Reviews

Theatre Review: Melba lifts the veil by celebrating Australia’s great dame (at Sydney’s Hayes Theatre to September 9th)

From little things big things grow. Paul Kelly could have sung this about Australia’s very own, Dame Nellie Melba. This famous soprano grew up with rather modest beginnings before she forged her own fabulous career. She eventually took the world by storm and become a renowned opera diva. The Hayes Theatre are playing host to…

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Theatre Review: Sink your teeth into shake & stir’s bloody brilliant adaption of Dracula (At Brisbane’s QPAC to September 2nd)

Jonathan Harker has been sent to deepest, darkest Transylvania, to do business with the mysterious Count Dracula, who wishes to move to England. But the Count has goals far more sinister than merely purchasing property in Victorian London. Trapping Jonathan in his castle, he reveals himself to be a vampire, plotting to make England his…

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Theatre Review: After the Dance lacks a strong message for modern audiences (at Sydney’s New Theatre until 9 September)

The characters in Terence Rattigan’s After the Dance spend a lot of the play complaining about people they consider boring. But sadly for the New Theatre, the biggest bore in this production is the play itself. Despite some commendable performances by key members of the cast, this play just doesn’t seem to have anything to…

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Theatre Review: The Hamlet Apocalypse returns to Brisbane to offer a gut wrenching countdown to the end of the world (Until August 19th)

The world is ending. On the eve of the apocalypse, seven actors come together to stage Shakespeare’s Hamlet, that infamous tale of crippling indecision, madness real and feigned, and murder most foul. Over the course of the production, the lines between fiction and reality begin to blur, as the cast try to come to terms…

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Theatre Review: Kim Noble is the ultimate voyeur in his latest work You’re Not Alone (Performances until August 13th)

As you enter the Beckett Theatre, ‘Rebel Yell’ by Billy Idol is blasting through the speakers and various Google searches are being projected onto the big screen at the back of the stage. Ever wondered how much a horse costs, or how much a blow job costs, or if you can take a dead squirrel…

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Theatre Review: Kindertransport moves its audience with honest and frank stories (Darlinghurst Theatre Company until 20th August)

Prior to the commencement of the Second World War, Britain took in over 10,000 Jewish refugee children from Europe. This was known as Kindertransport, with the majority of the children never seeing their families again. Diane Samuels play, Kindertransport, follows the story of Eva who is sent from Hamburg to England in 1938 when she…

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Theatre Review: The Production Company’s Jesus Christ Superstar will leave you with mixed emotions (State Theatre, Melbourne to 13th August)

We all know the story about the crucifixion of Jesus Christ and the undeniable suffering he endured in his last hours. Well, this musical – Jesus Christ Superstar – chronicles the days leading up to Jesus’ last, and does so through song and dance. With Andrew Lloyd Webber as the almighty creator of this work, it’s understandable…

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Theatre Review: Hello, Goodbye & Happy Birthday is beautifully honest and an absolute delight to watch

Hello, Goodbye & Happy Birthday explores the fears and hopes of those looking for direction at the start of their lives and those searching for peace at the end. The cast is made up of three young performers (Aileen Huynh, Izabella Yena and Matthew Connell) and three older performers (Jim Daly, Roger Oakley and Evelyn…

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Theatre Review: Split Second Heroes take on an action adventure – Space Theatre, Adelaide

The Space Theatre stage setting is sparse; a central console and an outer ring of lights are the only props. The three performers, Black, White and Grey enter the stage to the sound of pulsing music and start to circle around the space, slowly at first then picking up the pace. The effect is one…

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Theatre Review: The Bodyguard is a cacophony of sound and delight (at QPAC Brisbane to 13th August)

Have you ever said to yourself, “this weekend I want an uber-cheesy, sparkly glittery, overly accented, pyrotechnic spectacular?” Well then maybe The Bodyguard – which just kicked off its four week run in Brisbane – is for you. Whether or not you’ve seen the movie is not in the criteria to enjoy this show. It’s…

