Three Stars

Film Review: Brigsby Bear (USA, 2017) is a peculiar yet heartfelt viewing experience

When you hear a film that is green-lit and it is basically a vehicle for an SNL star, chances are that one would expect the film to be bad. Films like A Night at the Roxbury, Superstar and The Ladies Man are all garbage. That said, some of them do gain a cult following over…

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Greek Film Festival Review: Afterlov (Greece, 2016) is a quirky film that dissects the concept of a break-up

If a relationship break-up has ever left you questioning, “Why?” or “What’s next?” then Afterlov is the film for you. This Greek dramedy sees its main protagonist grappling with these questions to the point of obsession. So what is this leading man to do but confront these things as well as his ex. The only…

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OzAsia Film Review: Villainess (South Korea, 2017) brings video game violence to the big screen

Villainess doesn’t waste any time, giving the audience exactly what they came for; a full on, bloody action movie. And boy does it deliver exactly what it promises. The whole premise – a story about an assassin out for revenge – comes with big expectations of huge action sequences and lots of knives, and with…

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Film Review: That’s Not Me (Australia, 2017) is a feel good film about disappointment

Riding on their wave of festival success, filmmaking couple Alice Foulcher and Gregory Erdstein’s debut feature film That’s Not Me shows just what you can achieve with a low budget and bucket loads of passion. Shot on a budget of $60,000, That’s Not Me follows the day to day slog of Polly (Alice Foulcher), a…

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Film Review: Kingsman: The Golden Circle (UK, 2017) is an enjoyable ride but does it overstay its welcome?

When Kingsman: The Secret Service debuted in 2015, it became a critical darling and surprise commercial hit due to strong word of mouth, and a truly original and exciting approach to the spy (and in many respects, the superhero / comic book) genre. Funny, irreverent and wholly memorable, it stands apart as one of the…

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Film Review: American Assassin (USA, 2017) doesn’t break convention but it gets the job done

Stop me if you’ve heard this before: A loose cannon who doesn’t play by the rules, but dammit if he doesn’t get the job done, is recruited by the CIA to assist in taking out some “very bad people who plan on doing some very bad things“… American Assassin is not the type of film…

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TV Review: Amazon gives The Tick a taste of the modern day Superhero

Attention Planet Earth: The Wild Blue Yonder has arrived; The front line in the seemingly endless list of franchises that fate and television executives have seen fit to revive. Amazon Prime subscribers, you face … The Tick!

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Review: Marvel’s Inhumans may be game changing for IMAX, but is it a missed opportunity?

At the end of this month, Inhumans, the latest entry into the Marvel Cinematic Universe will kick off as a television series on ABC TV in the US – the home of the successful Agents of S.H.I.E.L.D. series, which will enter its fifth season later this year. Today, Inhumans – the third ABC studios series…

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Film Review: The Hitman’s Bodyguard (USA, 2017) is a funny, familiar buddy-cop ride

Sometimes it’s not always necessary for a film to be unique or spectacular or innovative for it to be enjoyable. Sometimes all we need is for it to be fun and ridiculous and easily digestible for it to provide that escapism. The Hitman’s Bodyguard brings together two particular Hollywood actors who have their own distinct…

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Film Review: Maudie (Canada, 2016) is a colourful portrait which proves that love & talent can be found in unlikely places

If Forrest Gump where a female, Canadian folk artist you would get Maudie. This film is a biopic about the late artist, Maud Lewis who was born a “little different” and whose story is one that is likely to charm some theatregoers. This movie is ultimately a rather romanticised view of her creative and impoverished…

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Film Review: The Dark Tower (USA, 2017) is tolerable for casual viewers but disappointing for die-hard King fans

Full disclosure, I have not read any of the Stephen King The Dark Tower series of books. As somebody who is unaware of the source material, I was going into the film adaptation of The Dark Tower with the simple expectation of wanting to enjoy a film, to be transported to another place, be invested…

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Film Review: The Time Of Their Lives (UK, 2017) is a pleasant road trip & light comedy about two unlikely friends

The Time Of Their Lives is a film about two unlikely friends getting a second chance at life. It’s one where you feel like if it had had its own second chance it could have been excellent, but instead will have to settle for being just good. This is ultimately a light, comedy caper and…

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Film Review: Valerian And The City Of A Thousand Planets (FRA/USA, 2017) is pure visual escapism but hampered by unconvincing casting

When visionary filmmaker Luc Besson first picked up a copy of the French graphic novel series Valerian and Laureline by Pierre Christin and Jean-Claude Mezieres he was inspired to bring that story to cinema screens and has been working towards that goal for most of his life. Coincidentally Mezieres was hired by Besson to assist…

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TV Review: Fear the Walking Dead Season 3 Episode 5 “Burning in Water…” introduces a new conflict

Coming off one of their strongest episodes, the self-contained “100” with the focus solely on a returning Daniel (Rubén Blades), Fear the Walking Dead pull us back into life at the supposedly safe Broke Jaw Ranch where Madison is holed up with Nick and Alicia, trying to prove their value to the suspicious community. “Burning…

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Sydney Film Festival Review: Phantom Boy (France, 2015) is oddly engaging and effortlessly weird

Whilst animation in film has evolved immensely over the last 20 years, there’s something immediately charming about Phantom Boy‘s deliberately flat and simple palleted aesthetic.  It may lack the emotional weight of the technically more refined Pixar offerings, but this film’s distinct look feels organically melded to its somber mentality. Coming courtesy of French directing…

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Film Review: Rough Night (USA, 2017) brings plenty of laughs from a strong cast in a disjointed dark comedy

