Reviews

Film Review: Your Host is a gory, nostalgic reminder of the torture horror wave of the Noughties

Nostalgia has proven a strong enough tool within the horror genre to revisit seemingly dormant franchises over the last few years (Halloween, Scream, I Know What You Did Last Summer, to name a few), but what about a particular subsect itself? For those craving the wince-inducing torture porn wave that swept the 2000s (thanks predominantly…

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Film Review: Black Phone 2 is an atmospheric, emotional sequel that outdoes the original

The Black Phone, released to theatres in 2022, was not the type of film that needed a sequel in any form.  It was a perfectly contained, suitably unnerving horror effort that made the most of its short story origins (Joe Hill wrote the original prose in 2004).  As we all know in the business of…

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Film Review: Roofman; Channing Tatum delivers career-best performance in wild, emotional true story dramedy

A classic case of truth being stranger than fiction, Roofman is the wild, almost unbelievable true story of Jeffrey Manchester, who earned himself the titular moniker due to the fact that he robbed a series of McDonald’s in the late 90s-early 2000s (45 locations, to be exact), entering the premises through their roofs.  Despite his…

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Bark is a claustrophobic, slow burn horror piece with a lot of bite: Dark Nights Film Festival Review

\ Tied to a tree with no recollection of how he got there – or why – when Bark opens with its interesting set-up of seeming Average Joe, Nolan Bentley (Michael Weston), in this predicament, Marc Schölermann‘s horror effort wants us to question if he’s a victim or a perpetrator. Over the course of its…

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Affection; Jessica Rothe wholly commits to cyclical, sinister horror flick: ScreamFest Film Review

Whilst there is a certain initial familiarity in Jessica Rothe portraying someone who’s in something of a cyclical environment in her latest horror effort, Affection, it becomes all too evident in the early minutes of BT Meza‘s genre outing that this is no retread of the more humorously minded Happy Death Day – the film…

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Film Review: Tron: Ares maintains series spectacle as it boldly pivots beyond virtual ground

The Tron series has always existed in an interesting space within cinematic history.  The 1982 original (Tron) and its 2010 sequel (Tron: Legacy) were more a cult phenomenon than box office successes, with the first film something of a visual revolution as it introduced audiences to the notion of entering a digital world, before Joseph…

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Film Review: Sovereign; Nick Offerman dominates quietly intense, masculine drama

An uncomfortable drama inspired by true events, Sovereign is a quiet, muscular outing from first-time feature filmmaker Christian Swegal, featuring a terrifying, layered turn from Nick Offerman at its core that speaks to the actor’s undeniable presence. Jerry and Joseph Kane were a father-son duo of anti-government extremists; Jerry was a self-proclaimed “sovereign citizen” who…

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Film Review: Looking Through Water is a calm, simplistic swan song for Michael Douglas

A sound reflection of the tranquil art of fishing, Looking Through Water is a calm, simple drama about the complicated relationships between fathers, sons and brothers. Now even more notable for being Michael Douglas‘s final screen role – the actor announcing his retirement earlier this year – Looking Through Water adopts a Princess Bride-like narrative…

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Film Review: Shell; Kate Hudson lets loose in campy body horror flick

Arriving not long after The Substance doesn’t bode well for something like Shell, Max Minghella‘s campy, body horror ode to trashy escapist 90s cinema that similarly explores the world of ageing in Hollywood and how far someone will go to maintain perfection.  With both films screening within a week of each other at last year’s…

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Film Review: Play Dirty; Mark Wahlberg and LaKeith Stanfield charm their way through chaotic actioner

Whether we’ve taken notice or not, but, much like your James Bonds, Jack Ryans and Jack Reachers, the character at the centre of Shane Black‘s Play Dirty – Parker – is a cinematic mainstay who has appeared in films dating back to the 1960s, portrayed either directly or taken inspiration from by a multitude of…

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Film Review: Stolen Girl undermines its important message with disjointed action

