Interviews

Interview: Stephanie McIntosh on returning to music and how being a mum shapes her creativity

Talking to Stephanie McIntosh at the AACTA Festival Awards Industry Gala, you’re reminded just how fluid her career has always been – and how thoughtfully she reflects on it. From her breakthrough years on Neighbours and her pioneering pop album, Tightrope, to the accompanying televisual journey The Steph Show that felt almost ahead of its…

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Interview: Will Arnett and Laura Dern on the quiet intimacy of Is This Thing On?

In Is This Thing On?, intimacy isn’t played for grand gestures or easy resolutions. It’s found in the quiet, uncomfortable spaces where love begins to shift shape. Directed by Bradley Cooper, the film observes Alex and Tess Novak as their marriage gently fractures, following two people forced to confront who they are beyond the roles…

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Interview: Jason Momoa, Dave Bautista and director Ángel Manuel Soto on crafting their action film The Wrecking Crew with heart and brotherhood

From the moment The Wrecking Crew was announced, it felt less like a standard studio project and more like an inevitability. Jason Momoa and Dave Bautista – two of the most physically imposing stars working today – had already proven their onscreen chemistry as brothers in See. Fans could sense it. So could they. What…

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Interview: Luke Evans and Billie Boullet on appreciating stillness and taking risks in Worldbreaker

After the Breakers rose – monstrous creatures that infect and twist their victims – men fell first, leaving women to lead the fight for survival. In this perilous new world, Willa’s mother is one of the war’s fiercest warriors, while her father, a battle-scarred veteran, hides with Willa on a remote island, training her in…

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Interview: Addition director Marcelle Lunam on the importance of truth in her film; “I wanted to make a film that promoted kindness.”

In Addition, Grace Lisa Vandenburg (Teresa Palmer) counts everything – numbers are the scaffolding of her meticulously ordered life. But when a chance encounter with Seamus (Joe Dempsie) turns her world upside down, Grace is forced to confront the chaos she’s long avoided. Directed by Marcelle Lunam and based on Toni Jordan’s bestselling novel, the…

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Interview: Teresa Palmer and producer Bruna Papandrea on resisting simplification in their new film Addition

Grace Lisa Vandenburg (Teresa Palmer) counts everything. Numbers are the quiet architecture holding her world together, until a chance encounter with Seamus (Joe Dempsie) begins to loosen the careful order she’s built around herself. Directed by Marcelle Lunam and adapted from Toni Jordan’s bestselling novel, Addition is a story about self-acceptance and recognising what truly…

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Director: Ángel Manuel Soto on constructing the rhythm of The Wrecking Crew; “You want to make it feel like there’s a collaboration of energy with the audience.”

Ángel Manuel Soto’s The Wrecking Crew wastes no time establishing its swagger: a sun-drenched, bone-crunching action comedy set on the streets of Hawaii, where estranged half-brothers Jonny (Jason Momoa) and James (Dave Bautista) reunite after their father’s mysterious death, only to find themselves tangled in buried secrets and a family-shattering conspiracy. When our Peter Gray…

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Interview: Directors Jack Manning Bancroft and Tyson Yunkaporta on their First Nations animated film Imagine

Australian systems change-makers and Indigenous storytellers Jack Manning Bancroft and Tyson Yunkaporta are inviting audiences to hit reset with Imagine, a bold, genre-defying animated feature landing in cinemas for special event screenings this January 26th across Australia. Co-created through the pandemic in an open, live Google Doc collaboration that brought together more than 400 contributors…

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Interview: Teresa Palmer and the creatives behind Addition at the Australian Westpac OpenAir Premiere

There’s something quietly poetic about watching Addition under the open sky. Premiering in Australia at Sydney’s Westpac OpenAir Cinema ahead of its national release on January 29th – following its successful run at the 2024 Toronto International Film Festival – the film’s gentle intimacy feels amplified by its setting. Numbers may govern Grace Lisa Vandenburg’s…

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Interview: Kleber Mendonça Filho on cinema, politics, and The Secret Agent; “Films exist in your muscle memory.”

