Reviews

Film Review: Jay Kelly; George Clooney is charming and agreeable in soft Netflix dramedy

Though a richly textured performance from George Clooney (even if he is essentially playing himself) and some warm support from Adam Sandler (though his overuse of the word “Papi” starts to grate) help bolster Jay Kelly, it’s difficult to entirely find a way into the universality writer/director Noah Baumbach (Marriage Story, White Noise) hopes to…

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Film Review: Oh. What. Fun.; Michelle Pfeiffer is as luminous as she is biting in warm Christmas comedy

From the opening of Oh. What. Fun., director/writer Michael Showalter and his co-writer Chandler Baker very much express both the importance of mothers during the festive season and how, in the realms of cinematic ventures, they’re an under valued character.  As the film’s loving focal point, Claire Clauster (Michelle Pfeiffer, always a treat to see…

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Series Review: Ghosts: Australia is a clever transposition of a modern comedy classic – even if the jokes sometimes don’t quite land

When Ghosts: Australia was announced, it might be fair to say that the idea was met with some trepidation. There have been numerous examples of comedy hits in one country failing to impress when adapted for another – anyone remember when they tried to do an American version of Kath and Kim? Yet Ghosts, based on the…

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Film Review: In Your Dreams; Netflix’s new family adventure is magical, wonderous viewing

There’s a Pixar-like wonder to In Your Dreams that helps this particularly sweet family adventure film feel like it’s somewhat of a classic – despite the fact that it’s freshly releasing on Netflix as perfect programming for the impending holiday season. Embracing a mentality that likens it to the types of family films we saw…

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Film Review: Playdate; Alan Ritchson’s wild comedic turn will make you want to RSVP to Prime’s latest action escape

With his imposing size and gruff delivery, it makes sense that Alan Ritchson has become so synonymous with the character of Reacher. It’s also why it’s such an inherent joy to see him considerably let loose in Playdate, a simple action-comedy that reminds us that the actor is quite a gifted, goofy comedian. He’s the…

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Series review: Only Murders in the Building sets up another complicated puzzle in its fifth season

Oh that every home should have a doorman as wise and as kind as Lester Coluca. Sadly, Lester (Teddy Coluca) was the victim for the fifth season of Only Murders in the Building, and this season’s mystery revolves around our three amateur sleuths finding out who had left him for dead in the fountain at the…

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Film Review: Frankenstein; Guillermo del Toro’s classic retelling is as haunting as it is beautiful

Though it’s been a story told countless times before, you can’t help but still be monstrously excited at the prospect of Guillermo del Toro adapting Mary Shelley’s classic Frankenstein.  His name above the title just feels correct, and not just because the director has been talking about helming his version of the story for close…

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Film Review: The Hand That Rocks the Cradle is a quiet, more patient thriller than the 90s original

Given this day and age where (mostly) everyone is traced to a social media presence and it’s not as easy to get away with saying who you aren’t, the premise of the original 1992 domestic thriller The Hand That Rocks the Cradle, where a sweet-natured mother essentially hires a stranger off the street to watch…

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Film Review: Held Hostage in My House; Netflix thriller is a campy, melodramatic affair

With a title that can’t be misconstrued in all its obviousness, it makes sense as to why Held Hostage in My House adheres to a melodramatic, campy temperament. Despite the cheapness of proceedings, you have to hand it to writer/director Anna Elizabeth James (who seemingly has a penchant for blatantly titled thrillers, with Sinister Sorority…

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Film Review: Other is a gradually unsettling thriller that revels in its confusion

It’s not too far into the 95 minutes of David Moreau‘s Other that it becomes eerily evident that everyone aside from lead Olga Kurylenko has their appearance intentionally hidden or distorted from view.  Moreau himself stated that it was a visual additive that played into the loneliness and confinement of Kurylenko’s Alice, who spends the…

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Film Review: Play Dirty; Mark Wahlberg and LaKeith Stanfield charm their way through chaotic actioner

