Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Interview: Zara Larsson on touring with OneRepublic on their Australian “The Sweet Escape” Tour and the euphoric vibe of her new album

Zara Larsson, “One of pop’s biggest and outspoken young stars” (The Guardian), provokes and pushes pop culture forward, with enlightened and energised anthems that soar and seduce all at once. With every move, she continues to quietly make history and break records: her platinum-certified 2017 full-length, So Good, notably stands out as one of the most-streamed debuts on Spotify by…

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Interview: Bill Hader and the creatives behind The Cat in the Hat; “We wanted to make it really, really fun for literally the whole family.”

Meet the Cat in the Hat you don’t know! In the wonderfully whimsical tradition of Dr. Seuss, The Cat in the Hat comes to the big screen in his animated theatrical feature film debut – an all-new, epic adventure with an edge, where mischief, magic and mayhem reign supreme. Doing what he does best, the…

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Film Review: Heads of State; John Cena and Idris Elba elevate actioner with budding chemistry

There’s a whole lot of familiarity going on with Heads of State.  It’s a tested premise – that of mismatched partners in an action landscape – but screenwriters Josh Appelbaum, André Nemec and Harrison Query don’t try to pretend it’s anything otherwise, and so with a capable genre director in Ilya Naishuller (Nobody) and both…

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Interview: Andrew Bell on crafting the origins of his coming-of-age/vampiric thriller Bleeding; “Happy accidents happen out of necessity.”

Bleeding follows Eric, a 17-year-old grieving the death of his brother. When his cousin, Sean, the hot-shot son of an alcoholic cop, gets pulled into the lucrative, deadly world of using and selling Blood, Eric will do whatever it takes to save him from the same fate that swallowed his brother whole. With a debt…

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Millions hunt. One Runs. And everyone watches in the first trailer for The Running Man starring Glen Powell

In a near-future society, The Running Man is the top-rated show on television – a deadly competition where contestants, known as Runners, must survive 30 days while being hunted by professional assassins, with every move broadcast to a bloodthirsty public and each day bringing a greater cash reward. Desperate to save his sick daughter, working-class…

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Melbourne International Film Festival announces its Opening Night film

The Rose Byrne-led dramedy, If I Had Legs I’d Kick You, has been announced as the official Opening Night film of the 2025 Melbourne International Film Festival (MIFF), with tickets now on sale. The blistering second feature from US writer-director Mary Bronstein will make its Australian Premiere this August, hot off a rapturous reception at…

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Film Review: Jurassic World Rebirth brings a classic sense of blockbuster back to the series

Despite the general consensus very much being that the last two Jurassic World features – 2018’s Fallen Kingdom and 2022’s Dominion – were vastly underwhelming in the manner in which they pushed the story forward, audiences pushing each film to over a billion dollars each at the box office meant that they ultimately didn’t seem…

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Interview: Rupert Friend and Manuel Garcia-Rulfo on Jurassic World Rebirth, character instincts and “zaddy” status

Following our chats with both director Gareth Edwards and the trio of Luna Blaise, David Iacono and Audrina Miranda, The AU Review’s dino-sized coverage of Jurassic World Rebirth wraps up with Rupert Friend and Manuel Garcia-Rulfo. Ahead of the film’s release in theatres this week, Peter Gray spoke with the actors – Friend stars as…

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Interview: Luna Blaise, David Iacono and Audrina Miranda on building their dynamic on screen in Jurassic World Rebirth; “The whole world that was built felt so intimate.”

As The AU Review’s coverage of Jurassic World Rebirth continues, Peter Gray spoke with rising stars Luna Blaise, David Iacono and Audrina Miranda about their entrance into the iconic series; you can read our interview with director Gareth Edwards here. Starring as siblings Teresa and Isabella Delgado, Blaise and Miranda spoke of building their sisterly…

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Interview: Gareth Edwards on directing Jurassic World Rebirth, honouring Spielberg, and Jonathan Bailey’s viral “little glasses”

A new era has been born. Five years after the events of Jurassic World Dominion, the planet’s ecology has proven largely inhospitable to dinosaurs. Those remaining exist in isolated equatorial environments with climates resembling the one in which they once thrived. The three most colossal creatures within that tropical biosphere hold the key to a…

