Day: 22 January 2022

Watcher is a formulaic, but no less tension-filled thriller carried by a striking Maika Monroe: Sundance Film Festival Review

A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…

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Jesse Eisenberg’s When You Finish Saving the World is a shallow drama that lacks true satirical bite: Sundance Film Festival Review

There are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success.  The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes…

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Fresh is an ambitious, genre-skewering effort that should satisfy those with off-kilter pallets: Sundance Film Festival Review

Off-putting it may be, there’s enough deliciousness throughout the wicked Fresh that your pallet is sure to be satisfied in spite of the cannibalistic practices laid forth. An initial romantic dramedy, director Mimi Cave sets up the dating scene with all the discouragement you’d expect, with Noa (Daisy Edgar-Jones) endlessly swiping through her Tinder-esque apps,…

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