Film

Film Review: Resident Evil: The Final Chapter (USA, 2017) brings the tale of the world’s unluckiest woman to a close

If there’s one thing you can rely on in a Resident Evil movie, it certainly isn’t subtlety.  Resident Evil: The Final Chapter is what it says on the tin — the last film in Paul W. S. Anderson‘s increasingly bonkers series of action horror films adapted from the video game franchise of the same name. For fans keen…

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Film Review: Ben Affleck’s Live By Night (USA, 2016) is a visually stunning yet slow running 1920s gangster film

Based on the 2012 novel by Dennis Lehane of the same name, Live By Night is set in the prohibition era across the 1920s and 1930s. The man at the centre of the story, Joe Coughlin, is played by Ben Affleck, who brought this adaptation to life. He directed, wrote and produced the film, which…

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Film Review: Moonlight (USA, 2016) is a stunningly beautiful character study; a modern masterpiece

Two young African American males sit on a beach together, bathed in moonlight. One asks the other: “You cry?”. The other replies, “I cry so much sometimes, I feel like I’ma turn to drops,”. Ripped from the pages of the play Moonlight Black Boys Look Blue by Tarell Alvin McCraney, this scene for me perfectly…

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Australian Box Office Report: Nicole Kidman and Dev Patel take the lion’s share of this week’s box office earnings

Whether it’s from its recent positive publicity, school holidays drawing to a close or just the fact that it’s a brilliant film, Lion, starring Dev Patel and Nicole Kidman, did extremely well in its opening weekend, earning $4.19m, where it now sits at the top of the box office ladder.  Opening on 254 screens nationally, it…

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Film Review: Split (USA, 2017) is a stunning return to form for M. Night Shyamalan

There is plenty of real world evidence to suggest that, to a degree, our thoughts and feelings can in some way re-wire our brain. Neuroplasticity is a relatively young field, but an infinitely fascinating one nonetheless; discoveries are being made everyday, many on how our brain evolves for better or for worse and how we…

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Film Review: Lion (Australia/USA/UK, 2016) is a beautiful, emotional journey

Based on the true story of Saroo Brierley and his book A Long Way Home, this week’s anticipated release Lion takes its audience on the beautiful, emotional journey of Saroo; lost in India as a young child, raised in Tasmania, forever desperate to find his way back home. Starring Dev Patel (Slumdog Millionaire) as the…

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Australian Box Office Report: No Swan Song for Sing as it tops the ladder yet again

Animated musical flick Sing did well this week, earning $2.32m at the Australia box office.  In its third week in the cinema and second week at top spot, it’s already earned $22.3 million, although it has dropped in earnings from last week by 33%. Hot on its tail is the live action musical (no animals this time) La La Land, which took…

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Australian Box Office Report: Singing animals top this week’s box office charts

When 2016 ended, the world, and everyone in galaxies far far away, knew for bloody sure that Rogue One: A Star Wars Story was going to blitz the box office.  However, with the release of Christmas and holiday entertainment, this has now slipped down the ladder, making way, this week, for the Matthew McConaughey and Reese Witherspoon animated…

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Film Review: Natalie Portman delivers a searing, Oscar-worthy performance in Jackie (USA, 2016)

Jacqueline Kennedy (Onassis) has been depicted on the silver and small screens before but Jackie is the first film to really capture the complex nature of this remarkable woman. The film is not strictly a biopic in that it only focuses on a number of key events in Kennedy’s life prior to and in the…

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Film Review: Collateral Beauty (USA, 2016) wastes a phenomenal cast

With Christmas time comes awards season, and every so often a film comes along that attempts to tackle both markets – deliver a heartfelt drama set around the holidays that will bring people into the cinema after they’ve finished exchanging gifts; while voters cast the film on their award season ballot. Such a forced ploy…

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Film Review: Bright Lights: Starring Carrie Fisher and Debbie Reynolds is the humble closing chapter to an enigmatic entertainment family

During the parting moments of 2016, a year already marked by the deaths of so many luminaries and childhood favourites, actress Carrie Fisher suffered a cardiac arrest during a transatlantic flight, causing her death four days later on the 27th of December. Her mother, actress and performer Debbie Reynolds, passed the very next day, reportedly leaving with…

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DVD Review: The Confirmation (USA, 2016) is a learning experience, for cast and audiences alike

The Confirmation plays out like a Sherlock Holmes tale set in a scarce stretch of rural America, with weekend dad Walt (Clive Owen) and his precocious son Anthony (Jaeden Lieberher) spending a murky 24 hours chasing down a stolen tool kit. In the directorial debut from Nebraska writer Bob Nelson, the role of Sherlock and…

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Film Review: The Edge of Seventeen (M15+) (USA, 2016) is touching and hilarious; a must-see

Teenage films have always been a cinematic staple for me. Whether they are quality films (like Heathers, Stand By Me), plain fun (Mean Girls, Easy A, Say Anything) or just plain silliness (Porky’s, American Pie), I’ve always found enjoyment in both entertainment value and nostalgia. But the past few years, the portrayal of teenagers in film…

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DVD Review: Take Down (USA/UK, 2016) is a contrived thriller that tries too hard to be Brat Camp meets Hunger Games

Take Down (aka Billionaire Ransom) is what you would get if you made cardboard cut-outs characters and put them in a world that was like Brat Camp-meets-The Hunger Games. The film is a thriller that is short on character development and suspense. It means that what ensues feels rather slow, tedious and contrived. The story…

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Film Review: Passengers (M) (USA, 2016) is far from the grand space opera many will be expecting

Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting.  Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…

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Film Review: Red Dog: True Blue (PG) (Australia, 2016) hardly proves a necessary excursion

