Music and Whiskey come together in Anaheim’s innovative Stone Groove Stillhouse

It’s not every day you experience something new, especially in the food and beverage scene. But at the end of last year in Anaheim, California, I did just that at Stone Groove, billed as the world’s first ever “Audio Stillhouse”. So what is an Audio Stillhouse? In short, it’s a distillery where they use “music-driven…

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Trailer for Idiotka unveils high-fashion chaos and reality TV satire

A brand-new trailer has dropped for Idiotka, a sharp and irreverent fashion comedy that skewers reality TV culture while keeping its heart firmly in the right place. The film, written and directed by Nastasya Popov, will hit select theaters in the United States from February 27th, 2026, via Utopia Distribution Led by Anna Baryshnikov as…

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Opinion: Let Victoria Beckham Dance: A Second Look at Posh Spice’s Solo Career

At the turn of the millennium, Victoria Beckham‘s debut solo album arrived carrying an unfair amount of baggage. By 2001, the post-Spice Girls landscape had already begun sorting its winners and footnotes, and “Posh Spice” was too often framed as an image-first participant in pop rather than a musician with something to prove. Listening back…

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Film Review: Mercy; Chris Pratt takes a sci-fi pratfall in AI thriller that’s all tech, no tension

Mercy wants to be a slick, near-future morality play about the creeping dominance of artificial intelligence in modern life and, specifically, in the justice system. Instead, it plays like a film that can’t decide whether it fears technology, worships it, or just wants to use it as a convenient set of shiny props. Set around…

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Album Review: Alexander Wolfe’s Everythinglessness is a purposeful musical journey told from beginning to end

Way back in 2010, a short lived BBC TV series called Whites featured a song called “Song For The Dead” over its opening and closing credits. The song was by Alexander Wolfe from his debut album Morning Brings A Flood, and I was immediately enthralled. 16 years later I continue to follow his musical endeavours…

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Interview: Teresa Palmer and the creatives behind Addition at the Australian Westpac OpenAir Premiere

There’s something quietly poetic about watching Addition under the open sky. Premiering in Australia at Sydney’s Westpac OpenAir Cinema ahead of its national release on January 29th – following its successful run at the 2024 Toronto International Film Festival – the film’s gentle intimacy feels amplified by its setting. Numbers may govern Grace Lisa Vandenburg’s…

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Film Review: Primate; homage to 80s horror lacks a clear narrative

Primate is an 88 minute horror movie about a chimpanzee companion who is bitten by a rabid mongoose, which inevitably infects him with rabies and, ultimately, turns him from a loving member of a family to a violent animal. The film opens up with a particularly gruesome scene, setting the tone of the movie near-immediately….

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Interview: Newton Faulkner chats about his latest album Octopus and upcoming Oz tour

Newton Faulkner’s eighth studio album OCTOPUS marks a bold new chapter for the multi-platinum-selling singer-songwriter and is his most adventurous work to date. Over five years in the making, the album signals a refreshed sense of artistic freedom, blending influences from funk, R&B, soul, and Latin grooves. We chatted to him about the making of…

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Live Review: Wheatus deliver a night of pure, unadulterated nostalgia to Sydney’s Manning Bar

It has been a minute—or perhaps closer to twenty years—since I last stepped foot into a university bar, but the vibe is one that seemingly holds true through the ages. Walking through the stunning, rain-washed grounds of Sydney University as the bells of the War Memorial Carillon rang out and the sun shone finally, there…

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Interview: Kleber Mendonça Filho on cinema, politics, and The Secret Agent; “Films exist in your muscle memory.”

