Film

Film Review: Personal Shopper (USA, 2016) falls flat with its supernatural elements

Poor Maureen (Kristen Stewart). Her boss, Kyra (Nora von Waldstätten) is impossible, sending her all over Europe for clothes and shoes she is too rich and famous to buy for herself. On top of that, her twin brother died a few months ago, and he still hasn’t contacted her from the beyond, even though he…

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Film Review: CHiPs (MA15+) (USA, 2017) seldom earns its comedy tag

After proving himself a competent director and screenwriter with the rather modest (at least in comparison) action/comedy Hit & Run in 2012, Dax Shepard unfortunately fails to pair the aforementioned genres together again with CHiPs, an extremely loose adaptation of the popular 1977 television series, which attempts to blend sordid humour with high-grade action and…

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Australian Box Office Report: Beauty and the Beast keeps its rose alive at the top of the ladder

Disney’s new live action version of Beauty And The Beast is at the top of the box office ladder again this week. Although it only made $7.74m this time around (last week it made $13m), its total earnings since its premiere is $26.15m, and, at the rate it’s travelling, is now likely to be one…

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SXSW Film Review: Divine Divas (Brazil, 2017) is both a beautiful preservation and an accomplished slice of filmmaking

More a celebration of drag culture than a heavy-handed expose, Divine Divas proves a fascinating watch as it allows a peak behind the curtains of one of Brazil’s first establishments to showcase men dressed as women. In 1960’s Rio de Janeiro, the Rival Theatre – under the forward thinking of Americo Leal – was one…

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Film Review: Dance Academy: The Movie (Australia, 2017) still knows how to create great teen drama

Dance Academy was one of the shows that defined by teenage years. I was by no means a dancer; yet the representation of real, raw teenage issues was presented in an Australian spotlight – especially on a network that was rather lukewarm at the time (ABC3, now branded as ABCME) was addictive for an entire…

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SXSW Short Film Review: Tough (UK, 2016) redefines the documentary genre tag with inventive animation

A bold colour palette expressing traditional Chinese imagery overlays both the personal and political difficulties filmmaker Jennifer Zhang has with her mother in Tough, a short student film that redefines the documentary genre tag. In the space of four short minutes, Zhang manages to convey an alarmingly detailed view of her relationship with her mother,…

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SXSW Film Review: Prevenge (UK, 2017) could be the only film of its kind this decade

In 1968 we received Rosemary’s Baby. It was the film that established Roman Polanski’s ability to bring madness onto screen and placed Mia Farrow as the paranoid mother, unknowingly carrying Satan’s spawn through nine months of fear and mental ruin. It was a landmark film, exploring the psyche and anxiety of an expecting mother. In…

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Film Review: Ghost In The Shell (USA, 2017) is a visual spectacle, but lacks original storytelling

The first scene of Ghost In The Shell is incredibly haunting, as a crimson-hued setting features a fresh, human brain being delicately placed into a robotic body. It’s an uneasy mixture of human and AI – and according to Tesla CEO Elon Musk – it is a reality that’s not too far into the future, once…

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SXSW Film Review: Two Pigeons (UK, 2017) is raw, unsettling, and totally intriguing

Never have I been so disgusted and intrigued at the same time but after watching Two Pigeons – Dominic Bridges‘ directorial debut – its interesting how much we take our security and privacy for granted. After all, if you found you had a squatter living with you, would you ever really be the same? Vulgarity…

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Australian Box Office Report: Beauty and the Beast achieves the biggest box office opening of the year to date

There has been a lot of movement on the charts this week, thanks to a crowded pile of new entries into cinemas over the weekend. The highly anticipated Disney remake Beauty and the Beast went straight to the top of the ladder.  It sits comfortably at no. 1, having earned $13.14m, giving it the biggest…

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AF French Film Festival Review: Being 17 (France, 2016) is a thoughtful coming-of-age story

If Being 17 is any indication, the 2017 Alliance Francaise French Film Festival is off to a great start. Coming-of-age films are a genre that I deeply appreciate. With no need of a strong reliance on plot, seeing the progression of a protagonist through young adulthood can be compelling on a cinematic level. So when…

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AF French Film Festival Review: Tran Anh Hung’s Eternity (France, 2016) is a tone poem brought to life

Though I am Vietnamese, because I was raised in Australia for all of my life, I never really experienced much of Vietnamese culture. However, there were some films that I had watched that had always stuck with me, and those were the works of Vietnamese director Tran Anh Hung. Showing the true beauty in the…

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Film Review: The Lego Batman Movie (USA/AUS 2017) is hilariously self-aware of the superhero genre

Three years after we were wowed and bamboozled by The Lego Movie and that damn “Everything Is Awesome” song has now finally gotten out of our heads, it’s time to revisit one of its popular characters in his own standalone film. The Lego Batman Movie takes our dark, broody and narcissistic Dark Knight and puts…

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SXSW Film Review: A Bad Idea Gone Wrong (USA, 2017) steals all the right notes

A Bad Idea Gone Wrong is Jason Headley’s full feature length debut and I must say, Headley gives a simple concept a fantastic tune up. With this Comedy/Drama, two down on their luck thieves, Marlon (Matt Jones) and Leo (Will Rogers) land their next heist opportunity, a fancy mansion home while the owners are away….

