Ryan Simpkins

Film Review: The Exorcism compromises its dramatic intentions with shoehorned horror elements

Whilst it’s understandable that audiences may assume The Exorcism is somehow related to last year’s The Pope’s Exorcist – and given both their closeness in title and sharing of Russell Crowe, you can see why – but Joshua John Miller‘s genre entrant is more a dramatic character study, with many of the horrific elements feeling…

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