Film

Sydney Film Festival Review: Maliglutit (Canada 2016) is made with skill, but proves a sporadically stirring thriller

There is certainly something splendid somewhere within Maliglutit, the first collaboration between directors Zacharias Kunuk and Natar Ungallaq, unfortunately, it is all but concealed. The distinguished pair have taken on the task of adapting classic material, and despite the endeavour of imbuing the film with idealism and vigour, Maliglutit can never amount to anything significantly…

Read more

Sydney Film Festival Review: Whitney Can I Be Me (UK, USA 2017) is a comprehensive look at the rise and fall of Whitney Houston

In 2015 there was the outstanding film Amy by Asif Kapadia and following on from that comes yet another biopic that examines the life and all too tragically early death of a different powerhouse musical performer. In Whitney ‘Can I Be Me’ we go from the beginning right through to the end of Whitney Houston’s…

Read more

Film Review: The Mummy (USA, 2017) disappointingly squanders any promise it showcases

In 2014 it was believed that the Luke Evans-led Dracula Untold was going to launch Universal Studios’ proposed shared universe of classic movie monsters.  Dubbed Dark Universe, the ambitious project akin to the connected phases of Marvel and DC films ultimately let that idea fall to the wayside when the aforementioned feature was hardly the…

Read more

Film Review: Churchill (UK, 2017) is a bio-pic focused on a single chapter in WWII

Neil Finn may have said that history never repeats but former British PM and legendary statesman, Winston Churchill worried that the opposite would happen. During World War II he was concerned that the tragedy of Gallipoli would be repeated. The film Churchill is a dramatic bio-pic that examines this very issue in fine detail but…

Read more

Film Review: 20th Century Women (USA, 2016) is an exploratory tale of finding one’s own happiness

After detailing his own father’s coming out at the age of 75 in the Oscar-winning 2010 outing Beginners, writer/director Mike Mills tackles the stories of his mother and sister in 20th Century Women, an exploratory tale of finding one’s own happiness. As Mills opts to create an individual snapshot for each of his female role…

Read more

Film Review: Baywatch (MA15+) (USA, 2017) is campy fun, but wipes out on the comedy wave early on

Ever since the first trailer was released, Baywatch has always been self-aware. The wind in a golden-blondes hair as she runs down the beach (obviously in slow motion) in the iconic red bathing suit is an image the new reboot has embraced, but it doesn’t fare well in a feature length film. To put it…

Read more

Film Review: Wonder Woman (USA, 2017) is the heroine we need and deserve

After what can only be said as the frustrating and disappointing efforts of Man Of Steel and Batman Vs Superman: Dawn of Justice and Suicide Squad in the DC Comics movie universe. The hopes of the DCEU and an opportunity for it to be redeemed appeared to rest on the shoulders of Wonder Woman. The…

Read more

Australian Box Office Report: Pirates Of The Caribbean: Dead Men Tell No Tales sails to top spot

The fifth film in the Pirates franchise lived up to expectations, earning $5.88m at the box office in its opening weekend and shooting straight to no. 1.  Pirates Of The Caribbean: Dead Men Tell No Tales  is also the best performing opening for a film since Guardians Of The Galaxy Vol. 2 opening at the beginning of May with $8.61m….

Read more

Film Review: Hounds of Love (Australia, 2016) rewards those with strong stomachs with one of the best films of the year

Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…

Read more

Film Review: Wilson (USA, 2017) lacks both pattern and personality

After showcasing his worth as a filmmaker to keep an eye on with 2014’s The Skeleton Twins, Craig Johnson sadly suffers a sophomore slump with Wilson, an episodic dramedy that proves to be too far removed from Johnson’s directorial capabilities. It’s not that he is unable to guide dark material to fruition – something he…

Read more

Film Review: Pirates Of The Caribbean: Dead Men Tell No Tales (USA, 2017) flies with half sails

