Naomi Ackie
Film Review: Sorry, Baby; darkly comedic, devastating drama revels in its moments of silent poignancy
When trauma is experienced, how does one move on with a semblance of normalcy? That is the question indirectly asked at the centre of Eva Victor‘s stunning Sorry, Baby, a darkly comedic, at times devastating drama that unfolds in the more mundane moments that follow an act of sexual assault; in a wisely unseen moment,…
Interview: Eva Victor on the intricacies of Sorry, Baby and favouring its female friendship
Eva Victor is a writer-director and actor whose fearless character-forward comedic sensibility has cemented them as an undeniable triple threat to watch. Victor has boldly established themself as a singular emerging cinematic voice with their feature directorial debut Sorry, Baby, which world premiered to massive acclaim at the Sundance Film Festival, before closing the Director’s…
Film Review: Mickey 17; Expect the unexpected from Bong Joon Ho, with Parasite follow-up anything but safe cinema
In some ways it’s unfair for Mickey 17 to use director Bong Joon Ho‘s Oscar-winning Parasite in its marketing, as this bonkers sci-fi effort is quite far removed from that aforementioned satirical thriller, and may lure audiences into a false sense of security. Of course, being a Bong picture, satire is still utilised, but waiting…
Film Review: Blink Twice is an incisive thriller that truly announces Zoë Kravitz as a filmmaker to watch
A narrative throughline present in Zoë Kravitz‘s daring debut directorial feature is that “Forgetting is a gift.” Given the trauma and suffering many of the characters are holding onto in Blink Twice, it would appear a wise coping mechanism, but Kravitz’s script – written alongside one of her High Fidelity television scribes, E.T. Feigenbaum –…
Blink Twice trailer asks “Are you having a good time?”
Zoë Kravitz is stepping behind the camera for Blink Twice, a twisted, sinister thriller that is sure to raise a few questions about its certain topicality. Originally titled “Pussy Island”, Kravitz – who also co-wrote the screenplay with E.T. Feigenbaum (TV’s High Fidelity) – directs Channing Tatum as tech billionaire Slater King, who charms (or…
Film Review: I Wanna Dance With Somebody; Houston, we have a problem!
Much like a Greatest Hits package where it’s all the beats that both fans and the casual listener are familiar with, I Wanna Dance With Somebody, a glossy biopic about “The Voice”, Whitney Houston, Kasi Lemmons‘ film refuses to delve beyond a catchy hook. There’s no bridge, no worthy duets, and no deep-rooted B-side. And…