Reviews

Film Review: Pirates Of The Caribbean: Dead Men Tell No Tales (USA, 2017) flies with half sails

In the fifth installment of the Pirates of the Caribbean franchise, Dead Men Tell No Tales, we return to the seas on another adventure with our ridiculous Captain Jack Sparrow. This time pairing up with a new bickering couple of non-pirates, and being chased down by his old frenemy Captain Barbossa and his even older…

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Film Review: Handsome Devil (Ireland, 2016) is a pleasant but predictable coming of age story

Handsome Devil is cut from the same cloth as Sing Street and Dead Poet’s Society, but it also leaves a few things deliberately ambiguous. This is a pleasant, coming-of-age tale set in a private, all-boys boarding school in Ireland. The story ends on an encouraging and positive note where you should be yourself because it…

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Film Review: Norman: The Moderate Rise & Tragic Fall of a New York Fixer (USA, 2017) is like a conga dance, blurring the lines between friendships & manipulation

Norman: The Moderate Rise and Tragic Fall of a New York Fixer is a light comedy film about a human of New York. But he’s not just any human. The eponymous Norman is a wheeler/dealer and the undisputed king of networking. The film is what you’d get if The Ides of March were directed by…

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Film Review: Netflix’s War Machine (MA15+) (USA, 2017) is an enjoyable satirical war drama in the vein of The Big Short

With the release 2015’s Beasts of No Nation, the streaming giant Netflix began producing their own Netflix Original movies and to this day their library of original content starring high profile actors and actresses continues to grow. Now we see the release of Netflix’s biggest original movie to date, War Machine. Written and directed by David…

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Film Review: Haus of Pain (USA, 2017) is an amusing, heartfelt love letter to wrestling and chasing your dream

Do you ever sit back and take stock of your life, and wonder how things might have been if you followed another path? A path you were so adamant you’d pursue at some point? This is the premise for Rooster Teeth’s newest documentary Haus of Pain which sees James Willems of the popular YouTube channel…

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Film Review: Neruda (Chile, 2016) is a complex bio-pic that leaves you questioning what is truth and fantasy

Neruda is a film that truly embodies its subject matter. But this proves to be one double-edged sword because it is also to its betterment and detriment. This bio-pic about the eponymous, beloved Chilean poet uses the lyrical qualities the writer employed to bend the narrative in so many ways that the result is virtually…

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Film Review: King Arthur: Legend Of The Sword (USA, 2017) is a fun but overcooked take on the myth

Just when you think you’ve seen and heard every iteration of the legend of King Arthur and Excalibur, comes a new take and telling of the myth, one that prefers its heroes dirty, its villains seething and its action ridiculously over the top. There are elements in King Arthur: Legend Of The Sword that really…

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Film Review: Don’t Tell (Australia, 2017) doesn’t serve its source material justice

May I set the scene? On a farm in Queensland, 22-year- old Lyndall (Sara West) is talking to lawyer Stephen Roche (Aden Young) about her willingness to face the might of the Anglican Church in court over the abuse she suffered in boarding school. She asks about Bob Myers (Jack Thompson), the barrister who would represent her…

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Film Review: John Wick: Chapter Two (USA, 2017) proves itself a very serviceable sequel

From comedic roles like his iconic slacker character, Ted “Theodore” Logan to the action heroes like Jack Traven from Speed and Neo from The Matrix films; dramatic roles like in River’s Edge and Hardball; and even villainous roles like in The Gift and Man of Tai Chi, Keanu Reeves is far more versatile an actor than he’s often given credit for. You certainly can’t…

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Film Review: Snatched (USA, 2017) is an uneven caper with more faces than a hundred watches

A more appropriate title for the film Snatched would be “Botched” because this was a wasted opportunity. The movie is an uneven one starring comedian Amy Schumer and Hollywood’s own, the truly wonderful Goldie Hawn making her silver-screen comeback after a 15 year hiatus. It’s one that has some decent-enough ingredients but the overall combination…

