Day: 23 February 2026

adelaide fringe

Adelaide Fringe Review: Keep In Touch uses acrobatics to explore human connection

The darkened stage contains little but a white telephone upon a table. It rings. Young dancers, clad in harlequin-style outfits race to answer it, reminding us of the time that was commonplace in our homes. It becomes a dance of calling, answering and connecting, setting the scene for what is to come. The young Taiwanese…

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An Emo Extravaganza delivers big energy on a small stage at Melbourne’s 170 Russell

The Sunday rain couldn’t keep eager concertgoers away from 170 Russell in Melbourne, where Broadside, This Wild life, Hot Chelle Rae, Cartel and Anberlin rolled into town for Destroy All Lines’ An Emo Extravaganza. Announced late last year, there was lots of hyper surrounding this event. Still, a last-minute venue downsize for Melbourne hinted that…

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Adelaide Fringe Review: Darkfield’s Seance is a mind-bending experience

Nestled amongst the attractions of sideshow alley at the rear of the Garden of Unearthly Delights is an unassuming collection of white ocean containers. They house three of the Darkfield experiences, Seance, Flight and Invisible. The nearby screams of patrons being flung high in the air on the various rides lend a strange contrast to…

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Interview: David Maler on Zumeca and rewriting the story of conquest through love

History is often told in sweeping gestures – conquest, empire, survival. But in Zumeca, David Maler narrows the lens. Set against the violent collision of worlds in the early days of the Americas, the film reframes the so-called “discovery” of the New World through something far more intimate: the relationship between a Spaniard, Miguel, and…

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Film Review: The Testament of Ann Lee; you truly haven’t seen anything like Mona Fastvold’s assured spiritual fever dream

There’s a particular kind of audacity required to make a film like The Testament of Ann Lee. It’s a historical epic. It’s a spiritual fever dream. It’s a full-bodied musical about celibate 18th-century dissenters who worshipped by trembling and dancing themselves toward transcendence. And somehow, under the assured direction of Mona Fastvold, it coheres into…

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Interview: Amanda Seyfried and director Mona Fastvold on the ecstasy, grief, and radical power of belief of The Testament of Ann Lee

From the outside, The Testament of Ann Lee might sound like an unlikely cinematic proposition: a period biopic about the founder of the Shakers, structured as a musical, rooted in ecstatic song and movement rather than spectacle. But in the hands of writer-director Mona Fastvold and star Amanda Seyfried, the film becomes something far more…

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Adelaide Fringe Review: Shamrocks play unforgettable Irish party songs

There’s nothing like a good Irish pub show to get your evening off to a grand start. The Shamrocks have finally made their way to Adelaide to show how to do exactly that. The six Irish lads, including two sets of brothers have an instantly likeable energy about them. Raymond Walsh created the Shamrocks back…

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Adelaide Fringe Review: Earnest? … or the importance of having stand-ins

Oscar Wilde‘s farce The Importance of Being Earnest is all about two young men about town who lead double lives, avoiding their social obligations. It is normally played in a rather rigid format by rather experienced thespians. It’s a play that explores explores themes of identity, social expectations, and the nature of truth and deception. Which…

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The Arzopa D14 Digital Photo Frame is a decent addition to any home

I’ve never actually gotten around to getting a digital photo frame, but given my family’s ever-expanding shared folders and social media inboxes full of photos, I’m not really sure as to why. My wife and I constantly update our own shared albums and send photos to each other daily, and thanks to the Arzopa D14…

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