Brazilian filmmaker Kleber Mendonça Filho has never been interested in subtle allegory when reality itself is this confrontational. With The Secret Agent, his latest politically charged thriller set during the final years of Brazil’s military dictatorship, the director once again fuses genre storytelling with cultural memory, paranoia and moral urgency. In a conversation with our…

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Everything we learned from Maggie Gyllenhaal at The Bride! trailer launch

Maggie Gyllenhaal isn’t interested in playing it safe. At the global trailer launch for The Bride!, the writer-director-producer spoke with infectious passion about her radical reimagining of one of cinema’s most iconic monsters, revealing a film that’s punk, romantic, mythic, deeply personal, and unapologetically loud. Here’s everything we learned about The Bride! and the bold…

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Interview: 28 Years Later: The Bone Temple director Nia DaCosta and star Erin Kellyman on the feminine reshaping of horror

Returning to a world that once redefined cinematic terror, 28 Years Later: The Bone Temple doesn’t simply extend the legacy of Danny Boyle and Alex Garland’s vision – it interrogates it. Under Nia DaCosta’s direction, the film pivots away from the familiar terror of the infected and toward something colder and more unsettling: the ways…

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Interview: Bridgerton‘s Golda Rosheuvel on the warmth of making family comedy Grow

There’s something quietly radical about a family film that trusts gentleness over noise. Set in the self-proclaimed Pumpkin Capital of the World, Grow unfolds like a story many of us remember from childhood, one that invites laughter, warmth, and the comforting belief that people, at their core, are good. Stoic farmer Dinah Little (Golda Rosheuvel,…

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Interview: Director Chloé Zhao, Jessie Buckley and Jacobi Jupe on the love of collaborating on Hamnet

In Hamnet, grief isn’t a rupture so much as a reorientation – a learning to carry love in a new, altered way. Chloé Zhao’s hushed, elemental adaptation of Maggie O’Farrell’s novel traces the aftershocks of unimaginable loss through Agnes and Will Shakespeare, as the death of their son Hamnet becomes both a private wound and…

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Interview: Sydney Sweeney, Christy Martin and Ben Foster on exploring their emotional instincts in Christy

When Christy Martin exploded into the public consciousness in the 1990s, she didn’t just change the visibility of women’s boxing – she redefined what strength could look like when it refused to be contained. Christy revisits that seismic rise through the eyes of those tasked with bringing her story to the screen: Sydney Sweeney, whose…

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Interview: Director David Michôd and Katy O’Brian on performance as a survival mechanism in Christy

In Christy, writer-director David Michôd turns his gaze away from the brittle myths of masculine bravado that have long defined his work, and towards a woman whose strength was forged in public, pressure and pain. The film charts the life of boxing trailblazer Christy Martin not as a sports legend alone, but as someone who…

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Interview: Nicholas Hytner on human connection and the importance of music in The Choral

Against the thunder of the Western Front, The Choral listens instead for something quieter – the fragile, defiant sound of people choosing to sing. Set in Ramsden, Yorkshire in 1916, the film unfolds as a community hollowed out by war attempts to hold itself together through music, recruiting boys to replace the men who have…

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Interview: Takehiro Hira and Mari Yamamoto on how Rental Family reshaped their view of honesty

In Rental Family, connection is never simple – it’s negotiated, performed, and deeply felt in the spaces between what’s said and what’s withheld. Takehiro Hira and Mari Yamamoto bring quiet precision and emotional intelligence to a film that lives in those in-between moments, portraying characters shaped as much by restraint as by longing. As Brendan…

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Interview: Rental Family director Hikari and Brendan Fraser on exploring the importance of connection

In an age defined by curated selves and digital distance, Rental Family asks a quietly radical question: what if connection – even borrowed connection – could still save us? Directed with tender restraint by Hikari and anchored by a deeply humane performance from Brendan Fraser, the film follows a drifting American actor who finds work…

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Interview: Writer Ben Shattuck and director Oliver Hermanus on archiving romance with The History of Sound

Quiet, searching, and deeply felt, The History of Sound unfolds like a folk song passed carefully from hand to hand. Set in the aftermath of the First World War, Oliver Hermanus’ adaptation of Ben Shattuck’s short story traces the intimate bond between two young music students, Lionel and David, as their shared devotion to folk…

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Interview: Jefferson White on stepping out of his comfort zone for Drink and Be Merry and honing bartender wisdom for the role

Jefferson White brings a quietly lived-in warmth to Drink and Be Merry, starring as Chet, a beleaguered bartender holding together a struggling New York dive bar in the days leading up to Christmas 2019. Stuck in a state of extended arrested development, Chet spends his nights caring for a group of misanthropic, aging regulars who…

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Interview: Hunting Season director Raja Collins and star Shelley Hennig on finding the light in telling a dark story

When a mysterious young woman washes up on the bank of a local river, both the feisty twelve-year-old-girl who discovers her and her overprotective father are forever changed by both the arrival of this stranger into their home, and the ruthless drug lord who will stop at nothing to kill her once and for all….