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Film Review: Ridley Scott tugs on existential threads with Alien: Covenant (USA, 2017)

2012’s Prometheus marked the beginning of a franchised prequel to Ridley Scott’s original Alien, not only taking fans back to the origins of this iconic sci-fi franchise, but diving deeper into the meaty philosophies such a concept brings, finding purpose with the motif of creation. The introduction of synthetic android David (Michael Fassbender) emerged as…

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Film Review: The Zookeeper’s Wife (USA, 2017) is a beautifully told true story

The Zookeeper’s Wife follows the real events of the owners’ of the Warsaw Zoo in Poland from 1939 until 1946. It centres on their moral struggle of not being a mere bystander of the ghettos and executions during the Holocaust. It’s a film that has the rare potential to educate  its audience with a fascinating story, without…

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Film Review: Becoming Bond (USA, 2017) is hilarious, original documentary filmmaking

Getting a release on Hulu today in the US is the hilarious documentary Becoming Bond, which screened at SXSW earlier this year. It takes a look at the life and times of Australia’s only Bond, George Lazenby, in his own words. The film takes the spirit of Drunk History to deliver an original and entertaining…

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Film Review: The Innocents (Poland/France, 2016) is a remarkable, must-see film

Films based on true events are often met with a mixed response; audience left to question the validity of the liberties its filmmakers have taken. Though it can render some films as potentially predictable or even unbelievable, others can be inspiring and heart-wrenching. In the case of The Innocents, we find cinema that belongs to the latter camp; quietly powerful,…

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Gold Coast Film Festival Review: Out Of The Shadows (Australia, 2017) makes promises it cannot fulfil

The opening moments of Out Of The Shadows are among its best. The first scene, a tracking shot through a murder scene with grievously damaged bodies, an upset detective and an unsettling atmosphere set by the colour grade and sound, promises a clever indie horror that for the most part, the film fails to deliver….

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Gold Coast Film Festival Review: The Osiris Child: Science Fiction Volume One (Australia, 2016) is Star Wars on a shoestring

In ninety-five minutes, The Osiris Child recreates the past twenty years of sci-fi. It’s a fast blend of genre styles new and old, reaching screens in the format of a graphic novel and touching bases with every ‘humanity in crisis’ story ever told. While never profound, The Osiris Child achieves its vision, but the lack of…

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Gold Coast Film Festival Review: My Entire High School Sinking Into The Sea (USA, 2016) is high school through a kaleidoscope

My Entire High School Sinking Into The Sea is a psychedelic trip through four storeys of a floating high school. About as bad of a place as someone would want to take a transcendental journey, but for the main characters it’s an edifying one, filled with colour, strange visuals and awkward relationships. Dash (Jason Schwartzman)…

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Film Review: Jordan Peele’s directorial debut Get Out (USA, 2017) is a triumph

Fresh off the writing table of comedy sketch duo Key & Peele, Jordan Peele tackles his solo directing/writing debut in this racially-fueled thriller determined to leave you with a bad taste in the mouth in the most wonderful of ways. Peele is without a doubt best known for his comedy, so his new project was…

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Film Review: Below Her Mouth (Canada, 2016) is a steamy lesbian love story

Put in simple terms, Below Her Mouth is a story about a girl meets a girl except that the latter is engaged to a boy. It’s a tender lesbian romance that showcases the sexual awakening of one of its lead characters. But it’s also one that could do with a lot more conversation and a…

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Film Review: Certain Women (USA, 2016) proves Kelly Reichardt the master of quiet filmmaking

Proving to be the master of quiet filmmaking, Kelly Reichardt has established quite a name for herself within the independent cinematic industry. With slow-burning, patient films like Old Joy and Wendy and Lucy, her newest picture follows the style of her preceding work. Certain Women, an adaptation of short stories by Maile Meloy, shows Reichardt…

