Author: Doug Jamieson

Film Review: Fahrenheit 11/9 (USA, 2018) is a rousing call to action to take the world back from the dark side

November 2, 2018

Based on your personal feelings towards Donald Trump and the Republican Party, your reaction to (and presumably interest in) Fahrenheit 11/9, Michael Moore‘s latest bombastic documentary, is likely already predetermined. If you consider Trump to be a crusading saviour of the people and his presidency really is making America great again, maybe sit this one […]

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Film Review: Don’t Worry, He Won’t Get Far on Foot (USA, 2018) is a charming crowd-pleaser with a dash of irreverent humour

September 26, 2018

It may not seem like it, but it’s been ten years since director Gus Van Sant gave us the powerful and Oscar-winning biopic Milk. Since then, the filmmaker has been in somewhat of a slump, with three films (Restless, Promised Land, and The Sea of Trees) falling flat on their faces. You probably didn’t see any of them and you […]

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Film Review: Intelligent Lives (USA, 2018) is a powerful impetus for change that demands your attention

September 21, 2018

At this very moment, there are 6.5 million Americans living with an intellectual disability. Only 15% of adults are gainfully employed with nearly 1 in 3 living below the poverty line. Their access to a proper education during their youth may provide a clue to these damning statistics. 17% of students with an intellectual disability are […]

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Film Review: Teen Titans GO! To the Movies (USA, 2018) is the breath of levity DC needs right now

September 9, 2018

There are children’s animated movies made exclusively for kids, which generally lead to a rather torturous experience for parents and caretakers alike (I’m looking at you, Hotel Transylvania 3). Then there is something deceptively ingenious and utterly delightful as Teen Titans GO! To the Movies, which successfully entertains both young and old, whilst also offering up a […]

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Film Review: The Flip Side (Australia, 2018) is breezy and enjoyable but far too safe and predictable

August 30, 2018

Australian cinema has produced some of the finest comedy the screen has ever seen. But the romantic comedy genre is not a territory we Aussies explore particularly well. For every groundbreaking example like last year’s sublime Ali’s Wedding, there’s something as generically safe as The Flip Side, the debut feature film from producer-turned-writer/director Marion Pilowsky. There’s nothing […]

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