Whether we’ve taken notice or not, but, much like your James Bonds, Jack Ryans and Jack Reachers, the character at the centre of Shane Black‘s Play Dirty – Parker – is a cinematic mainstay who has appeared in films dating back to the 1960s, portrayed either directly or taken inspiration from by a multitude of…

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Series Review: Chad Powers; Glen Powell’s charm carries surprisingly wry series

Whilst it’s understandable that Glen Powell‘s rise to fame over the last few years has very much leant into his obvious sex appeal, you have to hand it to the actor for not always relying on it within his projects.  Namely his latest effort, Chad Powers, a sports-themed comedy series that he and producer/writer Michael…

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Film Review: Swiped; Lily James elevates conventional biopic detailing the foundation of the dating app

Whilst the story behind how Whitney Wolfe Herd both co-founded Tinder and its eventual competition, Bumble, is exciting and full of suitable intrigue, Swiped, with its understandable embellishments, never quite graduates beyond surface level interest.  It’s an entertaining film, without question, with another committed Lily James performance at its core, but The Social Network this…

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Film Review: Eenie Meanie; Samara Weaving dominates slick, 70s-inspired revenge flick

Taking a break from the horror genre she has so effortlessly cornered over the majority of her exciting career thus far, Samara Weaving exudes her expected charm and badassness as the titular Eenie Meanie in writer/director Shawn Simmons‘ ode to the 70s action movie, an irreverent, fast-paced actioner that blends its comedic thrills with a…

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Series Review: The second season of The Buccaneers takes a tonal departure as it attempts to fill the Bridgerton-sized hole in your streaming schedule

Apple TV+’s The Buccaneers aired the final episode of its second season last week, laying the groundwork for a potential third season. Whether it was a case of the pacing being hindered by the one episode a week release structure, or the show getting too far away from its original source material, this historical drama…

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Netflix’s Leanne is a wholesome reminder of the classic sitcom format

Earlier this year, Max Mutchnick and David Kohan brought a classic sensibility of the sitcoms of heyday to streamer Hulu (Disney+ here in Australia) with Mid Century Modern.  The Will & Grace creators maintained a sense of nostalgia with the multi-camera format and live audience participation, whilst updating the humour to include a more modern…

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Is Netflix’s Too Much just that? Or is Lena Dunham’s new dramedy just right?

Despite the fact that the recent Materialists has been rightfully acclaimed and turned a neat little profit for its US distributor, A24, you’d be forgiven for thinking that the Dakota Johnson-led rom-com-dram was one of the worst films to ever grace the screens for the hoards of millennials who were disappointed that it was more…

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Series Review: We Were Liars; occasionally slow and misguided drama is saved by its emotional complexity

From the beloved E. Lockhart book of the same name, We Were Liars is the highly anticipated Prime Video adaptation developed by Julie Plec and Carina Adly Mackenzie. With an all star cast featuring Emily Alyn Lind, Caitlin FitzGerald, Mamie Gummer, Candice King, Rahul Kohli, Shubham Maheshwari, Esther McGregor and Australian actor Joseph Zada, We Were…

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Film Review: The Surfer; Nicolas Cage descends into madness in paranoid, bizarre Australian thriller

Intentionally testing audience patience across its increasingly bizarre, tension-laced 100 minutes, Lorcan Finnegan‘s Australian thriller The Surfer is more about breaking points than Point Break as it mashes surfing culture localism and toxic masculinity. Thomas Martin‘s script doesn’t give specific names to the majority of its players, instead referring to the film’s protagonist as simply…

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The Accountant 2 is coming to Prime Video

After a successful box office run, the Certified Fresh, SXSW Audience Award-winning film is coming to Prime Video! It’s been nearly 10 years since Ben Affleck debuted as Christian Wolff, aka The Accountant, in the same-name actioner that Gavin O’Connor pushed to a sizeable box office haul ($155m) despite tepid-ish reviews.  That being said, average reviews have never stopped a…