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Regionality Sunshine Coast Documentary & Factual Industry Event reveals 2025 program

AIDC and Screen Queensland, with the support of Sunshine Coast Council and in association with Sunshine Coast Screen Collective, are proud to reveal the full session program and speaker line-up for this year’s Regionality Sunshine Coast documentary and factual industry event, taking place at Mantra Mooloolaba Beach on Monday 28 July 2025. The very special one-day program…

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Tether is a quiet drama that speaks to the grim reality of mass shooting aftermath: Dances With Films Festival Review

Director Hariharasidhen Nagarajan and writer Anghus Houvouras couldn’t accept “the new normal” of shootings in the United States.  Such mass attacks as the Parkland High School shooting and the Pulse Nightclub incident were part of a grim reality that the two weren’t willing to become accustomed to. They thought of not only the victims whose…

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Film Review: Stealing Pulp Fiction; ambitious comedy is a love letter to Tarantino and the importance of in-cinema screenings

Given that Stealing Pulp Fiction very much wears its Tarantino affection openly, you’d be forgiven for expecting director Danny Turkiewicz to have the same kind of flair as the very filmmaker he’s adoring.  No, Turkiewicz isn’t replicating that same QT magic, but it would be a heavy ask to expect so, and on its own…

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The Toronto International Film Festival announces first wave of World Premieres for 2025 edition

TIFF is sharing the first five Special Presentation titles of its Official Selection set to have their World Premieres at the Festival’s 50th edition this September. Alejandro Amenábar’s The Captive, Steven Soderbergh’s The Christophers, Sung-hyun Byun’s Good News, Nia DaCosta’s Hedda, and Chandler Levack’s Mile End Kicks serve as the first round of announced titles. …

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Interview: Ivanna Sakhno on finding the human behind her A.I. creation in M3GAN 2.0

M3GAN 2.0 is hyping up its central battle of A.I. killbots as “This Bitch versus That Bitch.” But which bitch is which? The anticipated sequel brings back the the murderous doll who captivated pop culture in 2023, and this time around M3GAN has to contend with AMELIA, a military-grade weapon and the ultimate killer infiltration…

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Film Review: M3GAN 2.0; sci-fi sequel embraces camp action over its horror origins

Whilst the original M3GAN was sold as a horror film, its camp sensibilities ultimately shone through, turning its titular killer “doll” from a slayer to an outright slay.  It had tense set-pieces and a terrifying mentality, but it found its personality sat more comfortably in the space of a meditation on A.I. and technology through…

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Interview: Joshua Sasse on portraying a historical figure in Outrageous; “You have to work extra hard in order to keep him grounded.”

Based on the story of the Mitford sisters, Outrageous follows six sisters who refuse to play by the rules and whose often-scandalous lives made headlines around the world. Set in the 1930s, it is a tale of betrayal, scandal, heartache and even imprisonment. Following the show’s release on BritBox in North America and UKTV’s U and…

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Film Review: F1; Brad Pitt’s immersive, visceral drama fuses together testosterone and tenderness

In 2022, when cinemas were still largely recovering from the pandemic and blockbuster viewing wasn’t guaranteed, director Joseph Kosinski (and Tom Cruise) revitalized such a brand with Top Gun: Maverick.  It was undeniably thrilling popcorn entertainment that, with its heart, humour, action and dramatic stakes, checked all the boxes for each major demographic, ultimately resulting…

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Interview: Director Gerard Johnstone on embracing a more ambitious tone for M3GAN 2.0; “I felt like everyone wanted to give her a second chance and a redemption story.”

Following their chat earlier in the year when the M3GAN 2.0 trailer was released, Peter Gray and director Gerard Johnstone are speaking once again as the sequel to the acclaimed science fiction horror film M3GAN constructs itself for release. As the killer doll faces a new threat – a military robot called AMELIA (autonomous military…

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Interview: James Wan on producing M3GAN 2.0, his advice as a director, and not forcing a “pop culture” moment

The murderous doll who captivated pop culture in 2023 is back. And this time she’s not alone. The original creative team behind that phenomenon – led by horror titans James Wan for Atomic Monster, Jason Blum for Blumhouse and writer-director Gerard Johnstone – reboot an all-new wild chapter in A.I. mayhem with M3GAN 2.0. Two…

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Interview: Jane Larkin on transitioning from athletics to art with her debut feature film The Edge; “We need to know what makes us great and take that journey together.”

