Film

Interview: Jason Momoa, Dave Bautista and director Ángel Manuel Soto on crafting their action film The Wrecking Crew with heart and brotherhood

From the moment The Wrecking Crew was announced, it felt less like a standard studio project and more like an inevitability. Jason Momoa and Dave Bautista – two of the most physically imposing stars working today – had already proven their onscreen chemistry as brothers in See. Fans could sense it. So could they. What…

Read more

Interview: Luke Evans and Billie Boullet on appreciating stillness and taking risks in Worldbreaker

After the Breakers rose – monstrous creatures that infect and twist their victims – men fell first, leaving women to lead the fight for survival. In this perilous new world, Willa’s mother is one of the war’s fiercest warriors, while her father, a battle-scarred veteran, hides with Willa on a remote island, training her in…

Read more

Interview: Addition director Marcelle Lunam on the importance of truth in her film; “I wanted to make a film that promoted kindness.”

In Addition, Grace Lisa Vandenburg (Teresa Palmer) counts everything – numbers are the scaffolding of her meticulously ordered life. But when a chance encounter with Seamus (Joe Dempsie) turns her world upside down, Grace is forced to confront the chaos she’s long avoided. Directed by Marcelle Lunam and based on Toni Jordan’s bestselling novel, the…

Read more

Interview: Teresa Palmer and producer Bruna Papandrea on resisting simplification in their new film Addition

Grace Lisa Vandenburg (Teresa Palmer) counts everything. Numbers are the quiet architecture holding her world together, until a chance encounter with Seamus (Joe Dempsie) begins to loosen the careful order she’s built around herself. Directed by Marcelle Lunam and adapted from Toni Jordan’s bestselling novel, Addition is a story about self-acceptance and recognising what truly…

Read more

Film Review: Send Help is a darkly comic, psychologically barbed dismantling of corporate masculinity and the systems that enable it

Send Help announces itself as a survival thriller, but Sam Raimi’s latest is something far more subversive: a darkly comic, psychologically barbed dismantling of corporate masculinity and the systems that enable it. What begins as a familiar plane-crash setup quickly mutates into an unsettling power study, one that weaponizes genre expectations against the audience with…

Read more

Celeste Barber to host the 2026 AACTA Awards with an all-star lineup set to light up the Gold Coast

The Australian Academy of Cinema and Television Arts is getting ready to roll out the red carpet for the 2026 AACTA Awards, and this year’s celebration promises to be something special. Leading the night is one of Australia’s most loved entertainers, Celeste Barber, who will host the AACTA Awards with her trademark wit, warmth and…

Read more

Bedford Park is heartbreaking, beautifully acted, and deeply personal: Sundance Film Festival Review

Bedford Park announces Stephanie Ahn as a filmmaker unafraid of emotional exposure – sometimes to a fault, but more often to devastating effect. Set between the push and pull of cultural obligation and personal survival, the film traces Audrey, a Korean American woman shaped by sacrifice as a love language, and Eli, an ex-wrestler whose…

Read more

Director: Ángel Manuel Soto on constructing the rhythm of The Wrecking Crew; “You want to make it feel like there’s a collaboration of energy with the audience.”

Ángel Manuel Soto’s The Wrecking Crew wastes no time establishing its swagger: a sun-drenched, bone-crunching action comedy set on the streets of Hawaii, where estranged half-brothers Jonny (Jason Momoa) and James (Dave Bautista) reunite after their father’s mysterious death, only to find themselves tangled in buried secrets and a family-shattering conspiracy. When our Peter Gray…

Read more

Film Review: The Wrecking Crew; Momoa and Bautista power energetic, violent buddy actioner

The Wrecking Crew knows exactly what kind of movie it wants to be, and it’s in that confidence that it reveals its greatest asset. Directed by Ángel Manuel Soto (Blue Beetle), this sun-drenched, bruising action comedy channels the spirit of 80s/90s-era buddy chaos, pairing Jason Momoa and Dave Bautista as estranged half-brothers pulled back together…

Read more

Film Review: Blue Moon; Ethan Hawke anchors Richard Linklater’s niche, intimate drama

