Author: Dylan Marshall

Live Review: Sam Fender + Holly Humberstone – The Showring, Sydney (21.11.2025)

It feels that November, despite being Aus Music Month, has been dominated by the Poms. Fresh on the heels of Oasis selling out stadiums and making every second middle-aged man cry about a band they never thought they’d be able to see live again, Sam Fender has returned to our shores and delivered a set…

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Oasis returned to Sydney and delivered a set that will live forever

I’ve been fortunate in my time to see some of the biggest acts of not only my life, but objectively all time. From Paul McCartney to Taylor Swift, Arctic Monkeys and Florence + The Machine, The Strokes and The Cure, I look forward to telling my future children that I got to witness some of…

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Album Review: The Last Dinner Party – From the Pyre (2025 LP)

Little more than 18 months after their breakout debut album, The Last Dinner Party return with another instant classic, the soaring rock-opera From the Pyre. After initially coming out of nowhere with the singles from Prelude to Ecstasy (including “Sinner”, “Nothing Matters” and “My Lady of Mercy”), the majority British act wowed crowds and critics…

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Playlunch deliver the best headline gig of the year at Sydney’s Manning Bar

It’s not often I say things as outlandish as the title above suggests, but I’m here to reassure you it is 100% correct: Playlunch just played the best and most fun live set of the year. Hot on the heels of the release of the second album, Sex Ed, Playlunch returned to Sydney’s Manning Bar…

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Album Review: Wolf Alice – The Clearing (2025 LP)

Wolf Alice have always been known for their edgy indie music; a sound that at times bordered on punk, littered with loud guitars, forceful percussion and sparingly, complete anger. They crafted this sound across multiple albums and EPs, touring the globe regularly to increasingly large crowds. And yet here on their new album The Clearing,…

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Album Review: Playlunch’s second LP Sex Ed is pure, unadulterated fun

In 2025, where everything either feels like a bin fire or no one can seemingly get along with anyone else, there always has to be a space for art that doesn’t take itself too seriously, while allowing those who consume it to have an unfettered experience when indulging in it. And honestly, this is exactly…

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Northeast Party House

Northeast Party House cancel kick ons and announce The Final Party tour

All good parties must come to an end. We’ve all been there before; stuck talking to someone’s random cousin, sat around the classic glass topped table in your mate’s parents’ backyard at 4am after what had been a great night. Thankfully, Northeast Party House have enough intuition to know when to call their time as…

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Album Review: Folk Bitch Trio – Now Would Be A Good Time (2025 LP)

Have you ever had a bad time listening to female led harmonies on a near acoustic soundtrack? I’m here to tell you the answer is no, and you can add Folk Bitch Trio to the list of bands that meet this description of releasing ridiculously pleasant indie-folk. Here on their debut album Now Would Be…

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Ruby Gill

Live Review: Ruby Gill + Betty – The Trocadero Room, Sydney (18.07.25)

On the back of one of the better albums released this year, Ruby Gill played their third show in Sydney in the past six months and managed to deliver an incredibly authentic and flawless set to a packed out Trocadero Room. Not even 4 months after releasing her second album Some Kind Of Control, Ruby’s…

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James Vincent McMorrow

Live Review: James Vincent McMorrow – Metro Theatre, Sydney (03.06.25)

2025 has been a massive year for Irish artists in Australia. Dermot Kennedy brought Misneach Festival here in March, while Kneecap completely dominated everything they did a few months back. And now we’ve got James Vincent McMorrow reminding everyone he’s got one of the best voices as he returns to our shores with a cover-to-cover…

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Live Review: Ball Park Music + Bean Magazine – Enmore Theatre, Sydney (30.05.25)

Australia’s loveliest band, Ball Park Music, turned it up a notch and delivered one of the most wholesome (and at times funny) sets at the Enmore Theatre as part of their Like Love album tour. With the Sydney crowd in the palm of their hands, the Brisbane locals’ set left everyone feeling loved up and…

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Live Review: Holy Holy + Rowena Wise – Enmore Theatre, Sydney (24.05.25)

It was a sweet, bitter sweet evening at the Enmore Theatre on Saturday night, as Holy Holy said goodbye to Sydney prior them heading into a long-term hiatus. After more than a decade as a band, and with six albums released, Holy Holy has called it a day and turned in one of the best…

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Album Review: Ball Park Music – Like Love (2025 LP)

Ball Park Music has been one of the most consistently prolific Australian bands of the past 15 years. Like clockwork, they’d release a hit single, follow it up with another hit single and then drop an album, tour the album for twelve months, disappear for six months before releasing an entirely new single, thus starting…

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Ruby Gill

Album Review: Ruby Gill – Some Kind Of Control (2025 LP)

Ruby Gill sounds like one of the greats of a far gone era. An artist whose voice and style transcends generations and populations. Similar to contemporaries like Laura Marling, Julia Jacklin or Angie McMahon, Gill has a calming and yet forceful delivery across all of her music. This is evident here on her second album…

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James Vincent McMorrow announces Early In The Morning 15 year anniversary Australian tour

Returning to our shores for the first time since 2017, James Vincent McMorrow has announced a short run of shows in support the 15 year anniversary of his debut album Early In The Morning. With a hat trick of shows announced across Sydney, Melbourne and Brisbane this June, the Irish alt-folk act is taking it…