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Interview: Richard E. Grant and director James Vanderbilt on their historical thriller Nuremberg

Judgement is coming. The Allies, led by the unyielding chief prosecutor, Robert H. Jackson (Michael Shannon), have the task of ensuring the Nazi regime answers for the unveiled horrors of the Holocaust, while a US Army psychiatrist (Rami Malek) is locked in a dramatic psychological duel with former Reichsmarschall Herman Göring (Russell Crowe). Based on…

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Interview: Michael Showalter on his chaotic Christmas comedy Oh. What. Fun., and the “gifted comedienne” that is Michelle Pfeiffer

Come for the presents. Stay for the baggage. It wouldn’t be a Christmas comedy without some familial dysfunction, and, in 2025, the Clauster clan are delivering such in Oh. What. Fun., a new seasonal laugher from director Michael Showalter (Spoiler Alert, The Idea of You). Flipping the script on classic holiday movies to remind us…

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Interview: David Freyne on the classic inspiration behind his new romantic comedy Eternity

Eternity is an imaginative and bittersweet romantic comedy about the afterlife, where souls have one week to decide where to spend eternity. For Joan (Elizabeth Olsen) it’s a facing of an impossible choice between the man she spent her life with (Miles Teller) and her first love (Callum Turner), who died young and has waited decades…

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Interview: Emerging filmmaker Darcy Conlan on winning the AACTA Wake in Fright Development Initiative for his cosmic horror debut feature The Harvest

AACTA, Sanctuary Pictures, Umbrella Entertainment and the Wake in Fright Trust today announced The Harvest, written and directed by emerging filmmaker Darcy Conlan, as the 2025 recipient of the Wake in Fright Development Initiative. Conlan will receive $30,000 in funding and dedicated development support to take the project toward production; the Wake in Fright Development Initiative honours the…

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Interview: Director Gurinder Chadha on reimaging a seasonal classic through a musical lens with Christmas Karma

Gurinder Chadha is one of Britain’s most distinctive filmmakers, known for telling stories that reflect the rich diversity of modern life.  She broke through internationally with Bend It Like Beckham, and has since directed a string of much-loved films, including Bride and Prejudice, Angus, Thongs and Perfect Snogging, and Blinded by the Light.  Her work is marked by warmth,…

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Interview: Marisa Coughlan on writing the personal Blue Eyed Girl and trusting the process of releasing it to the world

When Jane Messina returns home to visit her two sisters and her ailing father, she’s forced to re-evaluate her life, and to wonder what could have been. Blue Eyed Girl is a coming-of-age story at forty-something, not fifteen. It’s about midlife and marriage, chasing dreams, letting go of regrets, and most of all, reconciling who…

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Interview: Josh Hutcherson on returning for Five Nights at Freddy’s 2; “A lot of attention was put on making something that the die hard fans are going to completely love.”

They’re not just at Freddy’s anymore. In 2023, Blumhouse’s box-office horror phenomenon Five Nights at Freddy’s, based on the blockbuster game series by Scott Cawthon, became the highest-grossing horror film of the year. Now, a shocking new chapter of animatronic terror begins in Five Nights at Freddy’s 2. One year has passed since the supernatural…

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Interview: Five Nights at Freddy’s 2 director Emma Tammi on “bigger, scarier” sequel and catering to the passionate fanbase

They’re not just at Freddy’s anymore. In 2023, Blumhouse’s box-office horror phenomenon Five Nights at Freddy’s, based on the blockbuster game series by Scott Cawthon, became the highest-grossing horror film of the year. Now, a shocking new chapter of animatronic terror begins in Five Nights at Freddy’s 2. One year has passed since the supernatural…

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