Day: 21 December 2025

The Last Dinner Party’s Georgia Davies on coming home, creative confidence and bringing theatre to Australia

The Last Dinner Party have spent the past year accelerating from London newcomers to one of the most talked-about bands in contemporary guitar music. Their debut album, Prelude To Ecstasy, announced the all-female five-piece with grandeur, pairing sharp songwriting and theatrical vocals with a baroque-inspired visual identity that felt fully formed from the outset. Their breakout…

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Now You See Me Live at the Sydney Opera House will make you believe in magic

Inspired by the films of the same name, Now You See Me Live at the Sydney Opera House is a fantastical night of illusions, sleight of hand and death-defying stunts. Performing together in Australia for the first time, Adam Trent (USA), Enzo Weyne (France), Andrew Basso (Italy), and Gabriella Lester (Canada) are the four Horsemen…

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Film Review: The Housemaid makes no apologies for its campy, theatrical flair

Like all twist-laced thrillers based on successful (if trashy) novels, to some there’ll be a level of expectation walking into a feature like The Housemaid. Thankfully, even if you are initiated with the turns and curveballs that author Freida McFadden laid out in her novel of the same name, screenwriter Rebecca Sonnenshine (The Boys, The…

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Film Review: Rental Family is a beautiful, non-judgmental look at unique human connection

As outlandish as it sounds, in the early 1990s in Japan a rental family service (レンタル家族), or professional stand-in service, was founded to provide clients with actors who portray friends, family members, or coworkers for social events such as weddings, or to provide platonic companionship. In a city as big as Tokyo the idea of loneliness is…

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Interview: Takehiro Hira and Mari Yamamoto on how Rental Family reshaped their view of honesty

In Rental Family, connection is never simple – it’s negotiated, performed, and deeply felt in the spaces between what’s said and what’s withheld. Takehiro Hira and Mari Yamamoto bring quiet precision and emotional intelligence to a film that lives in those in-between moments, portraying characters shaped as much by restraint as by longing. As Brendan…

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Interview: Rental Family director Hikari and Brendan Fraser on exploring the importance of connection

In an age defined by curated selves and digital distance, Rental Family asks a quietly radical question: what if connection – even borrowed connection – could still save us? Directed with tender restraint by Hikari and anchored by a deeply humane performance from Brendan Fraser, the film follows a drifting American actor who finds work…

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