Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Tether is a quiet drama that speaks to the grim reality of mass shooting aftermath: Dances With Films Festival Review

Director Hariharasidhen Nagarajan and writer Anghus Houvouras couldn’t accept “the new normal” of shootings in the United States.  Such mass attacks as the Parkland High School shooting and the Pulse Nightclub incident were part of a grim reality that the two weren’t willing to become accustomed to. They thought of not only the victims whose…

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Film Review: Stealing Pulp Fiction; ambitious comedy is a love letter to Tarantino and the importance of in-cinema screenings

Given that Stealing Pulp Fiction very much wears its Tarantino affection openly, you’d be forgiven for expecting director Danny Turkiewicz to have the same kind of flair as the very filmmaker he’s adoring.  No, Turkiewicz isn’t replicating that same QT magic, but it would be a heavy ask to expect so, and on its own…

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The Toronto International Film Festival announces first wave of World Premieres for 2025 edition

TIFF is sharing the first five Special Presentation titles of its Official Selection set to have their World Premieres at the Festival’s 50th edition this September. Alejandro Amenábar’s The Captive, Steven Soderbergh’s The Christophers, Sung-hyun Byun’s Good News, Nia DaCosta’s Hedda, and Chandler Levack’s Mile End Kicks serve as the first round of announced titles. …

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Interview: Ivanna Sakhno on finding the human behind her A.I. creation in M3GAN 2.0

M3GAN 2.0 is hyping up its central battle of A.I. killbots as “This Bitch versus That Bitch.” But which bitch is which? The anticipated sequel brings back the the murderous doll who captivated pop culture in 2023, and this time around M3GAN has to contend with AMELIA, a military-grade weapon and the ultimate killer infiltration…

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Film Review: M3GAN 2.0; sci-fi sequel embraces camp action over its horror origins

Whilst the original M3GAN was sold as a horror film, its camp sensibilities ultimately shone through, turning its titular killer “doll” from a slayer to an outright slay.  It had tense set-pieces and a terrifying mentality, but it found its personality sat more comfortably in the space of a meditation on A.I. and technology through…

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Interview: Joshua Sasse on portraying a historical figure in Outrageous; “You have to work extra hard in order to keep him grounded.”

Based on the story of the Mitford sisters, Outrageous follows six sisters who refuse to play by the rules and whose often-scandalous lives made headlines around the world. Set in the 1930s, it is a tale of betrayal, scandal, heartache and even imprisonment. Following the show’s release on BritBox in North America and UKTV’s U and…

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Film Review: F1; Brad Pitt’s immersive, visceral drama fuses together testosterone and tenderness

In 2022, when cinemas were still largely recovering from the pandemic and blockbuster viewing wasn’t guaranteed, director Joseph Kosinski (and Tom Cruise) revitalized such a brand with Top Gun: Maverick.  It was undeniably thrilling popcorn entertainment that, with its heart, humour, action and dramatic stakes, checked all the boxes for each major demographic, ultimately resulting…

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Interview: Director Gerard Johnstone on embracing a more ambitious tone for M3GAN 2.0; “I felt like everyone wanted to give her a second chance and a redemption story.”

Following their chat earlier in the year when the M3GAN 2.0 trailer was released, Peter Gray and director Gerard Johnstone are speaking once again as the sequel to the acclaimed science fiction horror film M3GAN constructs itself for release. As the killer doll faces a new threat – a military robot called AMELIA (autonomous military…

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Interview: James Wan on producing M3GAN 2.0, his advice as a director, and not forcing a “pop culture” moment

The murderous doll who captivated pop culture in 2023 is back. And this time she’s not alone. The original creative team behind that phenomenon – led by horror titans James Wan for Atomic Monster, Jason Blum for Blumhouse and writer-director Gerard Johnstone – reboot an all-new wild chapter in A.I. mayhem with M3GAN 2.0. Two…

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Interview: Jane Larkin on transitioning from athletics to art with her debut feature film The Edge; “We need to know what makes us great and take that journey together.”

