Author: John Goodridge

John is a passionate photographer and reviewer, focused on Australia's vibrant music, culture and arts scenes. His vibe is one of infectious enthusiasm. Also enjoys romantic strolls on the beach.

Album Review: Above and Beyond – Common Ground (2018 LP)

If you’re looking for the perfect cruisy soundtrack for your summer beach party the latest release from Above and Beyond could be just for you. The English based EDM group is already making waves on the charts within days of their latest release, Common Ground. The list of nominations and awards that they have amassed…

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Review: Club Swizzle sizzles and entertains at Space Theatre in Adelaide

Amongst the rubble of the Festival Theatre, buried deep in the Space Theatre, Club Swizzle is a welcome distraction to the outside world. Transformed into a burlesque bar, the atmosphere hits long before the show even begins. Waiters wander and the MC, Reuben Kaye mingles and greets the guests as they take their seats. The…

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Review: A Very Kransky Christmas has the audience in (festive) stitches

The Kransky Sisters have set out on a national Christmas tour from their hometown in Esk, Queensland, to share their memories of Christmases past. Before the sisters arrive, the audience is treated to an intriguing slide show of their adventures to date, featuring the big Koala and the big potato amongst other charming places. Eve,…

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Feast Festival Review: Brodie John bares his soul in Burlesque by Force at Nexus Arts in Adelaide

On the same day that Australia voted “yes” to marriage equality, Brodie John presented his brave and personal account of childhood sexual abuse. Dressed in drag and playing to an imaginary audience side stage, we are plunged into an intimate moment of rapture with Brodie as he takes his final bow. He then begins the…

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Exploring the Riverina area of NSW during the Deni Ute Muster

The Deni Ute Muster has been a regular drawcard for car enthusiasts for almost twenty years. With a range of activities including car demonstrations, a rodeo challenge, plenty of live music, helicopter joy rides, food, drink and sideshows, there is plenty to keep the whole family amused. Deni is also host to the Rhythm, Blues…

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Album Review: Purple Disco Machine – Soulmatic (2017 LP)

German producer Purple Disco Machine has released his debut studio album Soulmatic and it’s as full of funk and soul as can be. After working with Jamiroquai and Gorillaz, the influences are clear. The 13-track album starts with “Music in You” featuring Lorenz Rhode and is packed full of vintage disco vibes and that 70’s funk…

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Interview: Eddie Berman (USA) on the release of his latest album, Before the Bridge

North American roots artist Eddie Berman has just released his latest album Before the Bridge and John Goodridge had a chat to him about the making of the album. It’s been a pretty busy year for you with releasing an album, having a baby and moving house, how have you managed it all? I actually…

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OzAsia Review: Aakash Odedra shines in Rising, a breathtaking four-part dance performance

Like the dawning of a new day, a gentle light envelops the stage. Slowly we become aware of a solitary figure crouching in the gloom, gradually becoming clearer. Aakash Odedra dressed in traditional flowing Indian robes, unravels his body and dances across the stage in increasingly faster yet controlled movements. The name of this piece,…

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OzAsia Festival Review: Specific Places Need Specific Dances entertains as it breaks down cultural barriers

When strangers meet, they unconsciously do a “dance”, a subliminal meeting of minds using body language. Darlane Litaay and Tian Rotteveel explore this idea in their dance piece Specific Places Need Specific Dances, which this week is part of the OzAsia Festival in Adelaide. Indonesian native Litaay met Dutch / German Rottveel in Papua New…

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OzAsia Festival Review: Until the Lions by Akram Khan – Playhouse, Adelaide

Until the Lions is derived from a tale in the Mahabharata about Amba and Shikhandi. Director Akram Khan has a long history with the Mahabhrata, having performed in Peter Brook’s version in 2005. In this dance piece, Khan brings to life the story of Amba, who on her wedding day is abducted by Bheeshma as…

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Interview: Luke Elliot (USA) chats about the making of his debut album, Dressed For The Occasion

Germany’s Rolling Stone has compared Luke Elliot to some of the greatest sonic storytellers of our time and it’s easy to see why when you listen to his debut album Dressed For The Occasion. Recorded in Norway by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile), it has a real spaghetti western country feel. We…

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Theatre Review: Bram Stroker’s Dracula is reinvented by Shake and Stir (Performances in Adelaide to 16th September)

Bram Stoker’s Dracula has been interpreted many times over the years on stage and screen. This time, Queensland based Shake and Stir Theatre Company have breathed new life into the ageless classic. A single lit window on a darkened stage is the only clue to what is to come. There are shocks a plenty –…

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Adelaide Festival announce Australian premiere of Brett Dean’s opera Hamlet

After dazzling audiences and critics alike at its recent world premiere, produced by the renowned Glyndebourne Festival Opera, in the UK, Neil Armfield‘s production of Australian composer Brett Dean‘s masterpiece Hamlet, conducted by Nicholas Carter, is set to make its Australian debut in March, with an exclusive season at the 2018 Adelaide Festival. Hailed as…

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Review: Sydney Dance Company at their masterful best with Frame of Mind and Wildebeest double bill

The Sydney Dance Company are currently touring Australia with double performance of two individual but complementary pieces; Wildebeest with choreography by Gabrielle Nankivell and Frame of Mind by Rafael Bonachela. I caught the production last week as it arrived in Adelaide. In the opening scene of Wildebeest,  a lone figure slowly unravels and expands in a…

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Theatre Review: Split Second Heroes take on an action adventure – Space Theatre, Adelaide

The Space Theatre stage setting is sparse; a central console and an outer ring of lights are the only props. The three performers, Black, White and Grey enter the stage to the sound of pulsing music and start to circle around the space, slowly at first then picking up the pace. The effect is one…

