Reviews

Film Review: Life (USA, 2017) hits all the beats we’re used to but in a more polished container

One day Hollywood might be able to come up with a new science fiction movie that has us discovering a fluffy cute adorable friendly alien. One day Hollywood might be able to come up with a group of characters who actually have character development, prior to being ruthlessly dispatched. One day Hollywood might be able…

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Film Review: Beauty And The Beast (USA, 2017) has breathtaking moments of grandiose cinematic bliss

A story that originated in 1740 now considered one of the most beloved and beautiful of fairytales that has been remade/rebooted/retold a countless number of times, Beauty And The Beast is considered a tale as old as time. Of late Disney has been having a bit of a renaissance if you will, remaking number of…

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AF French Film Festival Review: Monsieur Chocolat (France, 2016) is an emotional ride that leaves you in deep contemplation

Breathtaking and magical, Monsieur Chocolat (directed by Roschdy Zem) is one to watch if you want to experience a Parisian night. Immerse yourself in the world of 19th-century French circus and follow the biopic story of Chocolat (Omar Sy). He journeys from a performer acting as the “cannibal” to a more respected position as a…

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SXSW Film Review: California Dreams (USA, 2017) should be called “California Delusions”

With La La Land having recently dominated the Oscars, its story about 2 hopefuls trying to make it in Hollywood uncomfortably lingered in the back of my mind while watching California Dreams. Both La La Land and California Dreams share a similar premise of “dreams are built on sacrifice”, however the films attack their subject…

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SXSW Film Review: Long Strange Trip (USA, 2017) celebrates the magic, myth and madness that is The Grateful Dead

Long Strange Trip is a documentary about the Grateful Dead that feels just like being at one of the band’s concerts. It is a sprawling, swirling psychedelic affair that lives up to its name as it celebrates a band that has notched up over 50 years in the music business as the reigning kings of…

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Film Review: The Eagle Huntress (G) (UK/MONG/USA, 2016) follows an inspiring subject

I have to admit, I don’t watch a lot of documentaries, but I’ve loved the ones I’ve seen. Some of them haven’t felt like documentaries at all, mainly because the stories behind them are a little too one-sided or hard to believe. Films like Super Size Me and Bowling for Columbine have been accused of being false, manipulative…

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SXSW Film Review: Mission Control: The Unsung Heroes of Apollo (UK, 2017) is a love letter to NASA’s rocket men

Stop and take a moment to think about what you were doing at the age of 27 or what you will do if it’s yet to come. If you’re a musician it is likely that you are dead but if you were working at NASA during the Apollo era then you had a hand in…

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SXSW Film Review: The Honor Farm (USA, 2017) struggles with its narrative

Horror films aren’t like they used to be. Gone are the days of chainsaw wielding psychos with mummy issues and hockey mask wearing killers…. with mummy issues (I’ve stumbled upon something here). Indeed, the genre has become less about horny teenagers getting gutted in creative ways and more about utilising tropes to symbolise prevalent issues…

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Film Review: Loving (USA, 2016) is a study in the true power of love

Loving is a film that shares a few things in common with A United Kingdom. They are both based on true stories and at the centre of each film you have a married, interracial couple who just want to live together as husband wife and leave the politics out of the bedroom. Loving is a…

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SXSW Film Review: Like Me (USA, 2017) Is disorientating and beautiful

When I was nineteen I spent three straight days without sleeping. I had just moved to Tokyo and couldn’t cope with the light pollution or the sounds from the trains that ran behind my flat. I would spend the nights listening to relaxing music and watch films during the day. On the third morning at…

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SXSW Short Film Review: Adult (Australia, 2017) is an unflinching portrayal of the adult film industry

Based on award winning Greek-Australian author Christos Tsiolkas’ short story Porn 1, Adult is an unflinching portrayal of the adult film industry and the mark its key figures leave on their loved ones. Set in a time long ago when the humble VHS was still a thing, Writer/Director Jamieson Pierce’s short centres on elderly Greek…

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SXSW Film Review: The Most Hated Woman in America (USA, 2017) is Netflix at its best

There’s no doubt about it, Netflix are on a path to global domination. With a slew of well received original TV programming to their name already, the streaming giant have now turned their attention to taking on the film industry and the Hollywood studio system. The exceptional biopic The Most Hated Woman in America is…

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SXSW Film Review: The Light of the Moon (USA, 2017) is more than a victim’s story, but a tale of human complexity

Bonnie is young and worldly, holds a job as an architect and lives in NYC. She has good friends, a pretty good social life and is in a stable relationship with a man who is equally as upwardly mobile, enjoying the same perks as anyone with a career in a city able to hold the…

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SXSW Film Review: Lake Bodom (Finland, 2016) attempts to straighten the horror genre curve

A delightfully nasty horror movie that draws on real-life inspiration, Lake Bodom hopes to be more than just a Friday The 13th-type slasher, in large part to its true crime connection, but ultimately can’t overcome its conventionality – not that there’s anything wrong with that. What still remains one of Europe’s greatest unsolved mysteries, the…

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SXSW Film Review: Pornocracy (France, 2016) is a sad indictment on the big business that is the ever-growing porn industry

Porn is a big business. In just six years the planet has watched over a million years’ worth of videos and 100 billion pages are visited and streamed annually. But is there a dark side to the industry? Ovidie, a French journalist and former porn-star attempts to answer this question in her documentary film, Pornocracy,…