In the fifth installment of the Pirates of the Caribbean franchise, Dead Men Tell No Tales, we return to the seas on another adventure with our ridiculous Captain Jack Sparrow. This time pairing up with a new bickering couple of non-pirates, and being chased down by his old frenemy Captain Barbossa and his even older…

Read more

Australian Box Office Report: King Arthur reigns supreme with box office takings

It supposedly didn’t do as well as expected in its opening week in the USA, but Australians haven’t been quite so tough on King Arthur: Legend Of The Sword.  In its first appearance at the Australian box office, it earned $2.32m.  That’s not to say it’s been hugely successful here.  Its performance at the box office so far has…

Read more

Film Review: Handsome Devil (Ireland, 2016) is a pleasant but predictable coming of age story

Handsome Devil is cut from the same cloth as Sing Street and Dead Poet’s Society, but it also leaves a few things deliberately ambiguous. This is a pleasant, coming-of-age tale set in a private, all-boys boarding school in Ireland. The story ends on an encouraging and positive note where you should be yourself because it…

Read more

Film Review: Norman: The Moderate Rise & Tragic Fall of a New York Fixer (USA, 2017) is like a conga dance, blurring the lines between friendships & manipulation

Norman: The Moderate Rise and Tragic Fall of a New York Fixer is a light comedy film about a human of New York. But he’s not just any human. The eponymous Norman is a wheeler/dealer and the undisputed king of networking. The film is what you’d get if The Ides of March were directed by…

Read more

Film Review: Netflix’s War Machine (MA15+) (USA, 2017) is an enjoyable satirical war drama in the vein of The Big Short

With the release 2015’s Beasts of No Nation, the streaming giant Netflix began producing their own Netflix Original movies and to this day their library of original content starring high profile actors and actresses continues to grow. Now we see the release of Netflix’s biggest original movie to date, War Machine. Written and directed by David…

Read more

Film Review: Haus of Pain (USA, 2017) is an amusing, heartfelt love letter to wrestling and chasing your dream

Do you ever sit back and take stock of your life, and wonder how things might have been if you followed another path? A path you were so adamant you’d pursue at some point? This is the premise for Rooster Teeth’s newest documentary Haus of Pain which sees James Willems of the popular YouTube channel…

Read more

Film Review: Neruda (Chile, 2016) is a complex bio-pic that leaves you questioning what is truth and fantasy

Neruda is a film that truly embodies its subject matter. But this proves to be one double-edged sword because it is also to its betterment and detriment. This bio-pic about the eponymous, beloved Chilean poet uses the lyrical qualities the writer employed to bend the narrative in so many ways that the result is virtually…

Read more

Film Review: King Arthur: Legend Of The Sword (USA, 2017) is a fun but overcooked take on the myth

Just when you think you’ve seen and heard every iteration of the legend of King Arthur and Excalibur, comes a new take and telling of the myth, one that prefers its heroes dirty, its villains seething and its action ridiculously over the top. There are elements in King Arthur: Legend Of The Sword that really…

Read more

Australian Box Office Report: Alien: Covenant takes the lead from Guardians of the Galaxy Vol. 2

It’s been a pretty big opening weekend for at least two new release films, which both occupy the top two spots on the box office ladder this week. Ridley Scott’s Alien: Covenant opened this weekend and promptly took over the no. 1 spot (last week held by Guardians of the Galaxy Vol. 2) , earning $3.95m in its…

Read more

Film Review: Don’t Tell (Australia, 2017) doesn’t serve its source material justice

May I set the scene? On a farm in Queensland, 22-year- old Lyndall (Sara West) is talking to lawyer Stephen Roche (Aden Young) about her willingness to face the might of the Anglican Church in court over the abuse she suffered in boarding school. She asks about Bob Myers (Jack Thompson), the barrister who would represent her…

Read more

Film Review: John Wick: Chapter Two (USA, 2017) proves itself a very serviceable sequel