There’s an odd satisfaction that comes from watching genre films that use the narrative of stolen children.  It’s a horrific, harsh reality, but Hollywood knows how to take the weighted drama of such and merge it with a revenge-cum-saviour mentality, creating the type of story where justice prevails in a way to make the escapism…

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Film Review: Him revels in its own divisive, demented personality

Much has been said about Jordan Peele‘s attachment to Him.  Though, like Peele’s own directorial efforts (the thematically complex Get Out, Us, and Nope), Justin Tipping‘s film bathes in its horror elements and topical commentary, it’s more in tune with other producorial efforts (Nia DaCosta’s Candyman and Dev Patel’s Monkey Man), proving a feature that…

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Film Review: The Smashing Machine; Dwayne Johnson and Emily Blunt are formidable in visceral MMA biopic

Despite his absolute monstrous size at the time of his career and just how brutal he proved in the ring of mixed martial arts, Mark Kerr was – and still is – a figure that defied the expectations many would presumably put upon him from a personal standpoint.  Softly spoken, with an emotional sense that…

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Film Review: The Strangers: Chapter 2; promising concept can’t overcome uninspired execution

With the release of last year’s The Strangers: Chapter 1, a retreading of Bryan Bertino’s 2008 home invasion chiller The Strangers, director Renny Harlin and screenwriters Alan R. Cohen and Alan Freedland delivered a largely uninspired, familiar horror effort that hoped it would justify its existence by promising to be the essential springboard for a…

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Film Review: One Battle After Another is one of the most significant films you’ll see this year

An acquired taste in cinema, but one that proves important regardless of how you personally react to his esoteric, boundary-pushing temperament, Paul Thomas Anderson has been responsible for some of the most important and, arguably, brilliant films across cinema the last four decades; Boogie Nights, Magnolia, There Will Be Blood, The Master, and Licorice Pizza,…

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Poetic License; Maude Apatow proves herself as a comedic director with hilarious, charming debut feature: Toronto International Film Festival Review

When it was revealed that Maude Apatow (daughter of filmmaker Judd Apatow and actress Leslie Mann) had helmed her first feature film, and one that starred the likes of Cooper Hoffman (son of the late Philip Seymour Hoffman) and Nico Parker (daughter of actress Thandiwe Newton and filmmaker Ol Parker) to boot, the “nepo baby”…

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Frankenstein; Guillermo del Toro injects new life into a familiar tale: Toronto International Film Festival Review

Though it’s been a story told countless times before, you can’t help but still be monstrously excited at the prospect of Guillermo del Toro adapting Mary Shelley’s classic Frankenstein.  His name above the title just feels correct, and not just because the director has been talking about helming his version of the story for close…

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Series Review: Gen V Season 2 eases fans back into its world of exuberant violence and satire

Two years after the wildly popular spin off of The Boys, the highly anticipated series Gen V premiered the first three episodes of season 2 on September 17 2025, hitting the ground running from the get go. Developed by Craig Rosenberg, Evan Goldberg, and Eric Kripke, the Prime Video series serves as the fifth instalment…

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Film Review: Swiped; Lily James elevates conventional biopic detailing the foundation of the dating app

Whilst the story behind how Whitney Wolfe Herd both co-founded Tinder and its eventual competition, Bumble, is exciting and full of suitable intrigue, Swiped, with its understandable embellishments, never quite graduates beyond surface level interest.  It’s an entertaining film, without question, with another committed Lily James performance at its core, but The Social Network this…

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Eleanor the Great; Scarlett Johansson directs bittersweet, moving drama: Toronto International Film Festival Review

One of the most poignant lines of Eleanor the Great is “Talk about the things that make you sad,” and it’s with such a notion that Scarlett Johansson‘s affecting dramedy takes it on as a throughline.  A film that so easily could have been about deception becomes something far greater and more profound, transforming itself…

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Couture; Angelina Jolie delivers understated, career-best work in delicate fashion-centric drama: Toronto International Film Festival Review