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AF French Film Festival Review: A Woman’s Life (France/Belgium, 2016) is a melancholy look into a past patriarchal life

A dark, moving yet warming adaptation of Guy de Maupassant’s classic novel Une vie is eloquently created in to a period arthouse picture by director Stéphane Brizé (The Measure of a Man), as a young woman comes to grasp the turmoil that unfolds around her in 19th-century France. The aesthetic of the film is created perfectly by…

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Film Review: Power Rangers (USA, 2017) is an unexpected thrill for the teen superhero genre

To go back and transpose Power Rangers into a blockbuster teen superhero film in this day and age seems like an odd choice. Though the original TV series quickly became a cult hit, time hasn’t been so kind to the franchise, even if it has strangely persisted for over two decades (it’s 24th season is…

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Film Review: Life (USA, 2017) hits all the beats we’re used to but in a more polished container

One day Hollywood might be able to come up with a new science fiction movie that has us discovering a fluffy cute adorable friendly alien. One day Hollywood might be able to come up with a group of characters who actually have character development, prior to being ruthlessly dispatched. One day Hollywood might be able…

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Australian Box Office Report: Kong: Skull Island proves king of the box office over Marvel for another week

It appears there’s no stopping the mighty King Kong, as Kong: Skull Island topped the box office for the second week in a row, earning $3.13m. The number of screens this film is available (nationally) has dropped from 523 last week to 395 this week, so we might see this one slip a little after…

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Film Review: Beauty And The Beast (USA, 2017) has breathtaking moments of grandiose cinematic bliss

A story that originated in 1740 now considered one of the most beloved and beautiful of fairytales that has been remade/rebooted/retold a countless number of times, Beauty And The Beast is considered a tale as old as time. Of late Disney has been having a bit of a renaissance if you will, remaking number of…

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AF French Film Festival Review: Monsieur Chocolat (France, 2016) is an emotional ride that leaves you in deep contemplation

Breathtaking and magical, Monsieur Chocolat (directed by Roschdy Zem) is one to watch if you want to experience a Parisian night. Immerse yourself in the world of 19th-century French circus and follow the biopic story of Chocolat (Omar Sy). He journeys from a performer acting as the “cannibal” to a more respected position as a…

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SXSW Film Review: California Dreams (USA, 2017) should be called “California Delusions”

With La La Land having recently dominated the Oscars, its story about 2 hopefuls trying to make it in Hollywood uncomfortably lingered in the back of my mind while watching California Dreams. Both La La Land and California Dreams share a similar premise of “dreams are built on sacrifice”, however the films attack their subject…

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SXSW Film Review: Long Strange Trip (USA, 2017) celebrates the magic, myth and madness that is The Grateful Dead

Long Strange Trip is a documentary about the Grateful Dead that feels just like being at one of the band’s concerts. It is a sprawling, swirling psychedelic affair that lives up to its name as it celebrates a band that has notched up over 50 years in the music business as the reigning kings of…

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SXSW: Josh Lawson, Director Josh Greenbaum and Australia’s own 007 George Lazenby talk Becoming Bond

Hot on the heels of winning the SXSW Audience Award for the “Visions” programming, we sat down with Aussie actor Josh Lawson, Director Josh Greenbaum and Australia’s own 007 George Lazenby to talk about the film Becoming Bond, which premiered at the festival last week. This pseudo-documentary tells the story of Lazenby, the only Australian…

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Film Review: The Eagle Huntress (G) (UK/MONG/USA, 2016) follows an inspiring subject

I have to admit, I don’t watch a lot of documentaries, but I’ve loved the ones I’ve seen. Some of them haven’t felt like documentaries at all, mainly because the stories behind them are a little too one-sided or hard to believe. Films like Super Size Me and Bowling for Columbine have been accused of being false, manipulative…

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SXSW Film Review: Mission Control: The Unsung Heroes of Apollo (UK, 2017) is a love letter to NASA’s rocket men

Stop and take a moment to think about what you were doing at the age of 27 or what you will do if it’s yet to come. If you’re a musician it is likely that you are dead but if you were working at NASA during the Apollo era then you had a hand in…

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SXSW Film Review: The Honor Farm (USA, 2017) struggles with its narrative

Horror films aren’t like they used to be. Gone are the days of chainsaw wielding psychos with mummy issues and hockey mask wearing killers…. with mummy issues (I’ve stumbled upon something here). Indeed, the genre has become less about horny teenagers getting gutted in creative ways and more about utilising tropes to symbolise prevalent issues…

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Film Review: Loving (USA, 2016) is a study in the true power of love

Loving is a film that shares a few things in common with A United Kingdom. They are both based on true stories and at the centre of each film you have a married, interracial couple who just want to live together as husband wife and leave the politics out of the bedroom. Loving is a…

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SXSW Film Review: Like Me (USA, 2017) Is disorientating and beautiful

When I was nineteen I spent three straight days without sleeping. I had just moved to Tokyo and couldn’t cope with the light pollution or the sounds from the trains that ran behind my flat. I would spend the nights listening to relaxing music and watch films during the day. On the third morning at…

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Australian Box Office Report: Kong: Skull Island muscles his way to the top

Hollywood blockbuster Kong: Skull Island, has just beaten Aussie Hugh to the top spot, in its first weekend at the box office. Kong: Skull Island took in $4.71m, and stars Tom Hiddleston and last year’s Best Actress Oscar winner, Brie Larson. Logan still did considerably well, sitting at no. 2 on the box office ladder and…

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SXSW Short Film Review: Adult (Australia, 2017) is an unflinching portrayal of the adult film industry

Based on award winning Greek-Australian author Christos Tsiolkas’ short story Porn 1, Adult is an unflinching portrayal of the adult film industry and the mark its key figures leave on their loved ones. Set in a time long ago when the humble VHS was still a thing, Writer/Director Jamieson Pierce’s short centres on elderly Greek…

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