If you are one of the many audience members seemingly disappointed that Dakota Johnson‘s love triangle with Chris Evans and Pedro Pascal’s in Materialists earlier in the year wasn’t as romantic as you were led to believe, then it’s possible that Michael Angelo Covino‘s Splitsville may be the antidote. Of course, this self advertised “unromantic…
The female matchmaker. The handsome singleton. And her familiar ex-boyfriend. The set-up feels ripe for the most standard of romantic comedy practices, and perhaps in the hands of a more traditionally-minded writer/director that’s what we would have received. But under Celine Song (Past Lives), Materialists defies genre expectation with a meditation on love and its…