Lazily touted in headlines as “The Hangover for women” by writers who couldn’t possibly find another film to compare it to from the last decade (Bachelorette or Bridesmaids immediately come to mind, both of which were also compared to The Hangover at the time of release – hell, even Bad Moms was!), Rough Night is…

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Sydney Film Festival Review: To Stay Alive – A Method (Netherlands, 2016) is a quiet and thoughtful piece with Iggy Pop & Michel Houellebecq

Some people subscribe to the theory that you’ve got to suffer for your art. Two such individuals include the Godfather of Punk, Iggy Pop and the best-selling French novelist, Michel Houellebecq. In To Stay Alive – A Method the pair share a meeting of minds in a film that is artistic, experimental and semi-autobiographical and…

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Sydney Film Festival Review: The Public Image Is Rotten (USA, 2017) is a thorny look at the love & defiance of Johnny the PIL

This is not a love song- it’s a review of Public Image Limited’s (PiL) documentary. The film, The Public Image Is Rotten is one that focuses on John Lydon AKA Johnny Rotten AKA the band’s one mainstay (just like The Cure’s Robert Smith). It shows an outspoken and spiky man who has tempered through age…

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Sydney Festival Film Review: Axoltl Overkill (Germany, 2017) burns up Berlin with heavily stylised hedonism

Adapting her own novel for the big screen, German author-director Helen Hegemann makes a polished feature debut with Axolotl Overkill. Pulse firmly on the rapid strobe-lit streets of Berlin, the film is very much a muse on teenage excess and independence, as self-destructive as in can be, with an assured sense of style and impressive…

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Sydney Film Festival Review: Spookers (NZ/AUS, 2017) finds therapy under a mask of terror

Kiwi filmmaker Florian Habicht jumps from making documentaries about Pulp and demolition derbies to modestly prodding around the Southern Hemisphere’s biggest horror theme park with Spookers, a stylish 85-minute piece that manages to weave together stories of exploitation and therapy amongst a whole heap of (fake) blood, guts and playful vignettes. It’s clear Habicht and…

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Sydney Film Festival Review: Game of Death (Canada, 2017) Is Bloody, Forgettable, Fun

Right at home in the “Freak Me Out” strand of this year’s Sydney Film Festival, Game of Death is probably more-or-less exactly the film you expect it to be. It’s a simple but fun romp that manages to eke out the most from its wacky premise, despite being held back by structural shortcomings and uneven…

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Sydney Film Festival Review: Citizen Jane: Battle for the City (USA, 2016) is about one woman’s intriguing fight to preserve New York

The prospect of watching a documentary on town planning probably won’t have people tripping over themselves to watch it. But when you realise that the subject of the film, Citizen Jane: Battle For The City helped preserve some significant parts of New York, it’s a different story. This film is a brief but intriguing look…

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Film Review: Pirates Of The Caribbean: Dead Men Tell No Tales (USA, 2017) flies with half sails

In the fifth installment of the Pirates of the Caribbean franchise, Dead Men Tell No Tales, we return to the seas on another adventure with our ridiculous Captain Jack Sparrow. This time pairing up with a new bickering couple of non-pirates, and being chased down by his old frenemy Captain Barbossa and his even older…

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Film Review: Handsome Devil (Ireland, 2016) is a pleasant but predictable coming of age story

Handsome Devil is cut from the same cloth as Sing Street and Dead Poet’s Society, but it also leaves a few things deliberately ambiguous. This is a pleasant, coming-of-age tale set in a private, all-boys boarding school in Ireland. The story ends on an encouraging and positive note where you should be yourself because it…

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Film Review: Ridley Scott tugs on existential threads with Alien: Covenant (USA, 2017)

2012’s Prometheus marked the beginning of a franchised prequel to Ridley Scott’s original Alien, not only taking fans back to the origins of this iconic sci-fi franchise, but diving deeper into the meaty philosophies such a concept brings, finding purpose with the motif of creation. The introduction of synthetic android David (Michael Fassbender) emerged as…

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Gold Coast Film Festival Review: The Osiris Child: Science Fiction Volume One (Australia, 2016) is Star Wars on a shoestring

In ninety-five minutes, The Osiris Child recreates the past twenty years of sci-fi. It’s a fast blend of genre styles new and old, reaching screens in the format of a graphic novel and touching bases with every ‘humanity in crisis’ story ever told. While never profound, The Osiris Child achieves its vision, but the lack of…

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TV Review: Netflix’s Girlboss sees a caustic hustler-turned-throwaway-fashion success story

Girlboss is a series that may leave viewers feeling conflicted. While it’s great to see an underdog making good and pursuing her passion it’s also hard to root for a lead character who is so inherently unlikeable. This Netflix series is ultimately like a fun ball of fairy floss, it’s pleasant enough at first bite;…

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Film Review: Dance Academy: The Movie (Australia, 2017) still knows how to create great teen drama

Dance Academy was one of the shows that defined by teenage years. I was by no means a dancer; yet the representation of real, raw teenage issues was presented in an Australian spotlight – especially on a network that was rather lukewarm at the time (ABC3, now branded as ABCME) was addictive for an entire…

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Film Review: Ghost In The Shell (USA, 2017) is a visual spectacle, but lacks original storytelling

The first scene of Ghost In The Shell is incredibly haunting, as a crimson-hued setting features a fresh, human brain being delicately placed into a robotic body. It’s an uneasy mixture of human and AI – and according to Tesla CEO Elon Musk – it is a reality that’s not too far into the future, once…

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TV Review: The Walking Dead Season 7 Episode 15 “Something They Need” sets things up nicely for the finale

“Something They Need” wrapped up everything the way you would expect, setting some final pieces in place for the inevitable showdown in next week’s finale. The problem with this is that the absence of anything unexpected, outside of some nice bits of drama over at The Sanctuary, resulted in a clean episode that lacked any…

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