From comedic roles like his iconic slacker character, Ted “Theodore” Logan to the action heroes like Jack Traven from Speed and Neo from The Matrix films; dramatic roles like in River’s Edge and Hardball; and even villainous roles like in The Gift and Man of Tai Chi, Keanu Reeves is far more versatile an actor than he’s often given credit for. You certainly can’t…

Read more

Film Review: Snatched (USA, 2017) is an uneven caper with more faces than a hundred watches

A more appropriate title for the film Snatched would be “Botched” because this was a wasted opportunity. The movie is an uneven one starring comedian Amy Schumer and Hollywood’s own, the truly wonderful Goldie Hawn making her silver-screen comeback after a 15 year hiatus. It’s one that has some decent-enough ingredients but the overall combination…

Read more

Film Review: Ridley Scott tugs on existential threads with Alien: Covenant (USA, 2017)

2012’s Prometheus marked the beginning of a franchised prequel to Ridley Scott’s original Alien, not only taking fans back to the origins of this iconic sci-fi franchise, but diving deeper into the meaty philosophies such a concept brings, finding purpose with the motif of creation. The introduction of synthetic android David (Michael Fassbender) emerged as…

Read more

Australian Box Office Report: Guardians remain leaders of the Galaxy for the second week in a row

Guardians Of The Galaxy Vol. 2 topped the box office ladder again this week, taking in $4.99m in earnings.  The only steady title in the top three, it’s already earned $23.06m since it premiered on Anzac Day, and is set to overtake the first Guardians of the Galaxy if it can make a total of $27m –…

Read more

Film Review: The Zookeeper’s Wife (USA, 2017) is a beautifully told true story

The Zookeeper’s Wife follows the real events of the owners’ of the Warsaw Zoo in Poland from 1939 until 1946. It centres on their moral struggle of not being a mere bystander of the ghettos and executions during the Holocaust. It’s a film that has the rare potential to educate  its audience with a fascinating story, without…

Read more

Film Review: Becoming Bond (USA, 2017) is hilarious, original documentary filmmaking

Getting a release on Hulu today in the US is the hilarious documentary Becoming Bond, which screened at SXSW earlier this year. It takes a look at the life and times of Australia’s only Bond, George Lazenby, in his own words. The film takes the spirit of Drunk History to deliver an original and entertaining…

Read more

Australian Box Office Report: Guardians of the Galaxy Vol. 2 leaves Fate of the Furious behind

It’s no surprise that the highly anticipated Guardians of the Galaxy Vol. 2 performed so well.  The first film, which opened in 2014, became the 6th best grossing film of its year.  The sequel took in $8.61m in this week, but advance screenings went way back to the Anzac Day opening last week, so its actual total…

Read more

Film Review: The Innocents (Poland/France, 2016) is a remarkable, must-see film

Films based on true events are often met with a mixed response; audience left to question the validity of the liberties its filmmakers have taken. Though it can render some films as potentially predictable or even unbelievable, others can be inspiring and heart-wrenching. In the case of The Innocents, we find cinema that belongs to the latter camp; quietly powerful,…

Read more

Gold Coast Film Festival Review: Out Of The Shadows (Australia, 2017) makes promises it cannot fulfil

The opening moments of Out Of The Shadows are among its best. The first scene, a tracking shot through a murder scene with grievously damaged bodies, an upset detective and an unsettling atmosphere set by the colour grade and sound, promises a clever indie horror that for the most part, the film fails to deliver….

Read more

Gold Coast Film Festival Review: The Osiris Child: Science Fiction Volume One (Australia, 2016) is Star Wars on a shoestring

In ninety-five minutes, The Osiris Child recreates the past twenty years of sci-fi. It’s a fast blend of genre styles new and old, reaching screens in the format of a graphic novel and touching bases with every ‘humanity in crisis’ story ever told. While never profound, The Osiris Child achieves its vision, but the lack of…

Read more