Despite the general consensus very much being that the last two Jurassic World features – 2018’s Fallen Kingdom and 2022’s Dominion – were vastly underwhelming in the manner in which they pushed the story forward, audiences pushing each film to over a billion dollars each at the box office meant that they ultimately didn’t seem…
Following our chats with both director Gareth Edwards and the trio of Luna Blaise, David Iacono and Audrina Miranda, The AU Review’s dino-sized coverage of Jurassic World Rebirth wraps up with Rupert Friend and Manuel Garcia-Rulfo. Ahead of the film’s release in theatres this week, Peter Gray spoke with the actors – Friend stars as…
As the lead in Netflix’s The Lincoln Lawyer and flexing a more intimidating muscle on screen in films such as The Magnificent Seven, Sicario: Day of the Soldado, and Sweet Girl, it’s a welcome change when Manuel Garcia-Rulfo arrives in A Man Called Otto, beaming an infectious smile and displaying effortless charm. Said smile and…
Welcome back, Mr. Hanks. After adopting a not-so-easy to digest accent and exaggerated acting style in Baz Luhrmann’s divisive Elvis, and whatever the hell that adaptation of (not Guillermo del Toro’s) Pinocchio was, America’s loveable dad has returned for another of his committed, affable turns in Marc Foster‘s A Man Called Otto; which is rather…
When director Michael Bay gets handed $150 million from Netflix to make a movie you can be guaranteed that he’s going to make something pretty insane. Where in the past he has felt a little hamstrung by studio expectations or interference, his latest effort feels like a return to form. For Netflix, 6 Underground is…