Midsommar

Film Review: Eddington is a divisive neo-western that delights in its provocation

Forgoing the surrealism that largely laced his previous films (Hereditary, Midsommar, Beau Is Afraid), Ari Aster‘s Eddington is, arguably, his most straightforward film to date.  It’s also likely to be his most divisive. Set in the heat of the pandemic – May 2020, to be exact – the film’s lead focal character, Sherriff Joe Cross…

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