Review

The Shokz OpenRun Pro 2 bone-conduction headphones are some of the best yet

While their popularity is certainly growing, I hadn’t tried open earphones until we reviewed the Shokz OpenFit headphones last year, and I was pleasantly surprised with the results. Certain situations do call for these nowadays. Be it cycling, working out, or simply being out in public and wanting to keep an ear on things, the…

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Pools displays surface-level confidence as a journey of self discovery: SXSW Sydney Screens Film Festival Review

Whilst there is a sense of an on-the-nose metaphorical aspect to Pools, and a whole lot of “girl who is going to be okay” mentality to it too, Sam Hayes‘ dramedy manages to just keep itself afloat enough in the self-discovery genre it serviceably adheres to. College student Kennedy (Odessa A’zion) doesn’t have her shit…

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Film Review: Smile 2; A sequel that doesn’t suck? That’s something to smile about.

As we learned from “the rules of a horror sequel” in one of the few horror sequels that actually held its weight against the original – 1997’s Scream 2 – things are always bigger and bloodier in a Part 2; “Carnage candy,” as it was so deliciously described.  And, indeed, Parker Finn has a sweet…

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Film Review: Memoir of a Snail is a tragically beautiful tale that honours the surreality of life

Of all the ways to ruminate on grief and loss, a stop-motion animated dramedy is not the most obvious option, but, despite the whimsical nature of the medium, Adam Elliot‘s heartbreaking Memoir of a Snail proves such a catharsis on the emotion. Animated it may be, Memoir of a Snail is not a child-friendly affair,…

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Diablo 4: Vessel of Hatred succeeds at strengthening and expanding upon the core experience

I’ve dabbled in the Diablo games for almost two decades now. But I have to say, Diablo 4 still stands as my favourite. It simply refined and deepened every mechanic and aspect of the overall franchise, and kept me around for months after my official review. Over a year later, Diablo 4 has released its…

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Undisputed manages to throw a few nice jabs, but misses on the stronger hooks and upppercuts

I’m a huge boxing fan, and I still jump on Fight Night Champion to this day. While that’s still accessible on my Xbox Series X via backwards compatibility, I’ve eagerly awaited the next great boxing game. Enter Undisputed. From developer Steel City Interactive comes that next big swing, attempting to receive the sport in the video game…

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Film Review: Hellboy: The Crooked Man; low budget limits ambitious horror take on classic character

The fourth live-action adaptation of the much-loved comic creation Hellboy, and the third iteration of the character following two well-received Guillermo del Toro-helmed, Ron Perlman-starring outings and a less-said-about-the-better reboot with David Harbour, Brian Taylor‘s take on the character in Hellboy: The Crooked Man has a distinct personality of its own and a well-suited Jack…

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Akimbot recreates the golden age of an older generation of games in places, but lacks some of the polish

In a media age where remakes, sequels, and reboots dominate, the weaponising of nostalgia has brought both glee and despair to gamers everywhere. When handled with care, recycling the old can be a fun exercise but there is something to be said for finding something new in the familiar. Akimbot, the latest release by Evil…

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Film Review: Terrifier 3 delivers the slicing and dicing, all wrapped up in Yuletide cheer!

Terrifier 3 continues the story of both Sienna Shaw (Lauren LaVera) and her brother Jonathan (Elliot Fullham). After narrowly surviving the brutal Halloween massacre of the terrorizing Art the Clown (David Howard Thornton), the two siblings are estranged and struggling to piece together the remains of a normal existence in the time of peace, while…

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The Karate Kid: Street Rumble does its best to bring the charm, but ultimately falls flat

I’m a huge fan of The Karate Kid films, and even the more recent Cobra Kai series on Netflix, which I would recommend to anyone. But after seeing what became of the recent Cobra Kai tie-in video games, I admittedly hesitated to give this one a go. Upon further research, I was pleased to find…

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Film Review: Psychosis is an absurd Aussie experiment that defies categorization

