Theatre

AUTO-TUNE at the Sydney Opera House is like a fever dream you don’t want to wake up from

If you had the ability to travel back in time and correct your past mistakes, would you? Forming part of the September season of UnWrapped at the Sydney Opera House, AUTO-TUNE examines how life-altering our choices can be. Set in Wagga Wagga in the early 2000s, the performance follows Michael (Mark Rogers), a young Silverchair…

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Review: MĀUI at the Sydney Opera House is storytelling at its best

Seen as a hero and a trickster, Māui was a demi-god whose adventures have been told and retold for hundreds of years. Steeped in the culture of the Pacific, his acts of bravery and remarkable life form the inspiration behind MĀUI at the Sydney Opera House. Brought to life by the New Zealand dance collective…

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Frankenstein takes live theatre to unforgettable new heights

Mary Shelley’s Frankenstein, originally published in 1818, has been adapted into movies, TV shows, songs, firmly cementing itself as a staple in popular culture for over two centuries. While the films and original novel are daresay the most iconic, the themes of what it is to be human, still rings true today with identity politics…

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Class Act at the Sydney Opera House attempts to expose the pitfalls of the class system

Part of the September season of UnWrapped at the Sydney Opera House, Class Act is an exploration of class and social standing through the deconstruction of the classic 1964 film My Fair Lady, combined with personal anecdotes. Created by Melbourne-based, experimental art organisation, APHIDS, and staring Mish Grigor in the lead role, the performance opens…

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Theatre Review: Julia is an insightful glimpse into the life of former Australian P.M. Julia Gillard

Joanna Murray-Smith has crafted a sympathetic and thorough expose of the life of Australia’s first female Prime Minister, Julia Gillard. Justine Clarke plays the part of Julia and takes us from the time of her birth in Wales up to the famous misogyny speech delivered in parliament. Director Sarah Goodes has taken her story and placed…

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Theatre Review: King Lear is a story of love, lust, deceit and murder

The University of Adelaide Theatre Guild have tackled quite a challenge in presenting one of Shakespeare’s last plays, King Lear. Imagining the play set in the future, it challenges the notions of modern civilisation. In fact, Shakespeare’s commentary on power, lust and betrayal is as relevant today as when the play was scribed in the…

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Pride and Prejudice at the Sydney Opera House is a fitting tribute to the brilliance of Jane Austen

Pride and Prejudice, arguably Jane Austen’s most famous novel, has been the subject of countless adaptations. There is the 2005 film with Keira Knightley, the modern-day retelling in Bridget Jones’ Diary, the cultural reinterpretation with Bride and Prejudice, and who could forget the incredible masterpiece that was Pride and Prejudice and Zombies. However, there is…

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Little Murmur at the Sydney Opera House provides a stunning insight into living with dyslexia

Choreographed by Aakash Odedra and Lewis Major, Little Murmur at the Sydney Opera House is a sensory feast of projections, dance and sound. Aimed at younger audiences, the performance reflects on Odedra’s life growing up with dyslexia. Having been diagnosed at a young age, he struggled in school and misspelled his own name until he…

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Theatre Review: The must-see musical SIX opens in Melbourne

Melbourne’s East End Theatre District glowed purple on Wednesday, August 7th, to celebrate the premiere of the smash-hit musical SIX. Since its debut in 2017, SIX has taken the musical theatre world by storm, and this run marks the show’s highly-anticipated second time in Australia (or the third run if you consider the COVID interruption!)….

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Chicago is a fabulous story that truly rocks

The true story behind Chicago is so fascinating that it still resonates a hundred years after the action. In 1924, Chicago was overrun by gangsters, with prohibition-era criminality infused with a smoky jazz background. On “murderess row” in Cook County, over a dozen women were waiting sentencing. One woman, Kitty Malm, dubbed by the newspapers…

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In the Heights at the Sydney Opera House will have you dancing in your seat

As the sun rises on what is set to be another blistering summers day in Washington Heights, bodega owner Usnavi (Ryan Gonzalez -they/them) is getting ready to start work. Chasing away petty vandal Graffiti Pete (Jervis Livelo – he/him), he begins to talk about his life, his world and this little corner of Manhattan he…