There’s a quiet sense of artistic rage that lingers under the surface of Alice Winocour‘s delicate Couture, a small drama that looks at the intersecting lives of a trio of women in Paris, all working in one capacity or another around the fashion industry.  Creation and the unexpected interruptions that can derail one’s own process…

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Film Review: Not even Colin Farrell and Margot Robbie can save A Big Bold Beautiful Journey from its own escapist ambition

Director Kogonada (After Yang) and screenwriter Seth Reiss (The Menu) ask a lot of their audience with A Big Bold Beautiful Journey.  It’s a hopeful romance of sorts that intends to utilise its magical realism to sweep viewers away into its odyssey of fantastical nature, with the added bonus of proven charm inhabitants Colin Farrell…

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Film Review: The Bad Guys 2; zany sequel delights as it celebrates its heist movie inspirations

There’s been no shortage of sequels thus far across cinema screens in 2025. And, for the most part, they’ve all proven themselves worthy of existence (Freakier Friday), been a satisfactory entrant in their franchise (The Final Reckoning), or, at least, gone for broke in their attempt to distance from their predecessor (M3GAN 2.0). So where…

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Wake Up Dead Man: A Knives Out Mystery; Neo-Gothic-inspired sequel is as divisive as it is exciting: Toronto International Film Festival Review

Skilled filmmaker and whodunnit expert Rian Johnson has, once again, subverted the expectation of what should constitute a Knives Out mystery.  Whereas the first film in this now continuing franchise was a tight riddle and the sequel (Glass Onion) indulged in its vacation villainy, Wake Up Dead Man takes its cues from such gothic fiction…

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Dust to Dreams; Idris Elba directs rich short film that serves as a meditation on music and reconciliation: Toronto International Film Festival Review

Selected for the Toronto International Film Festival’s Short Cuts program, Dust to Dreams, courtesy of actor Idris Elba flexing his directorial muscle once more, is a soft meditation on on love, music, and reconciliation, set against the backdrop of Lagos, Nigeria. There’s such a rich tapestry of narrative and the emotional outlay that comes from…

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The Smashing Machine; Dwayne Johnson is a revelation in brutal, emotional biopic: Toronto International Film Festival Review

Despite his absolute monstrous size at the time of his career and just how brutal he proved in the ring of mixed martial arts, Mark Kerr was – and still is – a figure that defied the expectations many would presumably put upon him from a personal standpoint.  Softly spoken, with an emotional sense that…

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Eternity is a shining example of the romantic comedy: Toronto International Film Festival Review

There’s something rather amusing about what constitutes an “A24” movie.  There’s an expectation placed upon the studio as of late regarding the type of film it releases into theatres, and within its own genre, the A24 comedy has rarely been as wholesome as what Eternity projects.  Between the the darker fare of Sorry, Baby and…

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The Lost Bus; Matthew McConaughey anchors tragic true story telling: Toronto International Film Festival Review

Paul Greengrass is a filmmaker who over the course of his career has quite masterfully tackled both the action and biographical genres; The Bourne Supremacy, The Bourne Ultimatum and Captain Phillips just a slew of examples.  For his latest, The Lost Bus, he comes close to blending the two together, looking at the everyday man…

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California Schemin’ is an entertaining, if safe directorial debut from James McAvoy: Toronto International Film Festival Review

As confident as it is a little unsure of its tone, California Schemin’ serves as the directorial debut of James McAvoy, who takes the rather wilder-than-fiction tale of a duo of Scottish rappers (Silibil N’ Brains) who faked American accents in a bid to secure a record deal that they believed they wouldn’t have secured…

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Good Fortune is a sweet, timely comedy showcasing the genre prowess of Keanu Reeves: Toronto International Film Festival Review

A rougher slog to get to his directorial “debut” as a feature filmmaker than he would have liked, Aziz Ansari – seven years after he was accused of sexual misconduct and three years after his planned first feature, Being Mortal, was shut down over the inappropriate behaviour of its lead actor, Bill Murray – finally…

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