Film & TV

Comedy giants star in the trailer for Netflix’s new series Friends From College

Starring a cast of big comedy names like Keegan-Michael Key, Cobie Smulders, and Billy Eichner, Netflix‘s latest series Friends From College looks to be a fun fueled comedy with it’s fair share of drama. Following a group of friends who have become disconnected since college, Friends From College explores the balance between their relationships and…

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Film Review: Rough Night (USA, 2017) brings plenty of laughs from a strong cast in a disjointed dark comedy

Lazily touted in headlines as “The Hangover for women” by writers who couldn’t possibly find another film to compare it to from the last decade (Bachelorette or Bridesmaids immediately come to mind, both of which were also compared to The Hangover at the time of release – hell, even Bad Moms was!), Rough Night is…

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Netflix Review: The third season of Unbreakable Kimmy Schmidt season is fun, hilarious and surprisingly deep

It doesn’t take very long for the third season of Netflix’s Original Series Unbreakable Kimmy Schmidt to remind its audience why it’s such a powerful and unexpected treasure. In 2015, the show first hit Netflix and was praised by critics and general audiences for its humour and overall freshness from the generic television show. By the…

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Sydney Film Festival Review: Spoor (Poland, 2017) explores the extent of one woman’s compassion

Agnieszka Holland creates a character to love and to loath in Spoor, the Polish thriller-comedy that follows one woman’s passion for animal justice in a town that doesn’t share the same sentiments. Spoor, meaning the tracks left by an animal, is a film that rarely falls from the trail, coming together as a poignant comedy…

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Sydney Film Festival Review: To Stay Alive – A Method (Netherlands, 2016) is a quiet and thoughtful piece with Iggy Pop & Michel Houellebecq

Some people subscribe to the theory that you’ve got to suffer for your art. Two such individuals include the Godfather of Punk, Iggy Pop and the best-selling French novelist, Michel Houellebecq. In To Stay Alive – A Method the pair share a meeting of minds in a film that is artistic, experimental and semi-autobiographical and…

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Sydney Film Festival Review: Better Watch Out (Australia, 2016) is a brilliant twist to the home invasion thriller

You may want to walk away from Better Watch Out during its first half. For the first 30 minutes Chris Peckover gives us a Christmas-themed home invasion thriller that is sorely lacking in originality and only manages a few mild chuckles, upheld by teenage actors who are clearly struggling with the seemingly insipid material script….

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Australian Box Office Report: Wonder Woman tops the charts again with a higher per-screen average

Wonder Woman took the top spot at the box office for the second week in a row, earning $5.70m.  Its screen average was $13,589, up more than $2k per screen from its opening weekend – something almost unheard of for “blockbuster” film; a testament to the incredible buzz around the film. Don’t expect it to fall…

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Interview: Ricky Whittle on American Gods, why it’s groundbreaking television and Season 2 predictions ahead of his Supanova visit

When we last spoke with Ricky Whittle he was on his way to Australia for the very first time as part of the Supanova Brisbane and Adelaide tour in November of 2016. Not only that but he had just wrapped from filming the hotly anticipated show of 2017, American Gods, based on the cult Neil…

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Film Review: All Eyez on Me (USA, 2017) is not the biopic Tupac Shakur deserves

In the years leading up to release, slipping out of John Singleton’s reliable hands and finding a way to Benny Boom didn’t inspire much confidence in All Eyez On Me, the long-gestating biopic of seminal emcee Tupac Shakur. Long before Straight Outta Compton chewed up the box office charts, those inside and outside of the…

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Sydney Film Festival Review: Rumble (Canada, 2017) gives long-overdue credit to American Indians & their contributions to popular music

It seems that American Indians have been erased from the history books, including the chapters relating to contemporary music. Until now. The documentary, Rumble: The Indians Who Rocked The World looks set to change all of that by celebrating the contributions of these individuals and finally giving credit where it’s due. The film is directed…

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Australian celebrities pay tribute to Hugh Jackman for Logan‘s DVD release in heartfelt video

To celebrate the release of the critically-acclaimed and box office success Logan on Blu-ray & DVD, Australian icons from Bindi Irwin to Julie Bishop have paid homage to Hugh Jackman’s final run as Wolverine in a heartfelt video. Various celebrities, journalists, television personnel and politicians have come together to celebrate the great Australian who for almost 20…

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Interview: Supanova guest Colin Donnell talks Chicago Med, the death of Tommy Merlyn & arm wrestling Chris Hemsworth

Colin Donnell is a name that has been around for quite some time in the DC/CW Universe with his character of Tommy Merlyn in CW’s Arrow TV series. Even though Tommy was only with us for one season, his death on the show led to some serious foundations for the series going forward and leaving…

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Sydney Film Festival Review: Happy End (France, 2017) plays like a greatest hits album for Haneke

Michael Haneke is a bit of a misanthrope, isn’t he? Granted, I haven’t seen all of his films, but the few that I have seen seem to have a very critical view on society and human nature. And compared to mainstream fare, he makes films with plenty of space for the audience to contemplate and…

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TV Review: Fear the Walking Dead Season 3 Episode 3 “TEOTWAWKI” sheds more light on Broke Jaw Ranch

Last week’s odd decision to kill off the show’s strongest and most interesting character in a very off-hand fashion was a bold move. Fear the Walking Dead’s writing team has to date proven to be inconsistent, impatient and unable to squeeze the horror-survival for all the juicy potential it has, but there have been moments…

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Sydney Film Festival Review: Wet Woman in the Wind (Japan, 2016) beckons the return of the Roman Porno

Akihiko Shiota’s Wet Woman in the Wind is a feature-length manhunt, set into motion by Shiori (Yuki Mamiya) riding her bike into the sea. She emerges as she entered, focused and unwavering, locking on to Kosuke (Tasuku Nagaoka), a playwright in pursuit of celibacy. Shiota’s film develops into a playful take on a Japanese sub-genre…