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Series Review: The Better Sister escapes its familiar set-up thanks to strong performances and a genuine sense of unpredictability

The type of intriguing, wealthy-white-centered murder mystery that feels as if Nicole Kidman is going to swan in at any given moment, The Better Sister manages to escape its familiar set-up thanks to strong performances and a genuine sense of unpredictability surrounding the “who” and “why” of it all. That familiar set-up involves the murder…

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Series Review: Nine Perfect Strangers Season 2 commits to a darker, more emotional personality

If there’s one thing Nicole Kidman is going to commit wholeheartedly to in any of her multitude of projects, it’s that her character will indulge in a wig or an accent.  In the case of Nine Perfect Strangers, it’s both. Four years ago, hot off the success of her “Big Little Lies” being transformed into…

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Series Review: Tucci In Italy reheats the tested format of the travel and cooking show to grand, charming effect

Furthering his effortless charisma and likeability, Stanley Tucci makes his lifestyle of Italian region hopping and delighting in their signature gastronomic feasts a real treat to behold. Usually having to endure other people – and rich people, at that – having the time of their (and our) lives isn’t the most enjoyable experience, and whilst…

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Series Review: Overcompensating is everything you want in a queer coming of age story…and more

Known for his beloved comedy shorts online, Benito Skinner quickly rose to fame in 2020 with his hilarious celebrity impressions, skits, and original characters. The sense of humour he brought during such (and I hate to say it) unprecedented times made Benny Drama an iconic internet hall of famer, and it doesn’t look like he’ll…

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Series Review: The Four Seasons; Tina Fey’s new Netflix outing is a more dramatic affair than expected

Despite being created by Tina Fey, whose previous television ventures have adhered to a more satirical, exaggerated mentality (see 30 Rock and The Unbreakable Kimmy Schmidt), her Netflix offering, The Four Seasons, is considerably more grounded and dramatic.  Sure, there’s genuine bouts of humour peppered across the 8 episodes, but audiences expecting raucous laughter best…

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Film Review: Another Simple Favour is a twisted, delicious black comedy that savours its melodramatic flair

Whilst it shouldn’t have taken as long as 7 years for us to be gifted a sequel to 2018’s comedic thriller A Simple Favour – a quirky piece that played out like Gone Girl rinsed through the cycle of a soap opera – director Paul Feig (Bridesmaids, Spy) and writers Jessica Sharzer (who also penned…

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Series Review: Étoile is a visually beautiful and wonderful celebration of the world of ballet

Amy Sherman-Palladino and Dan Palladino, the Emmy winning showrunners and collaborative couple who created shows like the beloved Gilmore Girls and the critically acclaimed The Marvelous Mrs. Maisel, are diving into the world of ballet with Étoile. The Palladinos are far from strangers when it comes to world of music and dance, with both aforementioned series…

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Series Review: The Handmaid’s Tale Season 6 is a fierce final march

The Handmaid’s Tale has always meant different things to different people; a cautionary tale, a grim prophecy, or a dramatised echo of historical truths. Over its run it’s drawn praise and criticism in equal measure, and now, as it enters its final season, it faces the daunting task of delivering a satisfying conclusion, while also…

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Series Review: The Narrow Road to the Deep North is a towering achievement that revels in its atmospheric brutality

Though there’s usually always a sense of unflinching violence that laces the filmic work of director Justin Kurzel (Snowtown, Nitram, The Order), his debut detour into episodic television, The Narrow Road to the Deep North, is considerably more blunt in its brutality.  Perhaps because the prose at the series’ center – Richard Flanagan‘s winning novel…

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Should you stream Netflix’s Ransom Canyon this Easter weekend?

The type of show where the melodrama is ripe, the ranch settings are lush and the aesthetically pleasing cast go by such names as Yancy and Staten, Ransom Canyon has the right temperament to be the next easily digestible Netflix streaming obsession.  The type of generic show people put on to not pay attention to,…

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