rhys ifans

Onwards and Sideways is a tender, funny portrait of finding connection amid uncertainty: Toronto International Film Festival Review

Films centred around degenerative illness are often walking an unenviable tonal tightrope. Push too hard towards inspiration and the characters can become vessels for an uplifting message; lean too heavily into suffering and their lives become defined entirely by their diagnosis. Onwards and Sideways understands that living with Parkinson’s can be frightening, exhausting, frustrating and,…

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Interview: Laura Linney and Rhys Ifans on finding beauty in the unexpected with Onwards and Sideways; “Humour is a lifejacket.”

Onwards and Sideways may begin with a diagnosis, but its beating heart lies in everything that diagnosis cannot define. Oscar-nominated director John Madden’s tender, unexpectedly funny drama stars Rhys Ifans and Laura Linney as Tony and Emma, two strangers diagnosed with Parkinson’s disease at the same clinic on the same morning. What initially binds them…

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Interview: Director John Madden on finding love, humanity and uncertainty in Onwards and Sideways

Diagnosed with the same degenerative disease, at the same clinic, on the same day, Tony (Rhys Ifans) and Emma (Laura Linney) may suddenly find themselves bound by Parkinson’s, but Onwards and Sideways is far more interested in everything that makes their experiences entirely their own. For Oscar-nominated director John Madden (Shakespeare in Love, Proof), that…

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Film Review: Venom: The Last Dance is a downright sloppy send-off routine for Tom Hardy’s pet anti-hero

When I reviewed Venom: Let There Be Carnage in 2021, I noted that it was an entirely overwhelming sequel that was unpretentious and, due to its absolute ludicrousness, never boring.  Some of that sentiment can be shared for Venom: The Last Dance, the supposedly (and hopefully) final instalment in this surprisingly fertile series that is,…

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Film Review: The King’s Man adds a surprising emotionality to a series built on exaggerated violence and humour

At a time when sequels are delighting in a certain sense of nostalgia – looking no further than the latest iterations of Spider-Man, The Matrix, Ghostbusters, and the forthcoming Scream as immediate examples – you have to at least hand it to director Matthew Vaughn for opting out of such a proven trend for The…

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