In The Edge, the dramatic feature film from debut filmmaker Jane Larkin (a former Australian representative sprinter), three young women (Larkin, Japanese paralympic swimmer Mei Ichinose and First Nations powerlifter Lily Riley) navigate life, love, education, and controversy while deeply embedded in the world of elite sport. The film is an honest and gritty portrayal…

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Film Review: 28 Years Later hones its horror with a needed sense of humanity

As evident by its title, 28 years Later takes up such a time period from the virus that first unleashed itself across Danny Boyle‘s 2002 post-apocalyptic horror effort 28 Days Later.  That film centered around the days that followed the actions of a group of animal rights activists who infiltrated a laboratory in Cambridge, where…

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Film Review: Elio; mid-tier Pixar adventure has character but lacks cohesion

A cohesive storyline or if it makes you cry? Sometimes the personal success of a Pixar movie doesn’t always rely on the former, with many taking the latter as enough of a justification for its existence.  In such a case, Elio may be enough of a charming win for family audiences who could find themselves…

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Film Review: Thirsty; interesting, but uneven, drama navigates the world of politics, domesticity, and the woman trying to perfect both

Whilst there’s a certain unevenness to how writer/director Emily Abt presents her story in Thirsty, there’s no denying it manages to maintain a sense of interest as it navigates the world of politics, domesticity, and the woman trying to perfect both. That woman is Audrey (Jamie Neumann), a sharp, some may say ruthless, defense attorney…

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Karma is a killer in the new trailer for I Know What You Did Last Summer

In the immortal words of Jennifer Love Hewitt, “What are you waiting for?” Well, it’s not the latest trailer for I Know What You Did Last Summer, as the Jennifer Kaytin Robinson-directed slasher legacy sequel dropped its brand new visuals ahead of the film’s release this July. Hewitt and fellow series subsister Freddie Prinze Jr….

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The Travel Companion revels in the uncomfortable nature of friendships and their obligations: Tribeca Film Festival Review

Delighting in the type of self-centred behaviour that more of us are guilty of than not, the character at the core of The Travel Companion, Alex Mallis and Travis Wood’s debut feature, sprouts lyrical to anyone who’ll listen (or tolerate) about his forthcoming directorial feature – an experimental, hybrid docu-fiction-travelogue about the cultural bridges and…

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A Tree Fell in the Woods navigates relationship tension with self-reflecting musings: Tribeca Film Festival Review

The age-old question around if a tree falling in the forest makes a sound is asked in quite a compelling, pressure-cooker type of way in A Tree Fell in the Woods, Nora Kirkpatrick‘s debut dramedy about the implosion of relationships between two couples across a New Year’s Eve getaway in the snowy forests of Utah….

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Baby Tooth is a comedic short feature that indulges in its unanswered absurdities: Tribeca Film Festival Review

“Are you here for the boat or the tooth?” And with that sentence, writer/director Olivia Accardo welcomes us into the bizarre reality of Baby Tooth, a wild five minute short film screening as part of this year’s Tribeca Film Festival; it’s set to play before the feature The Trainer, as well as being included in…

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Everything’s Going to Be Great celebrates the arts and those that have always felt different doing so: Tribeca Film Festival Review

Whilst Everything’s Going to Be Great starts out a bit more eccentric and comedically minded than how it ends, the performances at the core of Jon S. Baird‘s dramedy, and the sense that it celebrates art and those that have always felt a little different in doing so, keeps it continually moving at an enjoyable…

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The Rose: Come Back to Me is a refreshing look at the Korean art rock collective: Tribeca Film Festival Review

One of the great things about documentaries such as The Rose: Come Back to Me is that it both provides further insight into a rock outfit for the legions of fans, as well as introducing uninitiated viewers into a world that proves endlessly fascinating.  I am personally of the latter, as going into this film,…

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Film Review: The Surfer; Nicolas Cage descends into madness in paranoid, bizarre Australian thriller

Intentionally testing audience patience across its increasingly bizarre, tension-laced 100 minutes, Lorcan Finnegan‘s Australian thriller The Surfer is more about breaking points than Point Break as it mashes surfing culture localism and toxic masculinity. Thomas Martin‘s script doesn’t give specific names to the majority of its players, instead referring to the film’s protagonist as simply…