Richard Linklater’s Blue Moon is the kind of film that knows exactly who it’s for, and makes no attempt to dilute itself for anyone else. Set almost entirely over one night inside Sardi’s restaurant on the opening of Oklahoma! in 1943, the film unfolds less like a traditional biopic and more like a rueful, jazz-inflected…

Read more

Opinion: It’s time to Awake – Why this forgotten 2000s thriller deserves a second look

There are films that fail loudly, and then there are films that fail quietly; misjudged, misunderstood, and filed away under “not good enough” before anyone really figures out what they were trying to do. Awake belongs firmly in the latter category. Released in 2007 with a barely-there theatrical campaign, Joby Harold’s sleek medical conspiracy thriller…

Read more

The Oscars are in their Horror Era: Sinners dominates a wicked Award line-up

The Oscars always tell you what kind of year it’s been – and the 2026 nominations just screamed it in neon: big swings rewarded, sacred cows ignored, and one film outright rewriting the record books. Because this morning belonged to Ryan Coogler’s Sinners, the blood-soaked, genre-bending juggernaut that didn’t just top the nomination leaderboard –…

Read more

Second Opinion: Primate is a horror film in love with its own brutality

There’s something weirdly refreshing about a horror movie that doesn’t posture, doesn’t smuggle in a lecture, and doesn’t pretend it’s “elevated” because someone mutters words of perceived depth between splatter sequences. Director Johannes Roberts understands the assignment with almost admirable single-mindedness with Primate: deliver a gory creature feature with a breezy, old-school sensibility and enough…

Read more

Interview: Directors Jack Manning Bancroft and Tyson Yunkaporta on their First Nations animated film Imagine

Australian systems change-makers and Indigenous storytellers Jack Manning Bancroft and Tyson Yunkaporta are inviting audiences to hit reset with Imagine, a bold, genre-defying animated feature landing in cinemas for special event screenings this January 26th across Australia. Co-created through the pandemic in an open, live Google Doc collaboration that brought together more than 400 contributors…

Read more

Trailer for Idiotka unveils high-fashion chaos and reality TV satire

A brand-new trailer has dropped for Idiotka, a sharp and irreverent fashion comedy that skewers reality TV culture while keeping its heart firmly in the right place. The film, written and directed by Nastasya Popov, will hit select theaters in the United States from February 27th, 2026, via Utopia Distribution Led by Anna Baryshnikov as…

Read more

Film Review: Mercy; Chris Pratt takes a sci-fi pratfall in AI thriller that’s all tech, no tension

Mercy wants to be a slick, near-future morality play about the creeping dominance of artificial intelligence in modern life and, specifically, in the justice system. Instead, it plays like a film that can’t decide whether it fears technology, worships it, or just wants to use it as a convenient set of shiny props. Set around…

Read more

Interview: Teresa Palmer and the creatives behind Addition at the Australian Westpac OpenAir Premiere

There’s something quietly poetic about watching Addition under the open sky. Premiering in Australia at Sydney’s Westpac OpenAir Cinema ahead of its national release on January 29th – following its successful run at the 2024 Toronto International Film Festival – the film’s gentle intimacy feels amplified by its setting. Numbers may govern Grace Lisa Vandenburg’s…

Read more

Film Review: Primate; homage to 80s horror lacks a clear narrative

Primate is an 88 minute horror movie about a chimpanzee companion who is bitten by a rabid mongoose, which inevitably infects him with rabies and, ultimately, turns him from a loving member of a family to a violent animal. The film opens up with a particularly gruesome scene, setting the tone of the movie near-immediately….

Read more

Interview: Kleber Mendonça Filho on cinema, politics, and The Secret Agent; “Films exist in your muscle memory.”

Brazilian filmmaker Kleber Mendonça Filho has never been interested in subtle allegory when reality itself is this confrontational. With The Secret Agent, his latest politically charged thriller set during the final years of Brazil’s military dictatorship, the director once again fuses genre storytelling with cultural memory, paranoia and moral urgency. In a conversation with our…

Read more

Film Review: The Secret Agent stands as one of the year’s most vital films

Kleber Mendonça Filho’s The Secret Agent is the type of film that doesn’t merely ask for attention, it commands it. Set against the suffocating backdrop of Brazil’s military dictatorship in 1977, the film unfolds during Recife’s Carnaval, where colour, music and movement become both camouflage and provocation. What should be a time of collective release…

