Interviews

Interview: Jessica Gunning on balancing reality and whimsy in The Magic Faraway Tree

There’s a delicate balance at the heart of The Magic Faraway Tree – between whimsy and emotional truth, chaos and comfort – and few characters embody that better than Dame Washalot. In this vibrant new adaptation, based on Enid Blyton’s beloved classic, audiences are reintroduced to a world where fantastical lands spin into place atop…

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Interview: Miley Tunnecliffe on weaving addiction and grief into her supernatural horror film Proclivitas

There’s a particular kind of horror film that doesn’t just aim to scare you – it lingers, quietly burrowing under your skin by tapping into something far more recognisable than any monster. That’s exactly what Proclivitas achieves, weaving together grief, addiction, and memory into something as emotionally raw as it is unnerving. At its centre…

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Interview: Drew Goddard on adapting Project Hail Mary for the big screen; “The soul of the story is empathy and communication.”

When Andy Weir published Project Hail Mary, the author once again proved he had a knack for turning dense scientific problem-solving into compulsively entertaining storytelling. It was perhaps inevitable that Hollywood would come calling – and just as they did with “The Martian”, the task of translating Weir’s meticulous, deeply internal prose to the screen fell…

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Interview: Chrissy Metz on the humour, heart, and humanity of her new comedy Bank of Dave 2: The Loan Ranger

In Bank of Dave 2: The Loan Ranger, Chrissy Metz steps into the role of Jessica, a sharp, New York journalist whose job is to observe the world – but whose heart is transformed by the people she meets. Our Peter Gray spoke with the actress about stepping into communities different from her own, finding…

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Interview: Joel Edgerton on The Plague, bullying, and the horror of adolescence

Few environments capture the fragile hierarchies of adolescence quite like summer camp. Friendships form quickly, loyalties shift overnight, and the unspoken rules of belonging can be as ruthless as they are invisible. The Plague taps directly into that volatile world, following a 12-year-old boy who becomes entangled in a cruel camp tradition targeting an outcast…

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Interview: Jenna MacMillan on her directorial debut The Snake, premiering at SXSW, and celebrating imperfect heroines

For producer Jenna MacMillan, stepping behind the camera for the first time wasn’t about abandoning what she already knew, it was about trusting herself to lead the story. With The Snake, her offbeat directorial debut premiering in competition at this year’s SXSW Film & TV Festival, MacMillan brings writer-star Susan Kent’s sharp, darkly funny script…

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Interview: Peter Warren on finding humour in the darkness of his own personal story with Kill Me

A murder mystery usually begins with a body. In Kill Me, it begins with a question: what if the detective and the victim were the same person? Blending a darkly comic whodunit with an unexpectedly candid exploration of depression, the film follows Jimmy (Charlie Day), who begins investigating his own attempted murder, unsure whether he’s…

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Interview: Patton Oswalt on passion, perseverance, and playing coach in GOAT

From Sony Pictures Animation – the powerhouse behind Spider-Man: Across the Spider-Verse – comes GOAT, a high-energy, all-animal sports comedy about a small dreamer trying to muscle his way into a game built for giants. Set in the roarball arena, where claws are sharp and egos sharper, the film follows undersized underdog Will as he…

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Interview: Director Patrick Hughes and Alan Ritchson on War Machine, positive charges and peak suffering

During the final stage of U.S. Army Ranger selection, a routine training exercise mutates into something far more dangerous in War Machine – a survival thriller that hits the ground running and never lets up. Speaking with director Patrick Hughes and star Alan Ritchson, our Peter Gray unpacked the film’s pulse-pounding rhythm, from meticulously engineered…

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Interview: Cédric Klapisch on Colours of Time, memory and cinema’s relationship with the past

When Cédric Klapisch makes a film about time, he doesn’t treat it as something fixed or distant. Instead, it becomes something fluid – memories bleeding into the present, generations speaking to each other across decades. His latest film, Colours of Time, screening at the Alliance Française French Film Festival, begins with a simple discovery: in…

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Interview: True South director Dave Klaiber and creator Will Alexander on the cost of endurance

For 80 years, the Sydney to Hobart Yacht Race has occupied a rare place in Australian cultural life – a spectacle of endurance that unfolds each summer as the nation watches the fleet charge south into the Bass Strait, one of the most volatile stretches of water on earth. It is a race built on…

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Interview: Nick Corirossi and Armen Weitzman on the value of sincere comedy with The Napa Boys; “It feels like we’ve forgotten what movies used to feel like.”