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Review: Tedeschi and Bell deliver an enrapturing performance of Enoch Arden at the Adelaide Festival Theatre

Enoch Arden is a stirring tale written by Alfred, Lord Tennyson in 1884. It tells the story of three children growing up together in a seaside town and the complicated love triangle between them. Enoch Arden is the rough sailor’s son who wins Annie Lee’s heart over his rival Phillip Ray. The performance at the…

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Review: Adelaide Cabaret Festival’s Backstage Club was the perfect way to taste the festival’s many shows

There are traditional cabaret MC’s and then there is Reuben Kaye. With an outrageous dress style, enough glitter to drown a Pride Mach and dark eyelashes that make him look like Jeannie Little has had a stroke, Reuben has gone to way too much effort to not let everyone have a good time. He prances,…

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Album Review: Crooked Colours – Vera (2017 LP)

After eighteen months in the studio, Perth trio Crooked Colours have just released their debut album Vera. This is a well-crafted and enjoyable release for those that love their music laid-back yet still up-tempo. The opening track “Flow” is a likable and catchy tune that has those summer vibes threading through. It begins with that…

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Feature: Bad//Dreems let us in on how Gutful has seen them grow as a band

Adelaide’s own Bad//Dreems finished their Gutful national tour at home on the weekend, playing to a sold out venue at The Gov – their largest headlining show in Adelaide to date. We followed the guys around a bit after their soundcheck on Saturday night and found out how this tour has compared to their other adventures on the road,…

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Adelaide Cabaret Festival Review: Tina Del Twist is Gold Class

You can tell the moment that Tina Del Twist (Wes Snelling) lurches out onto stage, with a bottle clutched in her hand, knocking over several props along the way, that this is going to be a wild ride. Introducing her band, visible to only Tina, she reminisces about her recent “world tour”, which we suspect…

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Bluesfest Byron Bay celebrates 28 years in style at the Tyagarah Tea Tree Farm over Easter Weekend

Bluesfest Byron Bay had such a variety of performances in five tents over five days that it can be difficult to catch it all. With five stages running between 11am and midnight so there is a lot going on. John Goodridge lists a few highlights from his visit. Patti Smith and her band perform Horses Patti Smith…

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Devon Allman (St. Louis) chats about latest album, Ride or Die, and Bluesfest

Devon Allman is in Australia playing for Bluesfest with a couple of sideshows in Sydney and Melbourne. John Goodridge caught up with him backstage to chat about music making and recording his latest album Ride or Die”. How have you been enjoying Bluesfest? I say it on the mic and I really do mean it,…

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Adelaide Fringe Review: The Chemsex Monologues – The German Club (Performances until 19th March)

The Chemsex Monologues is a 2016 play written by British playwright Patrick Cash and performed by London Ensemble, Dragonflies Theatre. It is a confronting look at the anonymous underground world of gay sex parties in London. The narrator (Richard Watkins), sitting in a chair on a bare stage launches into graphic description of his night on drugs and…

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Adelaide Fringe Review: Justice and Trainweck Change History – The Producers (Performances until 19th March)

It’s that time of the Fringe when you feel like you’ve seen all the big shows in the major hubs. There’s a week left, surely there’s more to the Fringe than the Garden. Now’s the time to venture further out to smaller venues such as Tandanya, Tuxedo Cat or the Producers. It’s upstairs at the…

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Interview: Inside the mind of Bluesfest director Peter Noble

Bluesfest has been a staple on the Australian music scene for well over twenty years and director Peter Noble has been involved for most of that time. We had a chat with Peter on what motivates him and some of the reasons behind the success of the event. Let me start by asking how does your…

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Adelaide Fringe Festival Review: Blanc de Blanc – Magic Mirror Spiegeltent (Performances until 19th March)

It’s time to dust off that schoolboy French and put on your dancing shoes because Blanc de Blanc has come to the Adelaide Fringe. The beautiful Magic Mirror Spiegeltent is the perfect setting for this show. A wrought iron staircase leading to a balcony overlooks the main stage and the audience is seated in the round. Blanc…

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Adelaide Fringe Festival Review: Anya Anastasia Rogue Romantic – Royal Croquet Club (Performances until 19th March)

As we take our seats in the Black Forest at the Royal Croquet Club, we spot a lone figure in a flowing red dress slumped over an onyx grand piano. Around her three other figures are cleaning and sweeping. Oblivious to the crowd around her, she begins a piano melody, a sad song about loneliness….

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Adelaide Fringe Festival Review & Photos: The Kinsey Sicks’ DRAGAPELLA will leave you in stitches (Performances at Studio 7 until 19th March)

The Kinsey Sicks are “America’s Favorite Dragapella Beautyshop Quartet” and it’s easy to see why. With patriotic red white and blue costumes straight from the fifties, and four part harmonies of your favorite songs over the last twenty-three years, these girls know how throw to party. A tupperware party, that is. The four girls: Trixie, Trampolina,…

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Adelaide Fringe Festival Review & Photos: Little Death Club – The Black Forest, Royal Croquet Club (Performances until 19th March)

Little Death Club is not like most cabaret shows. The slightly twisted and strange collection of acts is what would be classified as Fringe by people who complain that the fringe has become too safe and mainstream. Dressed in black sequins and feather, MC Bernadette “Bernie” Byrne wanders through the crowd, greeting the seated guests…

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Adelaide Fringe Review: Wank Bank Masterclass – Garden of Unearthly Delights (Performances until 18th March)

It’s not without some trepidation that I accepted an invitation to the Wank Bank Masterclass. Adam Seymour, aka Rural Ranga, perfected the art of Taoist massage during his stay in New York and has presented this class as a way of improving the art of genital stimulation. We are ushered into the tent and given a bag containing…

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