Author: Peter Gray

Seasoned film critic and editor. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa. Contact: [email protected]

Interview: Jonathan Eusebio on moving from action choreographer to director on Love Hurts; “I want to make the audience feel uplifted or inspired by the action that I’m making.”

No matter how hard you try, you can’t break up with your past. This Valentine’s Day, Oscar winner Ke Huy Quan rockets into his first major leading man role as an unlikely hero, a seemingly mild-mannered realtor with a dark secret that he is desperate to leave behind. Spoiler alert: He won’t. From 87North producers…

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Interview: esperanza spalding on her latest album, Milton + esperanza, and one night only shows in Australia; “It’s a rarity that a lot of people you don’t know really like your songs.”

Five-time Grammy award-winning vocalist, bass player and composer esperanza spalding kicks off her highly anticipated return tour to Australia at QPAC in Brisbane for a very special one-night-only performance. One of the most unique talents in music today, esperanza has created a jazz oeuvre that seamlessly fuses soul, funk, pop and rock into an intoxicating…

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Pools displays surface-level confidence as a journey of self discovery: SXSW Sydney Screens Film Festival Review

Whilst there is a sense of an on-the-nose metaphorical aspect to Pools, and a whole lot of “girl who is going to be okay” mentality to it too, Sam Hayes‘ dramedy manages to just keep itself afloat enough in the self-discovery genre it serviceably adheres to. College student Kennedy (Odessa A’zion) doesn’t have her shit…

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Film Review: Smile 2; A sequel that doesn’t suck? That’s something to smile about.

As we learned from “the rules of a horror sequel” in one of the few horror sequels that actually held its weight against the original – 1997’s Scream 2 – things are always bigger and bloodier in a Part 2; “Carnage candy,” as it was so deliciously described.  And, indeed, Parker Finn has a sweet…

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Interview: Parker Finn on executing the perfect jump scare in Smile 2; “I’m always trying to subvert and do things that will catch people off guard.”

Following the critical and commercial success of Smile in 2022, writer/director Parker Finn knew that if he was going to make a sequel, it had to be an “insane” idea. Centering on a global pop sensation, Skye Riley (played by Naomi Scott), who begins experiencing increasingly terrifying and inexplicable events ahead of a world tour,…

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Interview: Felicity Ward on the new Australian series of The Office, her character’s secret sauce, and removing the stigma around mental health

New office. New Aussie boss. The hotly-anticipated Australian Original comedy series is the thirteenth version of the global hit juggernaut franchise The Office and has the first-ever female lead in the iconic role, comedian and actor Felicity Ward. In the eight part series, Hannah Howard (Ward) is the managing director of packaging company Flinley Craddick….

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Win tickets to see Tom Hardy in the epic conclusion, Venom: The Last Dance

Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see Tom Hardy in the epic conclusion, Venom: The Last Dance, exclusively in Australian theatres from October 24th, 2024. In Venom: The Last Dance, Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film…

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Interview: Sam Corlett on playing an addict in He Ain’t Heavy; “I feel like characters tend to find me in a time of my life that I need to explore something deeply.”

He Ain’t Heavy follows 30-year-old Jade (Leila George) who has sacrificed the better part of her life to rescue her little brother Max (Sam Corlett) from drug addiction. In desperation, unbeknownst to their ever-forgiving mother Bev (Greta Scacchi) Jade locks Max inside their vacant rural home in an attempt to “get him clean’. But when Bev arrives, a…

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Film Review: He Ain’t Heavy; Sam Corlett’s full-bodied performance stuns in confronting, oft-harrowing drama

The mental, emotional and physical destruction that can come from one’s addiction is at the core of He Ain’t Heavy, David Vincent Smith‘s confronting, oft-harrowing drama that surpasses the intimacy of its setting and miniature ensemble with its brutal mindset. An expansion of his short film I’m Not Hurting You, He Ain’t Heavy very much…

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Film Review: Memoir of a Snail is a tragically beautiful tale that honours the surreality of life

Of all the ways to ruminate on grief and loss, a stop-motion animated dramedy is not the most obvious option, but, despite the whimsical nature of the medium, Adam Elliot‘s heartbreaking Memoir of a Snail proves such a catharsis on the emotion. Animated it may be, Memoir of a Snail is not a child-friendly affair,…

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Interview: Adam Elliot on the slow, reflective process of making Memoir of a Snail; “Life can only be understood backwards.”

