Nobody

Film Review: Nobody 2; comedic beats and consistent brutality abound in fun, violent sequel

Despite opening during the pandemic when going to the cinemas wasn’t exactly the easiest excursion, Nobody – released in March of 2021, having been pushed from its original date of August 2020 – managed to (rightfully) fight its way through opposition to relative success; on a $16m budget it earned a solid $57.5m worldwide. It…

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Interview: Bob Odenkirk and Connie Nielsen on returning for the “bloodier, funnier” Nobody 2; “The intention was to start unveiling more about how (our) relationship started.”

Sometimes the most dangerous place for a dad is a family vacation. Emmy winner Bob Odenkirk returns as suburban husband, father and workaholic assassin Hutch Mansell in Nobody 2, the sequel to 2021’s bare-knuckle action-thriller that opened at number one at the U.S. box office. Four years after he inadvertently took on the Russian mob,…

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Win a double in-season pass to the new action sequel Nobody 2

Thanks to Universal Pictures Australia, we have 5 digital double in-season passes (Admit 2) to see the new action sequel Nobody 2, starring Bob Odenkirk, Connie Nielsen and Sharon Stone, in Australian theatres from August 14th, 2025. Sometimes the most dangerous place for a dad is a family vacation. Bob Odenkirk returns as suburban husband,…

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Interview: Nobody producer Kelly McCormick on being a female voice in a testosterone-filled genre

Following its box office success in the US – the film topped the North American chart as one of the few films to maintain a cinema-only rollout – Nobody is planning its Australian unleashing on April 1st (no joke!).  In relation to the film’s release (you can read our review here), Peter Gray chatted with…

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Film Review: Nobody is aware of how smart it needs to be in order to sell its action-driven lunacy

A film like Nobody is inevitably going to be likened to similarly-themed actioners such as John Wick and Taken.  And that’s not a bad thing, given how well-liked those films are (or, in the context of Taken, at least the first one), with the middle-aged-man-defending-what’s-rightfully-his narrative proving an easy sell.  Nobody is perhaps the easiest…

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