Brazilian filmmaker Kleber Mendonça Filho has never been interested in subtle allegory when reality itself is this confrontational. With The Secret Agent, his latest politically charged thriller set during the final years of Brazil’s military dictatorship, the director once again fuses genre storytelling with cultural memory, paranoia and moral urgency. In a conversation with our…

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Film Review: The Secret Agent stands as one of the year’s most vital films

Kleber Mendonça Filho’s The Secret Agent is the type of film that doesn’t merely ask for attention, it commands it. Set against the suffocating backdrop of Brazil’s military dictatorship in 1977, the film unfolds during Recife’s Carnaval, where colour, music and movement become both camouflage and provocation. What should be a time of collective release…

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Paramount+ announce release date for new Yellowstone spin-off, The Madison, starring Michelle Pfeiffer and Kurt Russell

The Madison is finally starting to step out of the shadows, and Paramount+ is making sure fans of the Yellowstone universe are paying attention. The streamer has released a moody 30-second teaser that offers a tantalising glimpse of Taylor Sheridan’s latest expansion. The short preview leans heavily on atmosphere rather than plot, hinting at emotional…

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Photo Gallery: Wheatus + Thomas Nicholas + Purple Disturbance – Manning Bar, Sydney (20.01.26)

American rock band Wheatus on their 25th Anniversary tour played Sydney’s Manning Bar. The main man of Wheatus, Brendan B. Brown with band and backup singers put on a great show, requesting songs and chatting to the audience and finally delighting everyone with the final song, the classic hit “Teenage Dirtbag” with the crowd singing…

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Film Review: Marty Supreme; sweaty, kinetic sports dramedy is frequently overwhelming

Marty Supreme is exactly the kind of big, brash, slightly unhinged swing that feels tailor-made for co-writer/director Josh Safdie and for Timothée Chalamet at this precise moment in his career. A kinetic, sweaty, frequently overwhelming sports comedy-drama, the film barrels through 1950s New York and far beyond with the same single-minded obsession as its protagonist,…

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Queer Screen Unveils Expansive Program for the 33rd Mardi Gras Film Festival

Queer Screen has revealed the full program for the 33rd Mardi Gras Film Festival, returning to Sydney from 12th – 26th February, 2026 with two vibrant weeks of LGBTIQ+ cinema as part of the Sydney Gay & Lesbian Mardi Gras celebrations. Screenings will take place across key city venues including Event Cinemas George Street and…

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Photo Gallery: Viagra Boys + Private Function + The Gnomes – Hordern Pavilion, Sydney (18.01.26)

Viagra Boys returned to Sydney to play the Hordern Pavilion on The Infinite Anxiety Tour. The Swedish post-punk rockers led by Sebastian Murphy delivered a killer set of brute-force rock and roll that pumped up the crowd and they reacted the only way that made sense, bodies colliding, crowd surfing, sweat flying, fists pumping. Supported…

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Drama, decadence and devotion: The Last Dinner Party’s triumphant Sydney show

On a Saturday night with some of the worst weather Sydney has seen in a while, The Last Dinner Party put their best feet forward and delivered an intricate, fun and overwhelmingly brilliant set as part of their From The Pyre world tour. Returning to Australia 18 months on from their inaugural tour, the English…

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Get your skates on, Sydney Festival presents Mama Does Derby at Town Hall

Irrespective of how old you are, the memories of adolescence are never far behind. The awkwardness and insecurity of growing into yourself – both physically and mentally – and the overwhelming sense that your parents will simply never understand. And if they try, well that’s just so embarrassing. Perhaps that is what makes the character…

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Photo Gallery: The Last Dinner Party + Sir Chloe – TikTok Entertainment Centre, Sydney (17.01.26)

The Last Dinner Party delivered an electrifying and theatrical performance in Sydney at the TikTok Entertainment Centre on a very wet Saturday night. Frontwoman Abigail Morris was magnetic, prowling the stage with preacher-like intensity, her voice swinging from operatic to punkish in the space of a verse. Around her, the band moved like a small…

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“Music is the most comfortable way for me to talk about some things.” – Cavetown on Running With Scissors

Cavetown has always felt like a project built on connection rather than spectacle. Over the years, Robin Skinner has quietly grown from uploading songs online to becoming one of the most trusted voices in indie music, all without losing the intimacy that made people gravitate towards his work in the first place. Now, with a…