Grace Pudel is a lonely misfit with an affinity for collecting ornamental snails and an intense love for books. At a young age, when Grace is separated from her fire-breathing twin brother Gilbert, she falls into a spiral of anxiety and angst. Despite a continued series of hardships, inspiration and hope emerge when she strikes…

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Interview: Director Stefan Hunt and choreographer Vanessa Marian on their short film Yeah The Boys and exploring Aussie larrikinism and masculinity

Created by the Sydney’s husband-and-wife director-choreographer duo Stefan Hunt and Vanessa Marian, Yeah The Boys explores Aussie larrikinism and masculinity, while offering an insightful observation of Australian identity and the nation’s relationship with drinking culture, with a unique blend of choreography and screen storytelling, without a word being spoken for the whole film. Winner of Best Australia Short at Flickerfest, and nominated…

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Interview: Christopher Scott on choreographing Wicked for the big screen and honouring the stage show through the film

After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen as a spectacular, generation-defining cinematic event this holiday season. Directed by acclaimed filmmaker Jon M. Chu, Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive…

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Interview: Nathan Crowley on producing the design of Wicked; “You’re touching on something that everyone loves.”

After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen as a spectacular, generation-defining cinematic event this holiday season. Directed by acclaimed filmmaker Jon M. Chu, Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive…

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Interview: Wicked Hair and Make-up Designer Frances Hannon on finding her own vision within the land of Oz

After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen as a spectacular, generation-defining cinematic event this holiday season. Directed by acclaimed filmmaker Jon M. Chu, Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive…

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Win tickets to see Michael Keaton’s Assassin’s Plan

Thanks to StudioCanal Australia we have 5 double in-season passes (Admit 2) to see Michael Keaton‘s crime thriller Assassin’s Plan, in Australian theatres October 17th, 2024, co-starring James Marsden, Marcia Gay Harden and Al Pacino. Diagnosed with a rapidly debilitating illness, a contract killer gets the chance to redeem himself by saving the life of…

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Interview: Damien Leone on pushing the boundaries in Terrifier 3, being cautious of “icon” status and paying homage to classic horror

The little horror movie series that could, Terrifier has taken both the terrifying Art the Clown and its creator, writer/director/special effects artist Damien Leone, to gory heights as each film pushes the boundaries on what it is to truly unnerve genre audiences. As Terrifier 3 massacres its way into Australian theatres this weekend (you can…

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Film Review: Hellboy: The Crooked Man; low budget limits ambitious horror take on classic character

The fourth live-action adaptation of the much-loved comic creation Hellboy, and the third iteration of the character following two well-received Guillermo del Toro-helmed, Ron Perlman-starring outings and a less-said-about-the-better reboot with David Harbour, Brian Taylor‘s take on the character in Hellboy: The Crooked Man has a distinct personality of its own and a well-suited Jack…

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Interview: Jack Kesy on inhabiting comic book royalty in Hellboy: The Crooked Man; “There’s always an element of wanting the validation of the people that really want to see it.”

Actor Jack Kesy is no stranger to dabbling in the realms of the action (The Killer), comic book (Deadpool 2) and horror genres (TV’s The Strain) across his career thus far.  But what about an amalgamation of all three? Following in the footsteps of Ron Perlman and David Harbour before him, Kesy is stepping into…

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Film Review: Psychosis is an absurd Aussie experiment that defies categorization

A film like Psychosis is a difficult one to review.  Whilst there’s never a shortage of features that prove wildly divisive (the Joker sequel says hello), Pirie Martin‘s ambitious debut defies categorization as it blends technique and genre, submitting to an extreme eccentricity that, as off-putting it may be to some, is difficult to not…