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Sydney Film Festival Review: You Have No Idea How Much I Love You (Poland, 2017) Gently Taps Into The Tragic

At first glance, I’m tempted to drum up some connection or parallel between You Have No Idea How Much I Love You and last year’s Europe, She Loves. Both are European documentaries that engross themselves utterly in their subjects and return with captivating insights into modern humanity. However, aside from the size of its ambitions,…

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Sydney Film Festival Review: The Forest of Lost Souls (Portugal, 2017) is an eerie and unconventional horror

Out of all the cinematic genres, horror is, in my opinion, the best outlet for creative storytelling. Whether in a metaphorical sense, a symbolic sense, or just nuts-and-bolts mainstream filmmaking, horror can engage, thrill, scare and surprise, regardless of what it looks like on the outside. Case in point, David Cronenberg‘s The Fly. With a…

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Sydney Film Festival Review: Sami Blood (Sweden, 2016) highlights the brutality of extreme prejudice

Fundamentally there is much about Sami Blood that cinema has seen many times over, though for her debut feature writer-director Amanda Kernell has delivered a uniquely complex and painfully relevant coming-of-age while also shedding light on the largely unknown indigenous population of Swedish Lappland. A film of cultural identity and great pain, the prodigiously talented…

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Sydney Film Festival Review: Ingrid Goes West (USA, 2017) Savages Social Media

At first glance, the logline for Ingrid Goes West can sound a bit twee, tacky or hyperbolic. In the wrong hands, this feels like a film that could easily have come off the wrong way. However, it’s to the credit of director Matt Splicer that it feels less like a lecture from your parents more…

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Sydney Film Festival Review: The Public Image Is Rotten (USA, 2017) is a thorny look at the love & defiance of Johnny the PIL

This is not a love song- it’s a review of Public Image Limited’s (PiL) documentary. The film, The Public Image Is Rotten is one that focuses on John Lydon AKA Johnny Rotten AKA the band’s one mainstay (just like The Cure’s Robert Smith). It shows an outspoken and spiky man who has tempered through age…

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Sydney Festival Film Review: Axoltl Overkill (Germany, 2017) burns up Berlin with heavily stylised hedonism

Adapting her own novel for the big screen, German author-director Helen Hegemann makes a polished feature debut with Axolotl Overkill. Pulse firmly on the rapid strobe-lit streets of Berlin, the film is very much a muse on teenage excess and independence, as self-destructive as in can be, with an assured sense of style and impressive…

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Sydney Film Festival Review: A Modern Man (Denmark/Germany, 2017) leaves you asking, “Who is Charlie Siem?”

A Modern Man is a documentary about a handsome, contemporary classical violinist named Charlie Siem. But who is Messer Siem? Unfortunately that question is not really answered in this film because this British-Norwegian musician puts up a wall that is largely impenetrable. This film is directed by Eva Mulvad (The Good Life). It begins with…

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Sydney Film Festival Review: Winnie (South Africa, 2017) is a documentary that for better or worse celebrates the mother of a nation

When you consider the name Winnie Mandela do you think of the mother of a nation or a terrorist? The documentary, Winnie tends to sit in the former camp by telling this woman’s history and story from her own point-of-view. It’s fascinating to hear her out and this documentary is a long overdue one, but…

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Naomi Watts oversteps her boundaries in new trailer for Netflix’s Gypsy

With its arrival slated for the end of the month, Netflix has released the first official trailer for its upcoming psychological drama Gypsy starring Naomi Watts. And while the program appears to imbue the similar qualities of Netflix’s celebrated original programming, this trailer promises something far more lurid with its material when compared to the various…

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T’Challa is unleashed! Marvel releases first trailer and poster for Black Panther

The first teaser trailer for Marvel’s Black Panther aired today during game four of the NBA finals and it looks nothing short of glorious. After Chadwick Boseman‘s initial portrayal of the titular hero in last year’s Captain America: Civil War, the character’s first stand-alone feature holds a heavy emphasis to his fictitious home land of Wakanada, a hidden…

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Sydney Film Festival Review: The Untamed (Mexico, 2016) is a slimy slice of social realism and alien sex

The Untamed, Amat Escalante’s oddball genre film built with space monsters and sexual tension, could have worked just as well as a dysfunctional family drama. The eccentric Mexican director has packed a lot into his fourth feature, an instantly memorable and incredibly unique piece that understands its best possible tension comes from contrasting a heady…

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Sydney Film Festival Review: Dries (Belgium/Germany, 2016) celebrates a fashion designer that works to the beat of his own drum

In a world where fashion can be fickle and disposable a designer like Dries van Noten is a gem. The Belgian designer has spent over three decades in the business and remans fiercely independent when other fashion houses have allowed themselves to be bought out. He rallies against the notion of fast fashion and strives…

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Interview: Hugo Weaving talks about ABC’s Seven Types of Ambiguity, V For Vendetta and Kicking John Wick’s Ass

One of Australia’s top leading film and TV actors, Hugo Weaving is not a name you forget. With so much versatility and strength in every role he takes on, it’s hardly surprising he is a household name throughout the world. From his 1994 role as Tick (or Mitzi if you prefer) in Priscilla Queen of The Desert…

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Sydney Film Festival Review: Roller Dreams (USA/AUS 2017) tells the story of the roller skating dancers you’ve never heard of

It’s the late 1970’s Venice California is the birthplace of a new go-to trend, roller-dancing, and a group of young roller skaters, almost all exclusively African-American, are about to bring it to the people. Documentary film Roller Dreams takes a look at this iconic but short-lived group of skaters, the Venice scene in the 80’s…

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