Arts

Theatre Review: The Bodyguard is salvaged by the songs of Whitney Houston (performances until June 25th)

Through May and June, Sydney’s The Lyric Theatre will serve as the first Australian venue to host The Bodyguard, a production which is as much a tribute to the life and music of Whitney Houston as her iconic 1992 feature-film debut of the same name. I write “iconic” because the film is fondly remembered for…

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7 Arts Events Not To Miss Around Australia – May 2017

Yet again, it’s time to go through a bunch of events not to miss for the month of May. Here are seven of the events we think that’d be well worth going to see and check out, and despite it getting into the colder months of the year, there are many great things to get around to and…

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Book Review: Amy Bodossian’s Wide Open is a beautiful emotional ride through poetry.

Amy Bodossian is an Adelaide performer and cabaret artist who has recently turned her drawings and words with into her debut poetry book Wide Open. She’s performed at all kinds of festivals, from Adelaide Fringe to Woodford Folk Festival to The Big Day Out, and while that list of stages seems quite impressive, this book is…

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Melbourne Cabaret Festival announces 2017 program

The eighth annual Melbourne Cabaret Festival has released a stellar lineup for 2017’s showcase, which will be running throughout June and July. Ten Australian premieres will take place, including an opening night hosted by Cabaret legend and Artistic Director Dolly Diamond, who states the Festival is “…full of homegrown Australian talent with a huge amount of…

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Theatre Review: The Extravaganza that is Aladdin: The Musical is here in Melbourne (performances until October 22nd)

Our tale of love, magic, and adventure takes place in the fabled city of Agrabah where unusual friendships are formed, heroes outwit villains, and true love conquers all. Whilst most of the world knows the story of Aladdin, nothing quite prepares you for the absolute extravaganza that is Aladdin: The Musical. When it comes to…

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Sydney Comedy Festival director Jorge Menindis talks about the just-launched 2017 season

The Sydney Comedy Festival has been around for thirteen years and has amazingly grown from a festival with humble beginnings, into a force that itself has grown to a major arts festival in Australia. Director of the festival for all that time, Jorge Menindis details the history while making some last minute plans prior to…

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Theatre Review: England by Tim Crouch is a masterfully crafted production (Performances in Brisbane until 29th April)

What is the price of a heart? The very source of love and life is taken from one to give to another as flippantly as trading a piece of artwork… sold to the highest bidder. Except, in this case, it was stolen goods, traded by deceit. England, a masterfully crafted play by British playwright, Tim…

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Book Review: Patty Yumi Cottrell’s Sorry to Disrupt the Peace explores that most universal question: “How do I go on, when they do not?”

One day, while waiting for her roommate’s new IKEA sofa to arrive, Helen Moran receives the news that her adopted brother has committed suicide. She orders a black turtleneck to wear to the funeral, leaves a message for her boss, and books a one-way flight back to Milwaukee. But her adoptive parents are surprised to…

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Book Review: The Mysterious Mr Jacob by John Zubrzycki brings to life the days of British India

Immortalised in Rudyard Kipling’s Kim as master spy and gem trader Lurgan Sahib, Alexander Malcolm Jacob lived a life every bit as exciting as anything any author could have imagined. Now, John Zubrzycki, a former Delhi-based foreign correspondent, has pulled together extensive research to tell the story of The Mysterious Mr Jacob, bringing Nineteenth Century…

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Garlands of flowers adorn the Concert Hall of the Sydney Opera House for the Academy of St Martin in the Fields led by Joshua Bell

The Concert Hall was adorned with garlands of flowers last night as the Sydney Opera House presented the Academy of St Martin in the Fields led by Joshua Bell. A picturesque premise to an evening of truly beautiful music. This is the renowned orchestra’s first tour to Australia, and there’s definitely something special about listening to them live. One…

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Theatre Review: Big Fish at the Hayes Theatre is whimsical delight, all kinds of magic, and an absolute must-see

Not too often can you honestly say that a smaller independent production of a musical is undeniably better than a full-scale Broadway production, but Big Fish at the Hayes Theatre has surely got to be one of those times. The signature intimate theatre and the sincerity of the performances gives this musical the biggest of…

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Melbourne to host the first major Australian exhibition of the influential and popular Japanese artist Katsushika Hokusai

The great wave off Kanagawa – It is perhaps the best known and most recognisable piece of Japanese art. It has adorned walls, notebooks and computer desktops the world over, and now Australian art enthusiasts get to witness it, alongside other works by its creator, in the flesh at Melbourne’s National Gallery of Victoria this July….

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Hannah Gadsby wins the 2017 Barry Award with her show Nanette

Hannah Gadsby has taken out the 2017 Barry Award for Best Show at the Melbourne International Comedy Festival. Gadsby won with her show Nanette – a self described swan song. The award was announced during the traditional late-night ceremony at The Festival Club, and saw Gadsby edging out fellow nominees Damien Power, Anne Edmonds, Tom…

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Hotel guests asked to disrobe in the name of art and self liberation

From the 1st May until the 15th June, the Art Series Hotel Group are inviting guests to sleepover, strike a pose and find themselves the subject of a life drawn masterpiece. This is all part of the hotel group’s ‘No Robe Package’ which asks guests to reveal the “real” them for a group of artists…

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Theatre Review: Sex Object gives audiences more than a happy ending (Shows until 29 April)

Charlie Falkner wants to talk about sex. Specifically, the kind of sex tech-savvy, self-obsessed Millennials are having (or not having). His latest play, Sex Object, produced by JackRabbit Theatre Company and showing at The Depot Theatre, is a fast-paced, uber-real, laugh-a-minute look at what makes people tick in the modern age. And it is furiously…

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Five Reasons To See Kinky Boots in Sydney (Now Playing at the Capitol Theatre)