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Backspot is an effective, inclusive look at the competitive cheerleading scene: New Farm Queer Film Festival Review

With such documentary series as Cheer and America’s Sweethearts: Dallas Cowboys Cheerleaders (both on Netflix) in the last few years reflecting a far more competitive mentality to the sport of cheerleading, a movie like Backspot feels like its release is suitably timed to capitalise on the fact that this is a sport far removed from…

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Film Review: The Problem with People is a sweet, simple story that succeeds of its breezy charm

Even though something like The Problem with People is a film that very much plays by a certain rulebook, you can’t help but still feel the charm of Chris Cottam‘s dramedy across its breezy 100 minutes. Co-written by Paul Reiser, the Mad About You alum layers a certain American view to the Irish countryside that…

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Win tickets to see the fourth instalment in the global franchise, Hellboy: The Crooked Man

Thanks to Rialto Distribution you can witness the beginning of all evil with in-season passes to Hellboy: The Crooked Man. We have 5 double digital tickets (Admit 2) to giveaway to see the fourth instalment in the global franchise, starring Jack Kesy in the iconic role, in Australian theatres October 10th, 2024. Hellboy and a…

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The People’s Joker is wildly imaginative and rightfully provocative: New Farm Queer Film Festival Review

Hopefully a film that won’t just become infamous for its lack of being seen – after it previewed one single screening at 2022’s Toronto International Film Festival it was withdrawn due to “rights issues” – The People’s Joker is a bold, bonkers debut feature from Vera Drew that reimagines the mythology of a slew of…

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Interview: Radha Mitchell, Jesse Spencer and Linh Dan Pham on their new series Last Days of the Space Age; “It’s a different time and different place, and hopefully it resonates.”

1979. It’s the end of an era, and everything is about to change. A global beauty pageant is converging on a small town, and for three families, the drama unfolding on the world stage is nothing compared to what they’re going through. Tony and Judy are married and sit on opposite sides of an ugly…

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The creators of Barbarian deliver a new kind of love story with the first teaser for Companion

New Line Cinema, the studio that brought you The Notebook, and the unhinged creators of Barbarian cordially invite you to experience a new kind of love story… Written and directed by Drew Hancock, Companion stars Sophie Thatcher, Jack Quaid, Lukas Gage, Megan Suri, Harvey Guillén, and Rupert Friend, and, if this cryptic trailer is anything…

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Black comedy is at its best in razor-sharp trailer for Australian comedy Audrey

Far from your average mother-daughter flick, Audrey is a twisted, razor sharp comedy both gloriously absurd and strangely relatable. Following its acclaimed US debut at Austin’s prestigious SXSW festival, where it impressed audiences with its acerbic humour and high-stakes deception, New Zealand’s funniest export leads the charge, alongside Australian screen veterans and emerging stars, proving…

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The New Farm Queer Film Festival kicks off in Brisbane

Packed full with Australian and Queensland premiere titles, including highly anticipated films out of the Cannes, Berlin and Toronto International Film Festivals, as well as two retrospective program stands, The New Farm Queer Film Festival returns with its biggest and best program yet, running from October 3rd to the 13th. Programmed by Sean Tayler and…

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Film Review: Joker: Folie à Deux‘s biggest joke is on the audience

In the same way that it was quite the baffling result that 2019’s Joker “laughed” its way to a billion dollar haul at the box office, Joker: Folie à Deux and all its “Fuck you” energy to WB fandom and mainstream appeal is a strikingly anti-audience effort that deserves praise for being so bold with its…

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Interview: Charlotte George and Miriam Glaser on their dark comedy short series Buried; “It’s challenging that idea of “the perfect mother” and really flipping it on its head.”

A five-part short form black comedy series presented by Screen Australia, Buried is a mum-noir comedy thriller created and written by Miriam Glaser & Charlotte George, directed by George, produced by Fran Derham and starring Glaser as Abi, a single mum who accidentally kills a stranger on her morning school run.  With this violent incident,…

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