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Mia Wray

Album Review: Mia Wray – hi, it’s nice to meet me (2025 LP)

I’ve said it before, but seeing artists grow and evolve from their earliest singles through to their debut album is one of my favourite things as a music fan. In the case of Mia Wray, this evolution has occurred on multiple fronts, from her songwriting and vocals, through to the content of her music and…

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Live Review: Fontaines D.C. + Shame – Sydney Opera House Forecourt (06.03.25)

The Boys In The Better Land are back in Australia and they’re better than ever. Back in the country supporting their Romance album, Fontaines D.C lit up a sold out Sydney Opera House Forecourt, treating fans old and young to a career spanning set. Now four albums deep and touring their universally acclaimed most recent…

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Live Review: Billie Eilish + Ashnikko – Qudos Bank Arena, Sydney (24.02.25)

Back in the country for the first time since releasing her third album, Billie Eilish returned to Sydney for night one of a four-night run and delivered a killer 100 minute set that left the capacity crowd begging for more (literally). Opening up the night was fellow American artist and the only support for the…

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Ball Park Music announce massive national tour in support of new album Like Love

Ball Park Music is back and they’re better than ever. Almost three years since the release of their last album, the brilliant Weirder & Weirder, the Brisbane legends return with their eighth studio album Like Love, accompanied by a huge national tour. Scheduled for a Friday 4 April release, Like Love is named after its…

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Drunk Tank Pink

Shame announces Australian tour for February and March 2025

Last in the country in 2018 and now on the precipice of releasing their fourth album, legends Shame are headed back to Australia for a run of headline, supporting and festival slots. Slotting in to replace Wunderhorse in support of Fontaines DC on their own headline national tour, the five-piece post-punk band from England are…

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Live Review: Annie Hamilton + Jet City Sports Club + Maia Toakley – The Lansdowne, Sydney (13.12.24)

As 2024 comes to its end, I’ve always enjoyed being able to head out and catch a couple local bands get in their last shows for the year, as they cap off what could have been a pivotal year of change for them. In this instance, it was Annie Hamilton headlining the last of her…

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Bowling For Soup

Live Review: Bowling For Soup + Taylor Acorn – Metro Theatre, Sydney (10.12.24)

In town for a run of Good Things sideshows, Bowling For Soup returned to our shores to also play a selection of sideshows. Managing to pack out the Metro Theatre on a Tuesday night, the Texas band brought the best of their 30 year deep catalogue, while also throwing in a couple special treats for…

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The gaslight anthem

Live Review: The Gaslight Anthem – Liberty Hall, Sydney (03.12.24)

A lot can change in ten years. Economics, politicians, relationships, the ability of your football team to win four grand finals in a row. What hasn’t changed though is the quality of The Gaslight Anthem‘s live show. Returning to Australian shores for the first time in a decade, the New Jersey band, led by frontman…

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Hayley Mary

Live Review: Hayley Mary + Sans Rival – Waywards, Sydney (01.11.2024)

Historically Hayley Mary has never failed to deliver. One of the best vocalists of the past 15 years or so, she has always crushed a live show. Heading out on her own on the back of her debut solo album Roman XS, she brought the goods once more to Sydney’s Waywards club. After a couple of…

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Annie Hamilton

Review: Annie Hamilton’s Stop and Smell the Lightning sits as one of the finest albums of the year

You just love seeing artists make massive leaps forward from one album to the next. Here on her second album Stop and Smell the Lightning, Annie Hamilton has done just that. An album filled with vast arrays of whirling sounds and samples, both human and not, Stop and Smell the Lightning is hard to describe,…

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Good Things announces plethora of sideshows ahead of 2024’s festival run

2024’s iteration of Good Things Festival is scheduled to roll through the country commencing the first week of December. With a stellar lineup featuring some of the biggest bands from today, yesterday and tomorrow, the curators have managed to book a lineup that is diverse and ready to please everyone in attendance. From headliners Korn,…

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Album Review: Hayley Mary – Roman XS (2024 LP)

When you find out one of Australia’s best vocalists is about to drop a new album, you drop everything and do whatever you can to listen to their songs. When this artist has been responsible for some of your favourite songs over the past 15 years, it makes it that much more exciting. Here, on…

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Fontaines D.C. announce massive Australian headline tour for early 2025

After finally making their debut visit to Australian shores in early 2023 after a multitude of false starts, the boys from the better land, Fontaines D.C., have announced their return down under with a string of massive headline shows matched with a couple festivals slots. On the back of this year’s stellar Romance, featuring the…

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Live Review: Boy & Bear, Middle Kids and Dylan Wright celebrate GIG60 at Rooty Hill’s Coliseum Theatre

How good is not having to travel more than 15 minutes to get to a gig after a long working week? In short, it’s pretty bloody good. Bringing world class acts to Western Sydney is well overdue, and having Boy & Bear, Middle Kids and Dylan Wright grace the impressive Sydney Coliseum in Rooty Hill…

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The Buoys

Album Review: The Buoys – Lustre (2024 LP)

There’s a certain level of magic in guitar, bass and drum bands. In a world where this set up ever so slowly fades into extinction, The Buoys and their debut album Lustre feel like it could be the catalyst for the recommencement and reemergence of classic, solid and bloody fantastic guitar rock. The Buoys’ debut…

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