Film

DVD Review: Grantchester The Complete First Series (UK, 2014)

Grantchester is a quintessentially English crime drama set in an idyllic, small town. You’d be forgiven for thinking that with a description like that it must have a lot in common with Broadchurch. But while the latter is a gripping, dramatic success, the former is a painfully slow period piece that covers too much ground…

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DVD Review: Wild (USA, 2014)

A journey of a thousand miles starts with a single step and so too does a journey of 1770 kilometres and one through a path of self-discovery. The latter is also known as Wild or a film that has been adapted from Cheryl Strayed’s best-selling memoir from 2012. One things for certain, this journey is…

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Australian Box Office Report: Jurassic Park is king once again with Jurassic World

What a year! The constant shuffle at the top continues but hey, this one was always bound to happen. It was 22 years ago when Steven Spielberg’s Jurassic Park became a financial and critical success.  And now with new director Colin Trevorrow and star Chris Pratt, the franchise has done it again with Jurassic World. Earning…

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Sydney Film Festival Review: Smut Hounds (Australia, 2015)

I’m ending my Sydney Film Festival coverage looking at a short film that was a perfect end to the run of incredible cinema at the 62nd annual event. Sari Braithwaite’s Smut Hounds was a nine minute film, screening before the French film Metamorphoses, detailing the festival’s role in bringing the conversation of censorship to the…

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Film Review: Inside Out (PG, USA, 2015)

From one of the most creative minds working in cinema today, Pete Docter, comes his third feature length film for Disney/Pixar. First, there were the monsters living in our closets in 2001’s Monsters Inc.. Then, in 2009 he brought us the tale of a man, a house, some balloons and a Boy Scout in Up; a…

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DVD Review: Lost River (USA, 2015)

When Ryan Gosling premiered his Directorial debut Lost River to a packed house at Cannes last year, it’s fair to say the odds were stacked against him. He couldn’t have picked harsher critics to premiere his film to. This is a crowd who have rarely been fans of Actors turned Directors. Do you remember The Brave – Johnny…

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Sydney Film Festival Review: Me and Earl and the Dying Girl (USA, 2015)

Given my past experiences with the horrific disease, I’m one person that finds the deus ex machina of cancer unbearable. It is often done tastelessly, depicting it’s sufferers as people without autonomy or regarded with the self-respect that they deserve – cancer patients are people, not pawns that should be used to explain a protagonist…

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Sydney Film Festival Review: 99 Homes (USA, 2015)

Once named “the director of the decade” from the late, iconic film critic Roger Ebert (who, in turn, has this film dedicated to him), Ramin Bahrani’s new film 99 Homes is a self-described “humanist thriller”, which takes us into the realities of the American housing crisis, out of which tragedy and corruption has emerged. Set…

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Sydney Film Festival Review: How To Change The World (Canada & UK, 2015)

It is only in 1970s Canada where an over-abundance of hippies, draft-dodgers, Buddhists, vegans, nudists, musicians, writers and tree-huggers could meet and create an organisation like Greenpeace. The documentary, How To Change The World looks at the origins of this grassroots, activist movement and shows how it became the enduring institution it is today. The…

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Sydney Film Festival Review: The Price of Fame (La rançon de la gloire) (France & Belgium, 2014)

The Price of Fame (La rançon de la gloire) has an interesting-enough hook. It is based on some true events that occurred in the seventies when two desperate crooks decided to steal the body of the legendary, Charlie Chaplin and hold it to ransom. The film is ultimately a letdown that is plagued by problems…

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Sydney Film Festival Review: Holding the Man (Australia, 2015)

In the mid-90’s, Timothy Conigrave published his bestselling memoir, titled Holding the Man, 10 days before his death. It was a story so intimate and full of warmth that it continued to resonate with Australian audiences over the years. Tommy Murphy adapated it into an award-winning stage production in 2006, and now Director Neil Armfield…

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Sydney Film Festival Review: Foodies (Sweden, 2014)

Track the movements of several gastronomy-addicted bloggers while they travel around the world and eat at some of the absolute top restaurants, most guided by the holy foodie grail that is the Michelin Star rating system. It seems like a terrible idea when you think about it – food bloggers are notoriously uninteresting – but…

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DVD Review: Toast of London Series Two (UK, 2015)

Britain’s worst actor Steven Toast (Matt Berry) is back, in the second season of the hilarious comedy Toast of London. Series two sees Toast moving on to a range of new exploits and acting roles following the surprise success afforded to him by Michael Ball, aided by his eccentric agent Jane Plough (Doon Mackichan) and…

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Sydney Film Festival Review: We Are Still Here (USA, 2014)

Most of the crew involved in We Are Still Here are veterans to the horror genre, and their collective talents come together beautifully in this half satire, half serious story. Director Ted Geoghegan pays homage to the vintage and slightly cheesy, always stringing a thread of self-awareness through the film while it unfolds with a…

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Sydney Film Festival Review: Going Clear: Scientology and the Prison of Belief (USA, 2015)

From prolific Oscar Winning documentary filmmaker Alex Gibney (Enron: The Smartest Guys in the Room, Freakonomics and dozens of others) comes the much talked about new film Going Clear: Scientology and the Prison of Belief, one of three films Gibney has showcased at this year’s Sydney Film Festival (the others were Steve Jobs: The Man…