In The Edge, the dramatic feature film from debut filmmaker Jane Larkin (a former Australian representative sprinter), three young women (Larkin, Japanese paralympic swimmer Mei Ichinose and First Nations powerlifter Lily Riley) navigate life, love, education, and controversy while deeply embedded in the world of elite sport. The film is an honest and gritty portrayal…

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Film Review: 28 Years Later hones its horror with a needed sense of humanity

As evident by its title, 28 years Later takes up such a time period from the virus that first unleashed itself across Danny Boyle‘s 2002 post-apocalyptic horror effort 28 Days Later.  That film centered around the days that followed the actions of a group of animal rights activists who infiltrated a laboratory in Cambridge, where…

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Film Review: Elio; mid-tier Pixar adventure has character but lacks cohesion

A cohesive storyline or if it makes you cry? Sometimes the personal success of a Pixar movie doesn’t always rely on the former, with many taking the latter as enough of a justification for its existence.  In such a case, Elio may be enough of a charming win for family audiences who could find themselves…

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Film Review: Thirsty; interesting, but uneven, drama navigates the world of politics, domesticity, and the woman trying to perfect both

Whilst there’s a certain unevenness to how writer/director Emily Abt presents her story in Thirsty, there’s no denying it manages to maintain a sense of interest as it navigates the world of politics, domesticity, and the woman trying to perfect both. That woman is Audrey (Jamie Neumann), a sharp, some may say ruthless, defense attorney…

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Karma is a killer in the new trailer for I Know What You Did Last Summer

In the immortal words of Jennifer Love Hewitt, “What are you waiting for?” Well, it’s not the latest trailer for I Know What You Did Last Summer, as the Jennifer Kaytin Robinson-directed slasher legacy sequel dropped its brand new visuals ahead of the film’s release this July. Hewitt and fellow series subsister Freddie Prinze Jr….

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The Travel Companion revels in the uncomfortable nature of friendships and their obligations: Tribeca Film Festival Review

Delighting in the type of self-centred behaviour that more of us are guilty of than not, the character at the core of The Travel Companion, Alex Mallis and Travis Wood’s debut feature, sprouts lyrical to anyone who’ll listen (or tolerate) about his forthcoming directorial feature – an experimental, hybrid docu-fiction-travelogue about the cultural bridges and…

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A Tree Fell in the Woods navigates relationship tension with self-reflecting musings: Tribeca Film Festival Review

The age-old question around if a tree falling in the forest makes a sound is asked in quite a compelling, pressure-cooker type of way in A Tree Fell in the Woods, Nora Kirkpatrick‘s debut dramedy about the implosion of relationships between two couples across a New Year’s Eve getaway in the snowy forests of Utah….

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Baby Tooth is a comedic short feature that indulges in its unanswered absurdities: Tribeca Film Festival Review

“Are you here for the boat or the tooth?” And with that sentence, writer/director Olivia Accardo welcomes us into the bizarre reality of Baby Tooth, a wild five minute short film screening as part of this year’s Tribeca Film Festival; it’s set to play before the feature The Trainer, as well as being included in…

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Everything’s Going to Be Great celebrates the arts and those that have always felt different doing so: Tribeca Film Festival Review

Whilst Everything’s Going to Be Great starts out a bit more eccentric and comedically minded than how it ends, the performances at the core of Jon S. Baird‘s dramedy, and the sense that it celebrates art and those that have always felt a little different in doing so, keeps it continually moving at an enjoyable…

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The Rose: Come Back to Me is a refreshing look at the Korean art rock collective: Tribeca Film Festival Review

One of the great things about documentaries such as The Rose: Come Back to Me is that it both provides further insight into a rock outfit for the legions of fans, as well as introducing uninitiated viewers into a world that proves endlessly fascinating.  I am personally of the latter, as going into this film,…

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