A film like Psychosis is a difficult one to review.  Whilst there’s never a shortage of features that prove wildly divisive (the Joker sequel says hello), Pirie Martin‘s ambitious debut defies categorization as it blends technique and genre, submitting to an extreme eccentricity that, as off-putting it may be to some, is difficult to not…

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Backspot is an effective, inclusive look at the competitive cheerleading scene: New Farm Queer Film Festival Review

With such documentary series as Cheer and America’s Sweethearts: Dallas Cowboys Cheerleaders (both on Netflix) in the last few years reflecting a far more competitive mentality to the sport of cheerleading, a movie like Backspot feels like its release is suitably timed to capitalise on the fact that this is a sport far removed from…

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Series Review: Heartstopper Season 3 delves into further maturity whilst maintaining its original heart

Yet again, the amazing Alice Oseman has teamed up with director Euros Lyn to create the third season of Heartstopper. Previously, the Netflix series was well-known for its gradual approach regarding topics of queerness, health, growing-up, the experiencing of firsts, family dynamics and relationships for a teenage and young-adult audience. However, season 3 takes a…

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Film Review: The Problem with People is a sweet, simple story that succeeds of its breezy charm

Even though something like The Problem with People is a film that very much plays by a certain rulebook, you can’t help but still feel the charm of Chris Cottam‘s dramedy across its breezy 100 minutes. Co-written by Paul Reiser, the Mad About You alum layers a certain American view to the Irish countryside that…

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The People’s Joker is wildly imaginative and rightfully provocative: New Farm Queer Film Festival Review

Hopefully a film that won’t just become infamous for its lack of being seen – after it previewed one single screening at 2022’s Toronto International Film Festival it was withdrawn due to “rights issues” – The People’s Joker is a bold, bonkers debut feature from Vera Drew that reimagines the mythology of a slew of…

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Film Review: Joker: Folie à Deux‘s biggest joke is on the audience

In the same way that it was quite the baffling result that 2019’s Joker “laughed” its way to a billion dollar haul at the box office, Joker: Folie à Deux and all its “Fuck you” energy to WB fandom and mainstream appeal is a strikingly anti-audience effort that deserves praise for being so bold with its…

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Interview: Charlotte George and Miriam Glaser on their dark comedy short series Buried; “It’s challenging that idea of “the perfect mother” and really flipping it on its head.”

A five-part short form black comedy series presented by Screen Australia, Buried is a mum-noir comedy thriller created and written by Miriam Glaser & Charlotte George, directed by George, produced by Fran Derham and starring Glaser as Abi, a single mum who accidentally kills a stranger on her morning school run.  With this violent incident,…

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Film Review: Azrael is a visceral survivalist horror actioner that furthers Samara Weaving’s chokehold on the genre

Thanks to polished cinematography, bloody, brutal violence, and another fierce performance from Samara Weaving that furthers her chokehold on horror at large, Azrael transcends any tropes it may flirt with and forges through as a strong example within the post-apocalyptic subsect of the genre. A visceral survivalist actioner with biblical undertones, the Azrael of the title…

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Sharp Corner; Ben Foster embodies misplaced heroism in psychologically torturous drama: TIFF 2024 Review

Operating as a double entendre for both the literal titular roadside placement and the relationships within Jason Buxton‘s tense drama, Sharp Corner lays focus on the vehicular and emotional torture put forth by a series of fatal crashes that take place on a suburban front lawn that kisses the edge of a tight curvature on…

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Marvel vs. Capcom Fighting Collection: Arcade Classics is nothing short of a fantastic brawling trip down memory lane

If you grew up in the 90s or even the early 2000s, you will surely have come across one of these titles. I grew up near an Intencity arcade (shout out to those who remember) at my local shopping centre, and spent many weekends and birthday parties slamming my parent’s gold coins into that Marvel…

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Funko Fusion is a buggy mess that fails to land