Read more

Film Review: Marty Supreme; sweaty, kinetic sports dramedy is frequently overwhelming

Marty Supreme is exactly the kind of big, brash, slightly unhinged swing that feels tailor-made for co-writer/director Josh Safdie and for Timothée Chalamet at this precise moment in his career. A kinetic, sweaty, frequently overwhelming sports comedy-drama, the film barrels through 1950s New York and far beyond with the same single-minded obsession as its protagonist,…

Read more

Queer Screen Unveils Expansive Program for the 33rd Mardi Gras Film Festival

Queer Screen has revealed the full program for the 33rd Mardi Gras Film Festival, returning to Sydney from 12th – 26th February, 2026 with two vibrant weeks of LGBTIQ+ cinema as part of the Sydney Gay & Lesbian Mardi Gras celebrations. Screenings will take place across key city venues including Event Cinemas George Street and…

Read more

Film Review: The Rip; Damon and Affleck reunite in one of Netflix’s more confident cinematic thrillers

Joe Carnahan’s The Rip arrives with the familiar Netflix sheen, but beneath that polish is something tougher, meaner, and far more cinematic than the algorithm usually allows. A pressure-cooker crime thriller steeped in mistrust and moral rot, the film leans hard into character before letting violence and paranoia take the wheel. It’s a throwback with…

Read more

Film Review: It Was Just An Accident is effortlessly thrilling and deeply unsettling

It Was Just an Accident is a quietly devastating triumph, a film that proves how little spectacle is needed when moral tension, lived experience, and cinematic restraint are in perfect alignment. Working with an almost disarmingly simple premise, writer/director Jafar Panahi crafts a thriller that unfolds largely through conversation, hesitation, and silence. Yet the film…

Read more

Everything we learned from Maggie Gyllenhaal at The Bride! trailer launch

Maggie Gyllenhaal isn’t interested in playing it safe. At the global trailer launch for The Bride!, the writer-director-producer spoke with infectious passion about her radical reimagining of one of cinema’s most iconic monsters, revealing a film that’s punk, romantic, mythic, deeply personal, and unapologetically loud. Here’s everything we learned about The Bride! and the bold…

Read more

7 Rings: How Scream Became Horror’s Most Self-Aware Saga

When Scream arrived in 1996, the slasher genre wasn’t just tired, it was on life support. The once-mighty franchises of the ’70s and ’80s had collapsed under the weight of diminishing returns, self-parody, and cultural irrelevance. Friday the 13th had become a punchline. A Nightmare on Elm Street had turned Freddy Krueger into a merchandising…

Read more

Interview: 28 Years Later: The Bone Temple director Nia DaCosta and star Erin Kellyman on the feminine reshaping of horror

Returning to a world that once redefined cinematic terror, 28 Years Later: The Bone Temple doesn’t simply extend the legacy of Danny Boyle and Alex Garland’s vision – it interrogates it. Under Nia DaCosta’s direction, the film pivots away from the familiar terror of the infected and toward something colder and more unsettling: the ways…

Read more

Film Review: 28 Years Later: The Bone Temple; audacious, unflinching sequel is also surprisingly beautiful

Nia DaCosta’s 28 Years Later: The Bone Temple takes the world Danny Boyle and Alex Garland built and flips it on its head, and the result is both shocking and mesmerizing. While it shares some of the DNA of its predecessor, this is very much DaCosta’s film: audacious, unflinching, and surprisingly beautiful. The story expands…

Read more

Sarah Snook to headline AACTA Festival as Recipient of the 2026 AACTA Trailblazer Award

Sarah Snook’s extraordinary career is coming full circle this February, with the acclaimed actor returning home to headline a special In Conversation event at the 2026 AACTA Festival – and to receive one of the Australian screen industry’s highest honours. The Succession star will be awarded the prestigious AACTA Trailblazer Award at the 2026 AACTA…

Read more

Evil is resurrected in first teaser for Lee Cronin’s The Mummy

Fresh from redefining modern horror with Evil Dead Rise, Lee Cronin returns with a daring new vision – one that takes on a legend as old as fear itself. Lee Cronin’s The Mummy isn’t interested in polite nostalgia. It’s a reinvention: darker, stranger, and far more unsettling than audiences might be ready for. And if…

Read more