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DVD Review: Toast Of London Series One (UK, 2015)

If you didn’t manage to catch British comedy series Toast of London when it first aired on the ABC, you best drop everything you’re doing right now and take a trip to your local shopping centre to grab series one on DVD. Written by Matt Berry and Arthur Mathews, the show centres around Steven Toast,…

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Sydney Film Festival Review: The Goob (UK, 2014)

East England county Norfolk is a drab, scrappy location for Guy Myhill’s The Goob and it’s got just the atmosphere necessary to tell a tale of one family’s disquieting struggle with abuse and oppression that runs alongside the portrayal of a young boy’s – the family’s youngest – need for identity and a stable role…

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Sydney Film Festival Review: A Pigeon Sat On A Branch And Reflected On Existence (Sweden, 2015)

To even try and explain a Roy Andersson movie is a mission in itself; his signature absurdist and surreal style is often laced with dark comedy, providing an introspective view into humanity. A Pigeon Sat on a Branch and Reflected on Existence is the third instalment from Andersson’s Living Trilogy –  films about “being a human being” – following…

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Sydney Film Festival Review: Victoria (Germany, 2015)

New in films that unexpectedly leave you completely satisfied and slightly breathless: Victoria, a two-hour, one-shot, action-drama from Director Sebastian Schipper. It’s a film that takes you all over the late-night streets of Berlin as the sun slowly creeps up and the fallout from a chance encounter continues to get more and more intense until…

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Sydney Film Festival Review: Some Kind Of Love (Canada, 2014)

If director and cinematographer, Thomas Burstyn (This Way of Life) appeared on Who Do You Think You Are? It would be one fascinating episode. His family tree boasts a poet-turned-businessman father, an explorer brother and a mother who became a fashion designer after fleeing the Nazis. In Some Kind of Love Burstyn describes all of…

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Sydney Film Festival Review: Cartel Land (Mexico, USA, 2015)

Cartel Land is the documentary that award-winning filmmaker Matthew Heineman risked his life for, and the danger he thrust himself into is communicated shockingly well in this 98 minute look at cartels and vigilante militias both north and south of the U.S./Mexico border. Heineman has a blockbuster flair for this work, which is why it’s…

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Sydney Film Festival Review: Tehran Taxi (Iran, 2015)

When veteran, Iranian filmmaker, Jafar Panahi was jailed in 2010 and banned from making films this made him even more determined to carry on doing just that. In this time he has made not one but three movies, the most recent being Tehran Taxi. This one sees fiction dressed up as a documentary and it…

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Film Review: Jurassic World (M, USA, 2015)

It’s been 22 years since Jurassic Park, and long have us fans of that very first film waited for a sequel that was worthy and lo we finally have it in Jurassic World. We can now safely relegate those other two films into extinction and rest assured that this is now an honourable contender for…

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Sydney Film Festival Review: Love & Mercy (USA, 2015)

The world of music biopic is always a tricky affair. Trying to balance enough rock and roll fantasy and/or exaggeration with reality to create an engaging but honest story about an iconic musician can often serve itself up as a disappointment (De-Lovely and Beyond the Sea are two that immediately come to mind). Focusing on…

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Sydney Film Festival Review: Nasty Baby (USA, 2015)

I’ve often been intrigued by the idea of what would happen if you flip a movie on its head. Market it as one thing and then turn it into something completely different. Something that surprises. Something that gets people talking. Imagine, for instance, if Hostel (2005) had been marketed as a raunchy teen comedy? The idea…

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Sydney Film Festival Review: Sherpa (Australia, 2015)

Jennifer Peedom’s Sherpa is worthy of praise for maintaining it’s focus when it could have easily been lost in the majestic and overwhelming beauty of Mount Everest. The team behind this documentary explore the increasingly strained relationship between the international climbing community and the Sherpas who make such climbs possible, effectively capturing the anxiety that…

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Sydney Film Festival Review: Mr. Dyanmite: The Rise of James Brown (USA, 2014)

Get on Up was the entrée, a biopic on the inimitable, James Brown. But Oscar-winner, Alex Gibney’s documentary, Mr. Dynamite: The Rise of James Brown is the more substantial, main course. For over two hours the audience is treated to a film that is full of music and flamboyance, from old performances on stage and…

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Sydney Film Festival Review: Lambert & Stamp (USA, 2014)

The names Kit Lambert and Chris Stamp may not mean much to you unless you know that they were the unlikely managers of The Who during the sixties and early seventies. The pair are a rather odd couple and they’re also the subject of a documentary by James D. Cooper. The result is a vibrant…

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Sydney Film Festival Review: Dope (USA, 2014)

Those classed as ‘Hood Films’ really made an impact on commercial cinema back in the 90’s. Classics like Boyz n the Hood, Menace II Society, and Juice were met with critical acclaim and appealed to both a crowd that likes intelligent, well-written cinema rife with thoughtful social commentary, and a crowd that just wants an…

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Sydney Film Festival Review: Mr Holmes (UK/USA, 2015)

Mysteries and detective stories have long been popular in literature, arts, films, with the story of Sherlock Holmes long enduring time and remake after reboot after re-imagining. In Mr Holmes we take a look at the world’s greatest detective in his twilight years long since retired but still troubled by one unsolved case. Sherlock Holmes…

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