Funko Pops have been a staple in the pop culture community since they were first released in 2010. Since then every franchise, character and sports personality seemingly gets their chance to be recreated in plastic with dull black eyes and a signature pose. It was only a matter of time before Funko got their own…

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Film Review: My Old Ass is a sweet coming-of-age story that simply wants to make its audience smile (and, likely, cry)

Though there is a high-concept present in the narrative forming of My Old Ass – shroom induced time travel could be the easiest elevator pitch summary (so, a high-concept if ever there was one) – Megan Park‘s deliriously sweet, always charming, oft-hilarious venture is, at its core, an uncomplicated affair that simply wants to make…

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Hold Your Breath has the potential and the (Sarah) Paulson, but not the power needed to convey its core themes: TIFF 2024 Review

A vision wholly unrealised is the biggest downfall against Hold Your Breath. With its gothic horror temperament, dustbowl 1930s Oklahoma landscape and an emotionally anchored performance from Sarah Paulson at its core, Karrie Crouse and Will Joines‘ isolating, atmospheric thriller has the potential, but unfortunately not the power needed to convey its core themes. The…

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Eden; Ron Howard’s survivalist true story thriller is a provocative piece of work: TIFF 2024 Review

So often across cinematic history has it been proven that fact is stranger than fiction, and in the case of Ron Howard‘s Eden, the crazier humanity proves themselves to be, the more seeped in reality their stories are. And it’s what makes Eden – arguably Howard’s most exciting project in over a decade – all…

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The Deb is a delightful directorial debut from Rebel Wilson that wins over with heart and humour: TIFF 2024 Review

Towards the end of the new Australian musical The Deb there’s an uplifting song-and-dance sequence to a ditty titled “Pretty Strong”, and that’s an acceptable enough term to describe Rebel Wilson‘s directorial debut.  The comedienne makes for a serviceable presence behind the camera as she injects an infectiousness and often-home-grown-specific humour into the proceedings of…

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Slave Zero X is a rewarding, if not frustrating retro throwback

When it comes to reboots, remakes, and remasters, the Sega Dreamcast’s catalogue isn’t usually at the forefront of people’s minds. However, Slave Zero X surprisingly revives a long-dormant series with a prequel to the obscure 1999 release Slave Zero. Like many, I never played the original nor owned a Dreamcast, but fans of the classic…

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Emilia Pérez is an audacious, emotional crime thriller/musical hybrid that revels in its originality: TIFF 2024 Review

Following its premiere at this year’s Cannes Film Festival, where it won the Jury Prize and its female ensemble (Zoe Saldaña, Karla Sofía Gascón and Selena Gomez) won the Best Actress award, there was considerable hype surrounding the TIFF presence of Emilia Pérez, a Spanish-language, crime thriller-cum-musical that was recently crowned the runner-up in the…

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Better Man; In typical Robbie Williams fashion, his biopic is an exercise in audacity: TIFF 2024 Review

Whether you loved him or hated him as part of Take That or on his own accord as a brash soloist, Robbie Williams, particularly in the 1990s, was a figure you couldn’t escape.  Similar to the cultural impact of Geri Halliwell exiting the Spice Girls or Zayn Malik bidding adieu to One Direction, Williams’ exit…

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Babygirl; An emotionally vulnerable Nicole Kidman dominates erotic, tragic power-play drama: TIFF 2024 Review

As much as Halina Reijn‘s Babygirl is an erotic thriller about the power play dynamic of a high-strung female CEO and the young, confident intern who infiltrates her deepest sexual desires, the Bodies, Bodies, Bodies filmmaker ultimately has created a film about the power of communication. Communication in its most carnal form is what draws…

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Queer is an erotic, but empty escapist fever dream: TIFF 2024 Review

Described as his most personal work yet, Luca Guadagnino‘s Queer is an adaptation of William S. Burrough‘s 1985 novel of the same name; though published in the 80s, it was written between 1951 and 1953.  Guadagnino has made a career out of telling vastly opposing stories with each of his productions – Call Me By…

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