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Theatre Review: SHIT is bold, brash and unapologetic (at Seymour Centre until 29 July)

Language warning: if the title makes you uneasy you probably won’t enjoy this show. It slaps you across the face with vulgarity, ugliness and brutality. But if you love innovative, challenging theatre, you must see SHIT at the Seymour Centre this July. SHIT is not so much a narrative as it is a profile of…

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Theatre Review: This Much is True shines a light on Sydney’s underbelly (Performance at The Old Fitz until 12 August)

In a theatre hidden in the back of a pub in the depths of Wolloomooloo gather a motley cast of characters who look to have stepped straight onto the stage from the street outside. Throw in a hefty dose of humour, a smattering of nostalgia and a generous amount of alcohol and you have This…

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Theatre Review: Mauritius is hilarious, heartbreaking and thoroughly engaging (Sydney’s New Theatre until 29th July)

After the death of their Mother, two estranged half-sisters enter into a heated debate over which one of them owns a coveted stamp collection. Jackie (Kitty Hopwood) is the younger of the two and she sees the sale of the stamp collection as her ticket to a better life. Standing in her way is Mary…

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Theatre Review: Noises Off is a hot mess in the best possible way (Performances in Melbourne until August 12th)

If you feel like your current workout regime is just not doing it for you anymore, and you need a little something extra, a little bit of inspiration to get that summer body back on track, might I suggest a night out at the theatre. Noises Off is quite literally the funniest show you will ever see,…

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Theatre Review: STC’s Cloud Nine does much to draw you in to this most powerful play (Performances to August 12th)

In a bleak midwinter comes forth STC’s Cloud Nine– surprising, hilarious, shocking and magnificent. The staging bespokes a Kip Williams production in its minimal design, allowing focus to solely rest upon its carefully selected cast. A layer of dirt covers the ground, upon it a glass box to which the actors retire occasionally to be…

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Theatre Review: Belvoir’s The Rover is a rollicking good time (Until 6th August)

If you’re looking for a good time, call Belvoir! The iconic Sydney theatre’s latest production, The Rover, will have you doubling over your doublets with laughter. A delightful classical script, paired with comedically-gifted actors and a theatre company who knows how to have fun, make this show a must-see. Written in 1677 by Aphra Behn,…

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Theatre Review: Vigil filled to the brim with character and passion (Art Centre Melbourne until 8th July)

Even though it is billed as a cabaret, Vigil is something that is far from that label. This one-person show – commissioned by the Adelaide Cabaret Festival – is filled with songs and interludes that weave through its story. While cabaret is traditionally seen as something jovial, Vigil cannot lay claim to this. It is…

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Theatre Review: Front proves that a lot can go on behind closed garage doors (Performances in Sydney through 15th July)

Front is a new theatre production whose name could mean lots of different things. The band could all be a “front” for something else, a group often has a “front” man and being an artist means you have to perform on-stage “front” and centre. The play is a rocking one that takes a walk on…

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Theatre Review: Call of the Ice is a sweet contemplation on one man’s childhood hero (Performances in Melbourne to July 2nd)

I’ve never had a hero like Tamblyn Lord. Well, unless Ash Ketchum, the protagonist of the 1990s animated children’s television show Pokémon, counts. Lord’s latest theatrical exploration, ‘Call of The Ice’, chronicles the voyage he painstakingly took in January 2016 to recreate the journey of his childhood (and lifelong) hero Sir Douglas Mawson. Now, as…

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Theatre Review: Blanc de Blanc is salaciously seductive take on cabaret circus (MAP57 in St Kilda’s Winter Garden until 30th July)

Do you enjoy watching scantily clad men and woman perform tantalising tasks, whilst  sashaying across a stage enclosed in the famed Speigeltent? Well do I have a treat for you, Blanc de Blanc has just landed in Melbourne! So come one come all to St Kilda’s Winter Garden where things are about to get just…

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Theatre Review: Revolt. She said. Revolt again. jolts you with hard hitting social commentary (Performances in Melbourne until July 9th)