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AF French Film Festival Review: Planetarium (France/Belgium, 2016) is supernaturally addictive, but not as intriguing as it aims to be

A strong taste of the old is present in Planetarium, as Natalie Portman leads a dual-language spoken film about not only the ghosts of the supernatural around us, but also those which come from within before the dawning of a new war era. Directed and written by French filmmaker Rebecca Zlotowski (Grand Central) the film follows two…

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SXSW Film Review: Through The Repellent Fence (USA, 2017) uses art to make an important political statement

As Donald Trump continues promoting his idea of building a wall between the US and Mexico it’s heartening to see that there are some people taking a different approach. Through The Repellent Fence: A Land Art Film is a documentary about a land art installation that attempted to reinforce the notion that borders are an…

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SXSW Film Review: Flesh and Blood (USA, 2017) is a harrowing look into the life of a fractured man and his family

It’s hard not to feel a large sense of relief after reaching the end of Mark Webber‘s latest directorial piece that is Flesh and Blood. Not because the film was a tough watch (which in a way, it is), but rather because you are given the chance to leave the cinema and return to what…

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AF French Film Festival Review: Daguerrotype (France, Belgium, 2016) has its flaws, but creates the perfect eerie atmosphere

Best known for his contribution to Japanese horror, director Kiyoshi Kurosawa brings an interesting take on a ghost story. Daguerrotype (Le Secret de la Chambre Noire) follows a Parisian named Jean (Tahar Rahim) who is hired to be an assistant to the elusive photographer Stéphane (Olivier Gourmet). With Jean’s help, they create heart-stopping daguerreotypes, an old form of permanent…

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SXSW Film Review: Inheritance (USA, 2017) is a powerful piece on finding closure and oneself

When Mara (Jessica Kaye) returns to her childhood home of Belize bringing her lover Aaron (Daniel Ahearn) with the hope to reconnect with her estranged father and brother who live there. After landing, she is met with the heart-breaking news that her father has just passed away, shortly before his 70th birthday. Mara is distraught but does…

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SXSW Film Review: Rat Film (USA, 2016) provides engaging commentary on the urban history of Baltimore

From writer, photographer and filmmaker Theo Anthony, Rat Film is a documentary that hooks you in and deserves a pedestal. The feature-length film focuses on rats and their lives as a way to explore Baltimore’s urban history and how humans interact with their world. It is clever yet confronting to see rats up close and…

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SXSW Film Review: Barbecue (Australia, 2017) is food porn with a good back story

If there was one thing Jiro Dreams of Sushi did, it was set a precedent that documentaries can be about literally anything. The evidence is in cable broadcasting and the phenomena of reality TV series. There are entire channels dedicated to reality TV programs, filling endless time slots with narratives on cat trainers or house…

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SXSW Film Review: Hounds of Love (Australia, 2016) flips the conventions of the serial killer genre

Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…

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Film Review: A Few Less Men (UK, 2017) is conventional comedy with its heart in the right place

Three British lads on holidays in Australia for a wedding face a dilemma that would put a damper on any getaway. One of the groomsmen has died (after a drunken romp through the Australian outback, it seems), and now the two remaining groomsmen and the groom, the dead bloke’s three best mates, make it their…

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Film Review: Kong: Skull Island (USA, 2017) proves that the simplest pleasures can be the most spectacular

Monster movies were my jam back when I was a kid. Just seeing two colossal creatures beating each other with whatever environment they are in at their disposal was such an incredible delight. With fantastic examples like the various Godzilla films, King Kong films, Mighty Peking Man, The Host (2006) and War of the Gargantuas,…

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AF French Film Festival Review: Kalinka (France, 2016) is a shocking and suspenseful true-crime thriller

Kalinka (Au nom de ma fille) is a French film that is based on the real-life events surrounding the Kalinka Bamberski case. It’s a dark and suspenseful thriller about one man’s dogged determination for justice. It’s a fight that spans multiple decades and traverses a couple of different country’s borders with the pure aim of…

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Film Review: Rings (USA, 2016) is dead on arrival

After spending the better part of two years playing musical chairs with the release schedule, Rings arrives with a considerable thud to remind us how unnecessary certain sequels are. Presenting a messy storyline that wants to both adhere to the formula of Gore Verbinski‘s (supremely superior) 2002 original The Ring and place its own stamp on…

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Film Review: David Stratton: A Cinematic Life (Australia, 2017) is a love letter to the doyen of Australian cinema & our illustrious film industry

David Stratton is the doyen of Australian cinema. He is a respected film critic who has watched in excess of 25,000 films, peed on Fellini and entertained Australians for decades through his movie reviews with sparring partner Margaret Pomeranz. David Stratton: A Cinematic Life is a documentary about his life and brilliant career and is…

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Film Review: Before I Fall (USA, 2017) fails to capture the depth of Lauren Oliver’s novel

Ry Russo-Young’s adaption of Lauren Oliver’s successful 2010 youth-adult novel Before I Fall tells the story of Samantha “Sammy” Kingston (Zoey Deutch), a young woman who has it all; the best group of friends, the perfect guy and what seems to be a very bright future. However, everything changes after the fateful night of February…

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Film Review: Miss Sloane (USA, 2016) proves a strong woman can play with the big boys

Miss Sloane could be renamed, “Ms Stone.” The film is about an ambitious and icy woman who acts as a lobbyist for a firm that is advocating on behalf of a gun control bill in the States. It’s a tense, political drama with as many power-plays, twists, turns and slights of hand as The Ides…

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