Just as emotionally manipulative as the 2011 original Red Dog but less successful in its execution, Red Dog: True Blue looks to merely survive on a superficial level as the “aww shucks” cuteness of the titular canine appears to be the sole reasoning behind this sequel/prequel hybrid coming to fruition. The stunning harsh red dirt…

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DVD Review: Rosehaven Series One (Australia, 2016) is a funny comedy misadventure about two unlikely friends

Rosehaven is a comedy show that finds the funny in lots of things. It’s a fish-out-of-water comedy, a buddy comedy and a sitcom set in rural Australia. This eight-part series debuted on the ABC in 2016 and it was a hit with audiences. This is because it’s a funny show about two rather unlikely friends…

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Film Review: Author: The JT LeRoy Story (USA, 2016)

One lonely night in the mid-nineties, a struggling writer named Laura Albert telephones a psychologist, Dr Terrence Owens, pretending to be a younger man named Terminator. He has a lot to talk about; most notoriously his years as an underage truck-stop prostitute pimped out by his mother. Dr Owens thinks it would be healthy for…

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Film Review: Assassin’s Creed (M15+) (USA, 2016) is another game-to-screen disappointment

The majority of videogame films are, for a lack of a better term, complete tosh. From catastrophes like Street Fighter, Super Mario Bros. and most of Uwe Boll‘s filmography to films that are close to viewer satisfaction like Final Fantasy VII – Advent Children and Ace Attorney, the reputation of videogame films is not something…

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Film Review: Damien Chazelle’s La La Land (USA, 2016) achieves cinematic and musical perfection

La La Land is the new film from offensively talented director Damien Chazelle, who last impressed with the Oscar winning film Whiplash, a story (in part) about the search for musical perfection in a young Jazz drummer. In La La Land, we remain in a musical world, as Chazelle takes us back to the classic Hollywood…

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Film Review: Paterson (USA, 2016) may be the most Jarmuschian film yet

Paterson is the new film from acclaimed auteur (and Iggy Pop fan) Jim Jarmusch. A man who enjoys character studies that are never rushed for the sake of plot progression, existing in some semblance of real time, watching a Jarmusch film involves a lot of patience on behalf of the viewer. If you’re a fan of…

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Film Review: Why Him? (MA15+) (USA, 2016) is an easily enjoyable comedy, buoyed by a strong cast

In the spirit of comedies like Father of the Bride and Meet the Parents, the new film Why Him? brings together some great actors for a mass consumption comedy about new additions to the family and the parents who struggle with their little girl (or boy) growing up. With these films in mind, there is…

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Australian Box Office Report: Rogue One is lightyears ahead at no. 1 on the box office ladder

It comes as no surprise that the highly anticipated Rogue One: A Star Wars Story should blitz the box office in its premiere week.  It made an epic $14.75m, which means that 3 out of every 4 tickets sold this week at the movies was for this film!  It’s also had the second best opening weekend of the…

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Film Review: Allied (USA/UK, 2016) is strengthened by a tour de force performance from Marion Cotillard

Robert Zemeckis is a film-maker that has both enthralled and frustrated me. For the most part, his films can be exciting, fun and incredibly well-told; take the Back to the Future series, Cast Away or the classic Who Framed Roger Rabbit. But at his worst, his films can be corny and indulgent; What Lies Beneath,…

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Film Review: Sing (G) (USA, 2016) is a pleasant outing for families this holiday season

Stacking itself plentiful with a heft of pop songs ranging from the classic sounds of Lennon & McCartney to the modern screech of Lady GaGa, Sing is a jukebox musical of sorts that’s suitably bold and bright. Seemingly content not reaching for critical acclaim in the same vein as recent animated offerings like Zootopia, this…

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Film Review: Disney’s newest heroine Moana (2016, USA) is destined to be a classic

Moana (Auli’i Cravalho) is the spirited daughter of a Polynesian chief, Chief Tui (Temuera Morrison). She’s loveable and affable and Chief Tui is pretty much training her up to be the next big kahuna in her village. Her father has warned her that their village and island paradise is the only safe place for her,…

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Film Review: Netflix’s Obama biopic Barry (MA15+) (USA, 2016) is at once thoughtful, intelligent and entertaining

The kind of film that benefits from its titular character being portrayed as less of an impression and more as a fully realised character, Barry is at once thoughtful, intelligent and particularly entertaining. Though he is introduced to us as Barry, we’re all aware of the Barack Obama he ultimately will become (so to speak),…

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Monster Fest Film Review: Dearest Sister (Laos, 2016) has an identity crisis

Laos director Mattie Do’s sophomore film Dearest Sister has an identity crisis. It just isn’t sure what story it wants to tell. And its an issue that is never repaired throughout its needless 100 minute running time. When Nok goes to stay with her blind and affluent sister Ana, the two begin fighting after Nok finds out…

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Film Review: Rogue One: A Star Wars Story (M, USA, 2016) is action packed and ruthless

The Star Wars saga is set to continue, this time with the first stand alone film in its ‘Anthology’ series. Singular films that will showcase interconnected stories or characters that basically provide an extended universe to our main trilogies. Rogue One: A Star Wars Story is first out of the gates and has a lot…

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Australian Box Office Report: Fantastic Beasts weaves its magic for the fourth consecutive week

It seems there’s no stopping Fantastic Beasts And Where To Find Them, which topped the Box Office chart again for the fourth week in a row, hauling in $2.21 million.  It’s tipped to be 2016’s sixth highest grossing film.  Only Star Wars: The Force Awakens and Finding Dory  managed to take the no. 1 spot four weeks in a…

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