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Interview: Barry Conrad on joining the Australian production of In The Heights, career lessons and aspirations, and the importance of authenticity in his work

Barry Conrad’s multifaceted career spans screen, stage and music. After breaking out on the reality series The X Factor, both local and international tours followed, including openings for such R&B icon acts as Brian McKnight, Craig David and Eric Benet. Landing a role on FOX’s Power Rangers: Ninja Storm, his first feature film was the…

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From The Who to Alicia Keys and Katy Perry: The chart-topping artists taking over Broadway

Right now New York’s iconic theatre district – Broadway – may have the most amount of chart-topping artists represented in its catalogue than ever. And this was well recognised at this weekend’s Tony Awards, with the two most nominated productions being Hell’s Kitchen, featuring the catalogue of Alicia Keys, and Stereophonic, with original music from…

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Theatre Review: The Woman in Black is a spine-chilling retelling of a gothic horror classic

Prepare for the most spine-chilling ghost encounter of the year. Susan Hill’s acclaimed gothic horror tale hasn’t gone dull with age, surviving through Stephen Mallatratt’s remarkable adaptation, which has lived on London’s West End for over 30 years. Bringing its ghostly horrors to Melbourne, The Woman in Black is a thrilling exploration of terror that…

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Romeo and Juliet Suite

The Australian premiere of L.A. Dance Project’s Romeo and Juliet Suite at the Sydney Opera House is flawless

Shakespeare’s Romeo and Juliet, an ill-fated tale of star-crossed lovers, has been re-imagined time and time again. I honestly thought there was no ground left to cover when it came to adaptations of the beloved classic. I have never been more delighted to be wrong. Set to Prokofiev’s iconic score, Romeo and Juliet Suite at…

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Sunset Boulevard brings Hollywood to Melbourne

Melbourne’s oldest and grandest venue, the Princess Theatre was transformed into Hollywood Glamour on Wednesday night as the city welcomed the return of the Australian production of Sunset Boulevard presented by Opera Australia & GWB Entertainment by arrangement with The Really Useful Group. With a dazzling red carpet, free-flowing champagne on a glamorous bar that…

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Theatre Review: Death of a Salesman endures on stage with Anthony Lapaglia leading the way

The 1949 play, Death of a Salesman, was written by lauded American playwright, Arthur Miller. Miller wrote plays including All My Sons (1947) and The Crucible (1953), and dabbled in screenwriting and radio plays, winning a Pulitzer Prize for Drama for this very play. Death of a Salesman first premiered in 1949 and ran for…

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Theatre Review: The Odd Couple turns Melbourne’s Comedy Theatre into a laugh factory

Spaghetti and ketchup. Pineapple and pizza. Felix and Oscar. They say opposites attract, but sometimes they’re better left alone. The Odd Couple follows two divorced friends who decide to live together… only there’s one problem… Oscar thrives in a messy, laid-back environment, while Felix prefers his quarters spick, span and neatly polished. Can this mismatched…

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Theatre Review: Symphonie of the Bicycle is an exciting ride, with just a few wobbles along the way

Playwright and actor Hew Parham has created a unique one-man show with Symphonie of the Bicycle. Stepping on stage in the intimate Space Theatre, adorned in a white tracksuit with a green stripe, Parham immediately demonstrates his skill at using his body gestures and voice.  Acclaimed director Chris Drummond has kept the focus on Parham’s…

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Theatre Review: Angels in America delivers a powerful message in a gratifying way

Angels in America: A Gay Fantasia on National Themes is an ambitious two-part play by American Playwright Tony Kushner. Written in 1991, the story explores personal motivations, hopes and desires of characters in New York during the 1980’s AIDS crisis. It has had previous success as a six-part television mini-series and a West End production….