By definition, revolt means to “take violent action against an established government or ruler”, so the fact it is in the title of the show holds great weight in the tellings of this story. This original work by Alice Birch explores the notion of what being a woman means in the 21st century, and how our…

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Theatre Review: Sunset Strip will pull at your heartstrings (Performances in Sydney until 1st July)

Outstanding performances from four extremely talented Australian actors make Sunset Strip worthy of the (relatively small) price of admission. The Uncertainty Principle and Griffin Independent Theatre have delivered a beautiful piece of theatre. Just don’t expect sunshine and laughter. By a dried up lake somewhere in regional Australia is a once-thriving holiday town called Sunset…

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Theatre Review: Sport for Jove’s Cyrano De Bergerac is nothing short of brilliant (Performances at Sydney’s Seymour Centre until June 24th)

Most people would be familiar with the story of Cyrano De Bergerac – doesn’t ring a bell? – perhaps you’re more familiar with the 1987 film adaptation Roxanne, with Steve Martin as the plays protagonist Cyrano. Written in 1897, the themes of Edmond Rostand’s play are as relevant today as when he wrote it. Questions…

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Theatre Review: SLUT packs a lot of heart in a little show (Performances until 24th June)

According to the contestants on this year’s series of Masterchef, 30 minutes is not long enough to infuse a dish with the flavour punch the judges are looking for. But it’s more than enough time for the cast and crew of SLUT, on now at the Old Fitz theatre. This whirlwind of a play is…

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Theatre Review: Wireless is eerily eruptive, quietly volatile and infinite in a confined space – Judith Wright Centre, Brisbane

A show five years in the making – Wireless is eerily eruptive, quietly volatile and infinite in a confined space. A slightly different experience every time, the show works on ambient technology bending to the will of the performers in this dance theatre conquest. Director and Choreographer Lisa Wilson explained the show is deeply rooted…

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Theatre Review: I Love You Now is a funny and complex portrait of love and infidelity – Eternity Playhouse in Sydney until 9th July

June is married to Leo, but she’s also having an affair with his twin brother Rob, and her personal trainer Hellmut. And a Catholic priest, John. Leo, meanwhile, is sleeping with Rob’s sister Michelle, his therapist Dr Shaw, as well as the family au pair Melissa. On top of all of this, June and Leo…

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Theatre Review: The Moors at Melbourne’s Red Stitch Theatre brings much needed humour to the Victorian era

The Red Stitch Theatre is utterly beguiling. I’m not sure if it is the fact that they are staging a play set in the Victorian era, or the inviting smell of mulled wine that makes me want to talk like this, but one thing’s for sure, it’s fitting. Affectionately dubbed ‘The Red Shed’, Red Stitch…

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Theatre Review: MTC’s production of Macbeth is a Hollywood action blockbuster on stage (Performances until July 15th)

If having Jai Courtney in the title role wasn’t enough to draw theatregoers in, let it be known that this modern-day reimagining of Shakespeare‘s Macbeth is like watching a Hollywood blockbuster come to life on stage. Right from the get-go, it’s as if we are immersed into the world of Mad Max with its rough guts…

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Theatre Review: The 7 Stages of Grieving at Parramatta’s Riverside Theatre is a play every Australian needs to see

The first thing that surprised me about The 7 Stages of Grieving was that I laughed. A lot. With a title such as The 7 Stages of Grieving, laughter was not something I was expecting, but such is the extraordinary talent of writers Wesley Enoch and Deborah Mailman and the exceptional skill of performer Chenoa…

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Theatre Review: The Blue Room’s Blueprint is involving, if a bit clunky (Performances in Perth to 24th June)

Blueprint, the new play currently on at the Blue Room, is tremendously watchable and involving thanks to the three actors, Sean Crofton, Jessica Russell, and Phoebe Sullivan. They exude a physicality and agitated nervousness that manages to convey an ambiently compelling story, even if I’m not 100 percent sure what’s happening a lot of the…

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