Reviews

Film Review: Transformers: Age Of Extinction (M) (USA, 2014)

Michael Bay has managed to somewhat redeem himself with Transformers: Age of Extinction with a too long but well worth it rollercoaster ride. Just remember, it’s Hollywood, it’s Bay, it’s not really supposed to make sense and you’re really going to watch the giant robots and cars and see things blow up. Firstly, lower your…

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Film Review: Yves Saint Laurent (France, 2014)

The late, French fashion designer, Yves Saint Laurent will be the subject of two different biopics this year. The first is the eponymously-titled one from actor-turned-director, Jalil Lespert and is perhaps the most authentic film, as it had the full support of Saint Laurent’s lover and business partner. Pierre Bergé lent original outfits, designs, and…

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Sydney Film Festival Review: Something Must Break (Sweden, 2014)

For all the sadness and terrifying places that Ester Martin Bergsmark’s latest film takes us there is so much triumph and disclosure on the journey. After all the suffering we feel for the characters in this film it tears you apart. If Something Must Break doesn’t break you, you are either an incredible, strong soul…

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Sydney Film Festival Review: Love Eternal (Ireland, 2014)

Director Brendan Muldowney has crafted something both beguiling and disturbing with film Love Eternal; he has done so in a way that adds a layer of beauty on top of something which would unnerve a lot of viewers. Muldowney loosely based this film on the novel Loving the Dead by Japanese author Kei Oishi, who…

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Sydney Film Festival Review: The Gold Spinners (Kullaketrajad) (Estonia, 2013)

Peedu Ojamaa once had the world’s greatest job. He was the founder and boss of the only commercial film studio in the Soviet Union at a time when the iron curtain ruled and there was a strictly planned economy. Advertisements were unnecessary as there was a shortage of goods due to government controls, but these…

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Film Review: Rhymes for Young Ghouls (Canada, 2013)

Up until the mid-to late- twentieth century the Indian Act in Canada imposed various forms of control over its Native Indian citizens, most notably in the form of Residential Schools, which all Indian children under fifteen were forced to attend, and the Caucasian ‘Indian Agents’ that ran them. These rules are at the centre of…

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Film Review: 22 Jump Street (MA15+) (USA, 2014)

When it was first announced a few years ago that Channing Tatum and Jonah Hill would be starring in a comedy reboot of the popular 1980’s TV series 21 Jump Street, sceptics around the world raised their eyebrows. To put it bluntly, it sounded like a stupid idea. No one was really holding out for a…

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Film Review: Watermark (Canada, 2013)

Humans need water. People are also made of water. And we affect water. The documentary, Watermark looks at the different experiences that society has with water, from celebration to pure science; from duress to progress and through spirituality and work, the many facets of this subject are covered by this ambitious project. But audiences will…

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Sydney Film Festival Review: Wish I Was Here (USA, 2014)

Indie film and TV darling Zach Braff has taken a decade as well as a controversial Kickstarter crowd funding campaign to finally have his second feature brought to life on the big screen. Wish I Was Here examines the struggles of the thirty-somethings of our generation, including unemployment, marriage, raising kids and the inevitability of…

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Sydney Film Festival Review: The Little Death (La Petite Mort) (Australia, 2014)

La Petite Mort translated as The Little Death, is a French euphemism for orgasm, referring to the post-orgasmic state of consciousness some people go through after a sexual experience. Josh Lawson’s (Any Questions for Ben?, Anchorman 2) low budget directorial debut based on this intriguing concept, is an extension of a short film he’d put…

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Classic Film Reviews: Three films by Agnès Varda (France) ahead of the ACMI retrospective.

Agnès Varda is a director who has a nose for a good story and an eye for the sublime. The Grand Dame of French New Wave Cinema started her career as a stills photographer and it is clear that she has brought these skills to her feature films. Her movies are often quite sensual and…

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Sydney Film Festival Review: Kumiko, the Treasure Hunter (USA, 2014)

When we see those pre-empting words of ‘based on a true story’ at the beginning of a film, we are usually left thinking about how much of what we see is fiction, and how much is fact. In the case of Kumiko, the Treasure Hunter, the latest offering from the Zellner Brothers, the protagonist is…

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Sydney Film Festival Review: Ilo Ilo (Singapore, 2014)

It’s 1997 and the Asian Financial Crisis is in full swing. Companies are downsizing, people are feeling the pinch and the burden of providing for one’s family is high. It’s in this pressure-cooker environment that first-time Singaporean director Anthony Chen brings Ilo Ilo. For many, Ilo Ilo is not just about class systems but also…

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Sydney Film Festival Review: Love.Love.Love (Russia, 2014)

Awarded the Special Jury Award winner at the Sundance Film Festival, Love.Love.Love is a charming short documentary film about the notion of love as seen through the eyes of a group of woman ranging from young girls to elderly women. Love.Love.Love was developed via the Cinetrain initiative, a cinema event that takes place in Russia…

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Sydney Film Festival Review: Yearbook (USA, 2013)

There’s only one time in my life that I can recall having something that I can only describe as an anxiety attack. It was at a Brian Cox lecture in Sydney last year and I believe it was when the rockstar physicist was describing the moment when the Earth would cease to exist. The very…

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Sydney Film Festival Review: Dior & I (France, 2014)