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A Midsummer Night's Dream

Theatre Review: Mortals really do be fools at the Australian Shakespeare Company’s A Midsummer Night’s Dream at Centennial Park Sydney

Heralded as one of his most beloved plays, Shakespeare’s A Midsummer Night’s Dream is no stranger to adaptation. The delightful tale of love, fairy’s and mischief, despite its troublesome undertones around consent, continues to mesmerise audiences. Performed at Sydney’s Centennial Park, the Australian Shakespeare Company have created a beautiful and incredibly humorous depiction of the…

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No Pay, No Way

Theatre Review: No Pay? No Way! Is a funny play that makes much cents!

Sydney Theatre Company’s latest production, No Pay? No Way! may have celebrated its golden anniversary but it feels as relevant as ever. This farce about cost-of-living pressures and a healthy distrust of corporate greed could be about modern Australia- except that it took its inspiration from real-life events that occurred in Milan in the 1970s….

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Rocky Horror Show

Rocky Horror Show returns for another kinky run of the 50th anniversary production

With a little over a year since the first Sydney run of the 50th Anniversary Production, Rocky Horror Show is back at the Theatre Royal in Sydney. Featuring mostly the same cast and staging (check out last year’s recap here), this production has kept the momentum going after five decades of this outrageously naughty sci-fi…

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Theatre Review: Chicago is a seductive jailhouse romp with star-studded glam

Full of murder, greed and that oh so seductive razzle dazzle, Broadway’s longest-running musical has found its way back to Australia for a limited season. Chicago tells the story of Roxie Hart and Velma Kelly, two strong individuals with big aspirations who find themselves locked up and on trial for murder. When they learn of…

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Adelaide Fringe Review: Playwright Henry Naylor brings Afghanistan to life

British playwright Henry Naylor presented his personal journey, a one-man monologue entitled, “Afghanistan is Not Funny” at Holden Street Theatre for the Adelaide Fringe. The original show was directed by Holden Street’s Artistic Director Martha Lott, and then was further developed by New York’s Soho Playhouse’s Artistic Director, Darren Lee Cole. The title is the…

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Adelaide Fringe Review: Lydia Lunch and Joseph Keckler tell “Tales of Lust and Madness” – The Garage International (14.03.24)

Lydia Lunch and Joseph Keckler are both one-of-a-kind New York performers. The Garage International theatre is a converted church behind the Adelaide Town Hall and is an appropriate venue for the evening’s spoken word entertainment. Chandeliers incongruously light up the seating area in what was the hall, while ushers frantically add chairs to accommodate the…

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Interview: David West Read on blending Shakespeare and Max Martin-penned pop for & Juliet

What if Romeo’s ending, was Juliet’s beginning? The Emmy-winning writer of TV’s Schitt’s Creek flips the script on Shakespeare in this hilarious and poignant story of self-discovery and second chances. Legendary songwriter Max Martin delivers one of the most addictive and joyous soundtracks to ever hit the stage, in this inspiring new musical that proves…

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Rejoicify, Melbourne. Wicked is here!

Melbourne’s esteemed Regent Theatre was draped in pink and green on Thursday night as the city welcomed, for the second time, the Australian production of Wicked presented by John Frost for Crossroads Live. With a green carpet, Ozmopolitan cocktails, the Ozdust Boutique and, of course- lots of bubbles, the foyer of the grand theatre was…

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Juliet

Theatre Review: (Pop) cultures collide in high-energy new musical, & Juliet

Well, dip my eyeballs in glitter. The brand-new musical, & Juliet, is now in Sydney, and it’s a high-energy mash-up of Shakespearean storytelling, 90s pop music, and gender-bending progressiveness. Re-working the story of Romeo & Juliet (1597), the story starts with William Shakespeare (Rob Mills) and his wife Anne Hathaway (Amy Lehpamer) (yes, you read that…

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The Lehman Trilogy

Theatre review: The Lehman Trilogy is an absolute theatrical masterclass

The Lehman Trilogy opens in 1844, where a young man from Bavaria, Hayum ‘Henry’ Lehman (1844 – 1855), arrives in New York with a dream to work his way up in a bold new world. Lehman is joined by his two brothers, Mendel ‘Emanuel’ Lehman (1847 – 1907) and Mayer ‘Potato’ Lehman (1850 – 1897),…

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