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Film Review: Things To Come (France/Germany, 2016) is a quiet meditation on middle-age turmoil

Just like starting over. That’s the name of a John Lennon song but it’s also a line that could be used to sum up the French film, Things To Come (L’avenir). The story is a subtle character study about a middle-aged woman and how she negotiates a bunch of set-backs with a kind of understated…

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Film Review: Free Fire (UK, 2016) avoids Hollywood action tropes in the best way

The films by British director Ben Wheatley have all been incredibly distinct from another and are all very well-done. Whether going through the genre of crime, psychological horror, dark comedy, dystopian drama or historical surrealism, you can never accuse Wheatley of doing the same trick twice. But the crucial through-line through all his films is…

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Film Review: My Pet Dinosaur (Australia, 2017) follows a well-trodden path

Australia is not widely known for its family fantasy films. But with a plot replicating that age-old story of a boy befriending and protecting a mythical creature from the government, surely this film would fit safely into the same mould, right? Unfortunately and somewhat unsurprisingly, the answer is, in the case of Matt Drummond’s new…

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Film Review: Guardians of the Galaxy Vol. 2 (USA, 2017) evokes the weird wonderment of the original

Whilst the general consensus is that the Marvel cinematic universe as a whole is one of the more consistent entities for audiences and critics alike, their track-record for delivering underwhelming sequels (at least compared to their predecessors) is hard to quarrel against.  Iron Man 2, Thor: The Dark World, and Avengers: Age of Ultron are all…

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Film Review: Festival bound Supergirl (USA, 2016) is an inspiring documentary about achieving the impossible

It’s a bird…it’s a plane…it’s Supergirl! The documentary, Supergirl is a film about an American girl with superhuman strength. It’s an inspirational story that is about kicking down barriers and achieving the impossible in the competitive world/sport that is powerlifting. This documentary is the debut feature length film by director Jessie Auritt. The story focuses…

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Gold Coast Film Festival Review: Pork Pie (New Zealand, 2017) only bolsters the legacy of the original

After more than thirty years, the amber Mini has once more made the journey from tip to tip in the Land of the Long White Cloud. Pork Pie brings the 1981 New Zealand classic Goodbye Pork Pie into the 21st century, and it returns with more than just the mini. Goodbye Pork Pie played a…

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Gold Coast Film Festival Review: Sophie & The Rising Sun (USA, 2017) is an intense story about a powerful & forbidden love

Before there was Loving there was Sophie & The Rising Sun (well, sort of). Sophie & The Rising Sun is a romantic story and like Loving it is one that’s all about a bi-racial couple. The film is ultimately a beautiful but fictional love story where you can really sit back, relax and get lost…

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Film Review: Kelly Reichardt’s Wendy & Lucy (USA, 2008) is a sleepy character study about a homeless woman & her dog

Wendy & Lucy is a film that could be renamed “A Street Dog Named Lucy.” I tells the story of a homeless and nomadic American woman and her faithful companion, a dog named Lucy. The story is a slow character study that is lacking in characterisation, drama and detail. The story is directed by Kelly…

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Film Review: Going In Style (USA, 2017) Doesn’t Quite Land, Even If It Looks Good

In some ways, it feels like Zach Braff’s involvement with Going In Style is the most interesting thing about it. Braff, now almost a decade after his tenure on Scrubs, hasn’t exactly had a perfect hit rate on the big screen. It’s not that he’s not an untalented filmmaker, it’s just his previous movies have…

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Film Review: HBO’s The Immortal Life of Henrietta Lacks is a vital bio-pic about the most important woman in medical history

The name Henrietta Lacks may not mean an awful lot to some people but in reality it should be one of the most famous names in history. Lacks is responsible for revolutionising modern medicine and contributing to every recent major medical breakthrough from vaccines for polio, HPV and the flu-shot; to IVF and treatments for…

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