If legacy sequels are supposed to coast on nostalgia, Nick Corirossi and Armen Weitzman clearly missed the memo. With The Napa Boys – the entirely fabricated “fourth chapter” of a wine-soaked comedy franchise that never actually existed – the longtime collaborators have pulled off something both mischievous and oddly sincere. Co-written by Weitzman and Corirossi,…

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Interview: Jordan Giusti on Floodland, climate reckoning and the meaning of home

Lismore has long worn its floods as a badge of resilience – a town that rebuilds, again and again, along the banks of a river that refuses to be tamed. But in Floodland, director Jordan Giusti looks beyond the mythology of grit and endurance to ask a far more unsettling question: what happens when resilience…

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Interview: Director Frank E. Flowers on The Bluff and crafting a fierce female-led action adventure

In the adrenaline-charged action-adventure The Bluff, Priyanka Chopra Jonas stars as Ercell “Bloody Mary” Bodden, a former pirate forced to confront her violent past to protect her family. Director Frank E. Flowers spoke with our Peter Gray to discuss bringing the Cayman Islands’ rarely seen history to life on screen, the meticulous authenticity behind the…

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Interview: David Maler on Zumeca and rewriting the story of conquest through love

History is often told in sweeping gestures – conquest, empire, survival. But in Zumeca, David Maler narrows the lens. Set against the violent collision of worlds in the early days of the Americas, the film reframes the so-called “discovery” of the New World through something far more intimate: the relationship between a Spaniard, Miguel, and…

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Interview: Amanda Seyfried and director Mona Fastvold on the ecstasy, grief, and radical power of belief of The Testament of Ann Lee

From the outside, The Testament of Ann Lee might sound like an unlikely cinematic proposition: a period biopic about the founder of the Shakers, structured as a musical, rooted in ecstatic song and movement rather than spectacle. But in the hands of writer-director Mona Fastvold and star Amanda Seyfried, the film becomes something far more…

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Interview: John Patton Ford on How To Make A Killing and turning moral chaos into comedic gold

When How To Make A Killing hits screens, audiences meet Becket Redfellow, a charmingly ruthless heir-in-waiting determined to reclaim the fortune his estranged, high-society family denied him at birth. Disowned and raised in the working-class world of New York, Becket (Glen Powell) will stop at nothing – and kill anyone in his way – to…

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Interview: Joel Johnstone on faith under fire in Grizzly Night; “Conviction was the spine of the character for me.”

In 1967, two grizzly bear attacks nine miles apart shattered the illusion that America’s national parks were a perfectly managed wilderness. Nearly six decades later, Grizzly Night revisits that harrowing evening with a human-first lens – less creature feature, more reckoning with faith, fear and fragility. Directed by first-time feature filmmaker Burke Doeren and written…

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Interview: Director Brad Anderson on navigating parenthood and the end of the world in Worldbreaker

The end of the world has rarely felt this intimate. In Worldbreaker, the earth is split apart by an event known as The Stitch, unleashing feral, mutating creatures called Breakers and reshaping the balance of survival itself. With men most susceptible to infection, women lead the fight for humanity’s future. Amid the chaos, a battle-scarred…

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Interview: Sophie Hyde on directing Jimpa and the radical act of listening; “Maybe that’s something we could all do a little more of.”

There are films about chosen family – and then there are films that gently ask whether your biological family might be something you can choose, too. In Jimpa, acclaimed director Sophie Hyde (Good Luck to You, Leo Grande) returns with a tender, funny and quietly radical portrait of three generations negotiating love, identity and the…

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Interview: Lauren Call on navigating roles as lead actor and producer of Grizzly Night; “It’s terrifying, but also empowering.”

