Derrickson is bringing the nightmarish void of his supernatural world back to the masses with Black Phone 2, where true evil transcends death…and the phone is ringing once more. As…

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Interview: Madeleine McGraw on the deeper understanding of her character in Black Phone 2

The Black Phone rightfully terrified audiences when it was released across theatres in 2022.  And now, just in time for the Halloween season, director Scott Derrickson is bringing the nightmarish void of his supernatural world back to the masses with Black Phone 2, where true evil transcends death…and the phone is ringing once more. As…

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Film Review: Other is a gradually unsettling thriller that revels in its confusion

It’s not too far into the 95 minutes of David Moreau‘s Other that it becomes eerily evident that everyone aside from lead Olga Kurylenko has their appearance intentionally hidden or distorted from view.  Moreau himself stated that it was a visual additive that played into the loneliness and confinement of Kurylenko’s Alice, who spends the…

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Film Review: Your Host is a gory, nostalgic reminder of the torture horror wave of the Noughties

Nostalgia has proven a strong enough tool within the horror genre to revisit seemingly dormant franchises over the last few years (Halloween, Scream, I Know What You Did Last Summer, to name a few), but what about a particular subsect itself? For those craving the wince-inducing torture porn wave that swept the 2000s (thanks predominantly…

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Film Review: Black Phone 2 is an atmospheric, emotional sequel that outdoes the original

The Black Phone, released to theatres in 2022, was not the type of film that needed a sequel in any form.  It was a perfectly contained, suitably unnerving horror effort that made the most of its short story origins (Joe Hill wrote the original prose in 2004).  As we all know in the business of…

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Interview: Channing Tatum, Kirsten Dunst and LaKeith Stanfield on baring their souls on screen in Roofman

A true story that proves reality is so often wilder than fiction, Roofman, from director Derek Cianfrance (Blue Valentine), details the life of Jeffrey Manchester, dubbed the “Roofman” due to his modus operandi of breaking into his target locations (mostly McDonald’s restaurants) through their roofs.  After escaping prison and hiding out in a Toys “R”…

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Film Review: Roofman; Channing Tatum delivers career-best performance in wild, emotional true story dramedy

A classic case of truth being stranger than fiction, Roofman is the wild, almost unbelievable true story of Jeffrey Manchester, who earned himself the titular moniker due to the fact that he robbed a series of McDonald’s in the late 90s-early 2000s (45 locations, to be exact), entering the premises through their roofs.  Despite his…

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Bark is a claustrophobic, slow burn horror piece with a lot of bite: Dark Nights Film Festival Review

\ Tied to a tree with no recollection of how he got there – or why – when Bark opens with its interesting set-up of seeming Average Joe, Nolan Bentley (Michael Weston), in this predicament, Marc Schölermann‘s horror effort wants us to question if he’s a victim or a perpetrator. Over the course of its…

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Affection; Jessica Rothe wholly commits to cyclical, sinister horror flick: ScreamFest Film Review

Whilst there is a certain initial familiarity in Jessica Rothe portraying someone who’s in something of a cyclical environment in her latest horror effort, Affection, it becomes all too evident in the early minutes of BT Meza‘s genre outing that this is no retread of the more humorously minded Happy Death Day – the film…

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Film Review: Tron: Ares maintains series spectacle as it boldly pivots beyond virtual ground

The Tron series has always existed in an interesting space within cinematic history.  The 1982 original (Tron) and its 2010 sequel (Tron: Legacy) were more a cult phenomenon than box office successes, with the first film something of a visual revolution as it introduced audiences to the notion of entering a digital world, before Joseph…

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Film Review: Sovereign; Nick Offerman dominates quietly intense, masculine drama

An uncomfortable drama inspired by true events, Sovereign is a quiet, muscular outing from first-time feature filmmaker Christian Swegal, featuring a terrifying, layered turn from Nick Offerman at its core that speaks to the actor’s undeniable presence. Jerry and Joseph Kane were a father-son duo of anti-government extremists; Jerry was a self-proclaimed “sovereign citizen” who…

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