Kinky Boots stalked onto the stage last night for its Sydney Opening Night and we loved every sparkling moment! If you’re not quite convinced you need to see this dazzling musical yet, here are our five reasons why you really ought to strap on your heels and get to it- The absolute party that Kinky…

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Theatre Review: The Tragedy of Romeo and Juliet – Shakespeare By The Bay (performances until April 23, 2017)

Set among the beautiful surrounds of Robertson Park in Watsons Bay, Sydney, Shakespeare By The Bay presents The Tragedy of Romeo and Juliet. In partnership with Bard on the Beach, Watsons Bay Hotel and the Woollahra Council, Romeo and Juliet plays out against an ocean backdrop, with the water lapping gently against the dock as…

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Book Review: Clementine Ford’s Fight Like A Girl is an uncompromising and important feminist polemic

Clementine Ford’s latest book Fight Like A Girl packs punches in the best possible way. The feminist commentator has penned a volume that is like a personal polemic; one that is not dissimilar to the work of Lindy West, Caitlin Moran, Tara Moss et al. Fight Like A Girl then, is another important and welcome addition to the ongoing…

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Aled Jones chats about his latest album One Voice and his upcoming Australian tour

Aled Jones was recently in Australia promoting his brand new duet album One Voice- a unique concept, as the album is a collection of songs with Aled dueting with his none other than his younger self! We caught up with Aled in Sydney to talk about the album, the chance discovery of these youthful recordings…

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Perri Cassie on his 2017 MICF show, Channel Perri, and his comedy heroes

The Melbourne International Comedy Festival has brought together a wide array of comedians and performers for another year, bringing a stack of world class shows through to the city until April 23rd. The comedy festival in Melbourne has also proven hugely fruitful for Aussie comedians marking their mark as emerging talent – one such talent…

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John Patrick Shanley’s acclaimed Doubt: A Parable to recieve a limited season in Sydney

Sydney is about to enjoy a new production of John Patrick Shanley’s multi award-winning drama Doubt: A Parable, with a limited season due to kick off at the Old Fitz Theatre in Woolloomooloo from 10th May until 3rd June. Originally staged off-Broadway, the play transferred to Broadway in 2005 and sustained 550 performances over almost…

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MICF Review: Alice Fraser’s Empire is amusing, but dense (performances until April 23rd)

There’s potential for the material in Alice Fraser’s Empire tone the basis of many inspirational talking engagements (she’s actually done a TED talk, so maybe she’s already there), but a show that gives us depth and meaning weren’t so much funny but reflective. Fraser doesn’t shy away from the tricky and the thoughtful. Starting on…

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MICF Review: 3 Course Comedy is a foodies paradise (Performances until April 22nd)

There’s nothing quite like enjoying a late night comedy show on a weeknight and strolling the streets of Melbourne with fellow comedy goers. 3 Course Comedy enticed me by their title first and foremost, mostly because I’m a foodie and I love a good degustation. Plus, why not support up and coming comedians! Each night the line-up changes…

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MICF Review: Becky Lucas’ Little Bitch is a amusing tale of attitudinal whimsy (performances until April 23rd)

Heading to the bottom of The Victoria Hotel is a somewhat weird experience. You’re in this dark room, with all kinds of spookiness looking to burst out of you. But really all that bursts out is delightful Becky Lucas with a charm and wit that lights up the room. Lucas captures people’s attention for her…

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MICF Review: Nick Cody’s On Fire is all tough and sensitive at the same time (performances until April 23rd)

There’s a brashness with Nick Cody. He seems like the friendliest person that you could meet your friend’s BBQ and just chat to about all manner of things. But at the other end, he seems like someone who could evaporate you with a flick of his pointy finger if you piss him off. This was…

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MICF Review: Grant Busé’s The Birds and the Beats is lovingly fair (performances until April 23rd)

SEX! Now that I’ve got your attention – imagine a darkened room, an empty stage, when suddenly a 27-year-old, self-described as the love child of Kurt Cobain and the Paddle Pop Lion, demonstrates his conception and birth using various props and an amply-placed curtain. The man is Grant Busé and it’s the intro into his…

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Win a double pass to Hidden Sydney – The Glittering Mile at Sydney’s World Bar

Back by popular demand, Hidden Sydney – The Glittering Mile will return 25 May – 18 June 2017 as part of Vivid Sydney’s Kings Cross program. Hidden Sydney – an immersive cabaret experience celebrating Kings Cross in the 50s, 60s and 70s at the Nevada-the former Sydney brothel which boasted the biggest bed in the world….

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MICF Review: Guy Montgomery’s Let’s All Get In A Room Together is a fun, goofy bit of storytelling (performances until 23rd April)

Guy Montgomery has this interestingly crescendo-like style of stand-up in Let’s All Get In A Room Together. It’s certainly a set full of happiness and goofiness, free from any political doom and gloom that many other comedy shows are focusing on this festival, but he can certainly be set to go on a really good story which rises to…

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MICF Review: Puppetry of the Penis is as quirky as one can be… down there (performances until 9th April)

It was just like any other Sunday evening as I sat in the audience of the Palms theatre at Melbourne’s Crown Casino. However, on this particular evening, two men were about to walk onstage, throw off their cloaks, and perform for a paying audience the ‘ancient art of genital origami.’ For those a bit slow…

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Theatre Review: STC’s Talk is a searing, hilarious look at modern journalism (Performances at the Sydney Opera House until 20th May)

Talk is a play that feels like Frontline version 2.0. It’s a satirical look at the modern state of journalism, a place that has seen many experienced reporters lose their jobs while amateurs and citizen journalists have risen up. This Sydney Theatre Company production is a searing indictment on the current media climate as it…

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