Lauren Call is, in many ways, used to navigating dual roles. A fourth-generation Californian born and raised in Costa Mesa, she has been in front of cameras and on stages since she was six years old – from local and regional theatre across the state, to honing her craft at Orange County School of the…

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Interview: Baz Luhrmann and Catherine Martin at the Gold Coast Premiere of EPiC: Elvis Presley in Concert

When Baz Luhrmann went searching for Elvis Presley, he didn’t just find an icon – he found a voice. Premiering to Australian audiences at the AACTA Festival, EPiC: Elvis Presley in Concert unveils long-lost footage painstakingly uncovered and restored by the Academy Award–nominated filmmaker, offering an intimate, unguarded portrait of the King that feels both…

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Interview: Stephanie McIntosh on returning to music and how being a mum shapes her creativity

Talking to Stephanie McIntosh at the AACTA Festival Awards Industry Gala, you’re reminded just how fluid her career has always been – and how thoughtfully she reflects on it. From her breakthrough years on Neighbours and her pioneering pop album, Tightrope, to the accompanying televisual journey The Steph Show that felt almost ahead of its…

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Interview: Will Arnett and Laura Dern on the quiet intimacy of Is This Thing On?

In Is This Thing On?, intimacy isn’t played for grand gestures or easy resolutions. It’s found in the quiet, uncomfortable spaces where love begins to shift shape. Directed by Bradley Cooper, the film observes Alex and Tess Novak as their marriage gently fractures, following two people forced to confront who they are beyond the roles…

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Interview: Jason Momoa, Dave Bautista and director Ángel Manuel Soto on crafting their action film The Wrecking Crew with heart and brotherhood

From the moment The Wrecking Crew was announced, it felt less like a standard studio project and more like an inevitability. Jason Momoa and Dave Bautista – two of the most physically imposing stars working today – had already proven their onscreen chemistry as brothers in See. Fans could sense it. So could they. What…

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Interview: Luke Evans and Billie Boullet on appreciating stillness and taking risks in Worldbreaker

After the Breakers rose – monstrous creatures that infect and twist their victims – men fell first, leaving women to lead the fight for survival. In this perilous new world, Willa’s mother is one of the war’s fiercest warriors, while her father, a battle-scarred veteran, hides with Willa on a remote island, training her in…

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Interview: Addition director Marcelle Lunam on the importance of truth in her film; “I wanted to make a film that promoted kindness.”

In Addition, Grace Lisa Vandenburg (Teresa Palmer) counts everything – numbers are the scaffolding of her meticulously ordered life. But when a chance encounter with Seamus (Joe Dempsie) turns her world upside down, Grace is forced to confront the chaos she’s long avoided. Directed by Marcelle Lunam and based on Toni Jordan’s bestselling novel, the…

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Interview: Teresa Palmer and producer Bruna Papandrea on resisting simplification in their new film Addition

Grace Lisa Vandenburg (Teresa Palmer) counts everything. Numbers are the quiet architecture holding her world together, until a chance encounter with Seamus (Joe Dempsie) begins to loosen the careful order she’s built around herself. Directed by Marcelle Lunam and adapted from Toni Jordan’s bestselling novel, Addition is a story about self-acceptance and recognising what truly…

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Director: Ángel Manuel Soto on constructing the rhythm of The Wrecking Crew; “You want to make it feel like there’s a collaboration of energy with the audience.”

Ángel Manuel Soto’s The Wrecking Crew wastes no time establishing its swagger: a sun-drenched, bone-crunching action comedy set on the streets of Hawaii, where estranged half-brothers Jonny (Jason Momoa) and James (Dave Bautista) reunite after their father’s mysterious death, only to find themselves tangled in buried secrets and a family-shattering conspiracy. When our Peter Gray…

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Interview: Directors Jack Manning Bancroft and Tyson Yunkaporta on their First Nations animated film Imagine

Australian systems change-makers and Indigenous storytellers Jack Manning Bancroft and Tyson Yunkaporta are inviting audiences to hit reset with Imagine, a bold, genre-defying animated feature landing in cinemas for special event screenings this January 26th across Australia. Co-created through the pandemic in an open, live Google Doc collaboration that brought together more than 400 contributors…

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