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I Was Born This Way celebrates a trail-blazing gay icon with the love and respect he expressed to others: Tribeca Film Festival Review

If hearing the title I Was Born This Way immediately brings to mind the Lady Gaga song “Born This Way”, the coincidence is intentional.  Gaga, one of the few interviewees featured in Daniel Junge and Sam Pollard‘s beautiful, insightful documentary, talks about how Carl Bean‘s legacy influenced her songwriting, as he did for the likes…

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Film Review: Materialists defies genre expectation with a meditation on love and its transactional properties

The female matchmaker.  The handsome singleton.  And her familiar ex-boyfriend. The set-up feels ripe for the most standard of romantic comedy practices, and perhaps in the hands of a more traditionally-minded writer/director that’s what we would have received.  But under Celine Song (Past Lives), Materialists defies genre expectation with a meditation on love and its…

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Interview: Will Bates on sonically interpreting the emotional undercurrent of Rosemead at this year’s Tribeca Film Festival

Set in the heart of the San Gabriel Valley and based on a harrowing true story, Rosemead is a gripping, emotionally charged portrait of a mother’s love pushed to its limits. Lucy Liu delivers a transformative performance as a terminally ill Chinese immigrant who uncovers her teenage son’s disturbing fixation with mass shootings. As her health deteriorates, she takes…

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The Things You Kill is as confusing as it is profound: Sydney Film Festival Review

A self-awareness regarding certain specifications in getting his film made along with a universality in conjunction with its narrative, writer/director Alireza Khatami goes beyond genre conventions with The Things You Kill, a twisted thriller that breaks apart what it is to transform. At one point in the film, the language professor at the centre of…

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Interview: Liam Greinke on navigating the on-screen horror of Dangerous Animals; “It was kind of like paying for the art.”

This interview contains SPOILERS. As a Brisbane boy in the early stages of his career, Liam Greinke is all too aware how lucky he is to be able to share the screen with Jai Courtney in the serial killer-cum-shark attack thriller Dangerous Animals – even if he doesn’t make it to the final frame! Talking…

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Interview: Sean Byrne on finding the “dark side of Steve Irwin” in killer shark romp Dangerous Animals

It’s been a whole decade since Australian genre director Sean Byrne graced the screens with his unique brand of horror with The Devil’s Candy.  But proving the wait has been worth it, he has unleashed a series of Dangerous Animals into theatres with his latest outing – a relentless, edge-of-your-seat survival horror starring Hassie Harrison,…

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Together; 2 become 1 in hilarious, horrific body horror flick that delights in the disgusting: Sydney Film Festival Review

It feels inevitable that something like Together will earn comparisons to last year’s The Substance, purely off the fact that the horror it indulges in – that would be the body variety – escalates considerably leading into its wild climax.  Sure, The Substance being a great example of body horror is all well and good,…

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Fwends highlights the bittersweet reality of drifting apart in a conversational, frustrating manner: Sydney Film Festival Review

The feeling that your childhood ride-or-die will remain so is something that many of us – if not all – have experienced.  But whether it’s through distance or altering priorities, it’s a common practice that adulthood (and everything that comes with growing up) can wedge itself between even the strongest of connections, and it’s that…

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Film Review: How to Train Your Dragon flies high with warmth and excitement, despite the familiarity of its footing

Whilst it’s predominantly the House of Mouse that have been transforming their animated back catalogue into live-action features that have all varied in their quality output, DreamWorks have entered the chat with one of their most ambitious updates in How to Train Your Dragon.  Hoping they can avoid a lot of the soulless critiques that…

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Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity: Tribeca Film Festival Review

A film that embraces a more eclectic hobby over ridiculing its eccentricities, Horsegirls is a sweet natured drama that speaks to the importance of independence and inclusivity. Written and directed by Lauren Meyering, Horsegirls embraces the defiance of its lead character, Margarita (so beautifully embodied by Lillian Carrier), and how her perceived fragility gives way…

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