Dior & I could be renamed “Dior & Co.” or “Dior & Us”. The documentary film goes behind the scenes at the French fashion house as the new creative director for Dior Haute Couture, Raf Simons prepares his debut collection. After John Galliano was unceremoniously fired amid controversy (he’d made anti-Semitic comments at a Parisian…

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Sydney Film Festival Review: At Berkeley (USA, 2013)

  Of all of the films screened at the 2014 Sydney Film Festival, At Berkeley is perhaps the timeliest, considering the recent reveal that the budget here in Australia could see considerable changes to the tertiary education landscape. At Berkeley acts as a peek into how the University of California, Berkeley, is run in the…

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Sydney Film Festival Review: Abuse of Weakness (France, 2013)

Abuse of Weakness, the latest offering by French filmmaker Catherine Breillat, is an intriguing and compelling film that unflinchingly portrays Breillat’s own curious story. The autobiographical film is based upon Breillat’s experiences, beginning with her suffering a stroke in 2004 and following her through the long recovery process and adapting to life partly crippled. During…

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Sydney Film Festival Review: Gabrielle (Canada, 2013)

The theme of two lovers kept apart from their families or individual circumstances is hardly anything new. But Gabrielle is a film that deals with another rarely discussed subject and one that is infrequently depicted in cinemas. It is the love lives of the disabled and this film shows this with dignity and for the…

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Sydney Film Festival Review: Fish & Cat (Iran, 2013)

Fish & Cat feels like a dream that’s forever threatening to turn into a nightmare. This bizarre and unsettling film, by Iranian director Shahram Mokri, is supposedly based on true events where a restaurant served human flesh, and its roughly two hours of runtime is filmed entirely in one shot. Imagine a re-enactment of a…

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Sydney Film Festival Review: The Queen (Argentina, 2013)

The Queen is a gritty and dazzling short presented by Argentinean director Manuel Abramovic. I’ve called this one gritty and dazzling because it is full of sequins, incredible glittering costumes but also suffering. This film is a short 15-minute vignette of Memi’s life. Memi is only 11 years old and she is going to be…

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Sydney Film Festival Review: Goal of the Dead (France, 2014)

Is it too much of a stretch to imagine a crowd of rabid soccer fans turning into a mob of hyper-violent, destruction-hungry rioters? Such is the question when gearing up to watch a two-part French horror film which quite proudly displays it’s mixed-genre glory in it’s trailer. It isn’t hard too understand what’s going on…

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Sydney Film Festival Review: The Two Faces of January (M) (UK/USA, 2014)

Not everything or everyone is quite what it seems in this gripping thriller that brings a wealthy American couple and a young shady tour guide together on an increasingly tense journey across the Mediterranean as they try to evade the law. Chester MacFarland (Viggo Mortensen) and his gorgeous young wife Colette (Kirsten Dunst) are holidaying…

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Film Review: Maleficent (PG) (USA, 2014)

It’s hard to believe it’s been four years since we last saw Angelina Jolie on the big screen (the tepid 2010 thriller The Tourist sitting as her most recent live action affair) and in the time waiting to see her as the titular Maleficent we’ve been teased and taunted with imagery greatness, leading us to believe that…

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Sydney Film Festival Review: Lake August (China, 2014)

In Lake August, screening as part of the Sydney Film Festival, what little drama occurs is almost completely subsumed by the landscapes of the film. A young man, Ah Li, drifts across a remote corner of rural China, smoking and drinking beer, but mostly just standing there, for almost two hours in a film comprised…

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Sydney Film Festival Review: Frank (USA, 2014)

Since premiering at Sundance earlier this year, Lenny Abrahamson’s new film Frank has become one of the most talked about films of the festival circuit, lighting up cinemas with its iconic papier-mâché head from SXSW all the way to Sydney Film Festival, where it had its Australian premiere this weekend; the place where Abrahamson’s What…

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Film Review: The Rover (MA15+) (Australia, 2014)

“Australia – Ten Years After the Collapse” This is as explicit an explanation as David Michôd gives in terms of explaining where we find ourselves in his second full length feature, The Rover. Following on from the remarkable Animal Kingdom, this could not be more a different film. In place of a multitude of characters,…

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Film Review: Les Plages d’Agnès (The Beaches of Agnès) (France, 2008)

Agnès Varda – the Grand Dame of French New Wave Cinema – has lived one rich and vibrant life. And in Les plages d’Agnès (The Beaches of Agnès) this is captured perfectly. The film is a strange documentary that is helmed by the doyenne art house director and lovable eccentric, as she candidly takes us…

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Sydney Film Festival Review: Pulp: A Film About Life, Death & Supermarkets (UK, 2014)

Pulp are a band of the people. So it should come as no surprise that the film about their last concert performance in their Sheffield hometown is at times more about their fans and the locals then the self-deprecating group itself. Florian Habicht’s (Love Story) documentary, Pulp: A Film About Life, Death & Supermarkets plays…

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Sydney Film Festival Review: The Day She Commits Suicide (Japan, 2013)

“Today is gonna be a good day. Because, today is ideal day to commit suicide.” The tagline for Yuichi Suita’s short film is both poignant and funny in an absolutely guilt-inducing way. It’s also telling of how viewers are likely to feel throughout the seven-minute film. We watch the un-named and silent protagonist as she…

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