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Hilary Duff’s Bold Pop Return: Luck…or Something and Why Her Honest Voice Matters

After more than a decade away from releasing a full-length studio album (the last being 2015’s Breathe In. Breathe Out.), Hilary Duff is rejuvenating her place in pop music with Luck…or Something – a record that feels less like a nostalgic throwback and more like a necessary evolution. Scheduled to arrive on February 20th, via…

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Film Review: The Rip; Damon and Affleck reunite in one of Netflix’s more confident cinematic thrillers

Joe Carnahan’s The Rip arrives with the familiar Netflix sheen, but beneath that polish is something tougher, meaner, and far more cinematic than the algorithm usually allows. A pressure-cooker crime thriller steeped in mistrust and moral rot, the film leans hard into character before letting violence and paranoia take the wheel. It’s a throwback with…

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Film Review: It Was Just An Accident is effortlessly thrilling and deeply unsettling

It Was Just an Accident is a quietly devastating triumph, a film that proves how little spectacle is needed when moral tension, lived experience, and cinematic restraint are in perfect alignment. Working with an almost disarmingly simple premise, writer/director Jafar Panahi crafts a thriller that unfolds largely through conversation, hesitation, and silence. Yet the film…

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Everything we learned from Maggie Gyllenhaal at The Bride! trailer launch

Maggie Gyllenhaal isn’t interested in playing it safe. At the global trailer launch for The Bride!, the writer-director-producer spoke with infectious passion about her radical reimagining of one of cinema’s most iconic monsters, revealing a film that’s punk, romantic, mythic, deeply personal, and unapologetically loud. Here’s everything we learned about The Bride! and the bold…

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Album Review: Madison Beer’s Locket is a quietly devastating pop album – and one of her best

Madison Beer has spent much of her career being underestimated, written off as an influencer-adjacent pop star, praised faintly for singles but rarely credited for her artistry as a whole. Locket, her third album, should finally put that misconception to rest. It’s a deeply introspective, emotionally cohesive body of work that rewards close listening, offering…

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Why What I Like About You is an early-2000s sitcom worth rediscovering on Netflix

With What I Like About You arriving on Netflix Australia this coming Monday, 19th January, the early-2000s sitcom has a chance at a second life – one it arguably always deserved. In its original run from 2002 to 2006, the show rarely received the cultural spotlight afforded to its peers, yet it quietly delivered something…

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7 Rings: How Scream Became Horror’s Most Self-Aware Saga

When Scream arrived in 1996, the slasher genre wasn’t just tired, it was on life support. The once-mighty franchises of the ’70s and ’80s had collapsed under the weight of diminishing returns, self-parody, and cultural irrelevance. Friday the 13th had become a punchline. A Nightmare on Elm Street had turned Freddy Krueger into a merchandising…

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BTS are back, bigger than ever and they’re coming to Australia. Join the waitlist now.

ARMY! Do we have news for you. Back in 2014, we were lucky to get Australia’s first interview with the K-Pop group who became a sensation around the world, BTS. And now for the first time since 2022, the group are back and ready to tour the world through 2026 and 2027 across 34 regions…

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The Musical Universe of Orono: Nose Noise, cheese touch and the future of Superorganism

Last month, I had the privilege of sitting down in Tokyo, Japan with Orono from Superorganism, and her Dad – the namesake of her new project Nose Noise‘s 2025 LP TOM. Orono and I last formally sat down back in 2018 while they were on ground at The Great Escape in the UK, ahead of…

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Interview: 28 Years Later: The Bone Temple director Nia DaCosta and star Erin Kellyman on the feminine reshaping of horror

Returning to a world that once redefined cinematic terror, 28 Years Later: The Bone Temple doesn’t simply extend the legacy of Danny Boyle and Alex Garland’s vision – it interrogates it. Under Nia DaCosta’s direction, the film pivots away from the familiar terror of the infected and toward something colder and more unsettling: the ways…

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